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IMDbPro

A Excêntrica Família de Antonia

Título original: Antonia
  • 1995
  • R
  • 1 h 42 min
AVALIAÇÃO DA IMDb
7,4/10
9,8 mil
SUA AVALIAÇÃO
A Excêntrica Família de Antonia (1995)
Home Video Trailer from WinStar Cinema
Reproduzir trailer1:35
1 vídeo
32 fotos
ComédiaDrama

Uma mulher holandesa estabelece e, por várias gerações, supervisiona uma comunidade matriarcal muito unida, onde o feminismo e o liberalismo prosperam.Uma mulher holandesa estabelece e, por várias gerações, supervisiona uma comunidade matriarcal muito unida, onde o feminismo e o liberalismo prosperam.Uma mulher holandesa estabelece e, por várias gerações, supervisiona uma comunidade matriarcal muito unida, onde o feminismo e o liberalismo prosperam.

  • Direção
    • Marleen Gorris
  • Roteirista
    • Marleen Gorris
  • Artistas
    • Willeke van Ammelrooy
    • Jan Decleir
    • Veerle van Overloop
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    9,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Marleen Gorris
    • Roteirista
      • Marleen Gorris
    • Artistas
      • Willeke van Ammelrooy
      • Jan Decleir
      • Veerle van Overloop
    • 86Avaliações de usuários
    • 23Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 8 vitórias e 10 indicações no total

    Vídeos1

    Antonia's Line
    Trailer 1:35
    Antonia's Line

    Fotos32

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    Elenco principal67

    Editar
    Willeke van Ammelrooy
    Willeke van Ammelrooy
    • Antonia
    Jan Decleir
    Jan Decleir
    • Boer Bas
    Veerle van Overloop
    • Thérèse
    Els Dottermans
    • Danielle
    Dora van der Groen
    • Allegonde
    Esther Vriesendorp
    • Thérèse (13)
    Carolien Spoor
    • Thérèse (6)
    Thyrza Ravesteijn
    • Sarah
    Mil Seghers
    • Kromme Vinger
    Elsie de Brauw
    Elsie de Brauw
    • Lara
    Reinout Bussemaker
    • Simon
    Marina de Graaf
    Marina de Graaf
    • Deedee
    Jan Steen
    • Lippen Willem
    Catherine ten Bruggencate
    • Malle Madonna
    Paul Kooij
    • Protestant
    Fran Waller Zeper
    • Olga
    Leo Hogenboom
    • Pastoor
    Flip Filz
    Flip Filz
    • Kapelaan (The Curate)
    • Direção
      • Marleen Gorris
    • Roteirista
      • Marleen Gorris
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários86

    7,49.8K
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    10

    Avaliações em destaque

    wayne-106

    Female-centric, not anti-male

    This is a wonderful movie that shows how one woman and the people around her find happiness while rejecting the roles that society would force on them. There are good men such as farmer Bas and Simon, and perhaps even the priest in the end. This movie is not primarily about them however. It is about Antonia and her line of descendents: Danielle, Therese and Sarah. By rejecting stereotypes about the mentally ill, gay or other marginalized groups and accepting everyone for what they are, this family was able to find happiness in the face of hardship. Despite the despair of crooked finger, they prove that life is worth living. It is a complex movie. In the word of one of Therese's suitors, life is an intersection of relationships. The many relationships portrayed in this movie, most loving, some not, are what give it life and give the lives of these characters its meaning. I am a male and opponent of excessive political correctness. I was not offended in the least by this movie. The characters in it are wonderful. They happen to be mainly women, which is a refreshing change in a world where so often the female characters are only there as props for the male stars. I give it fourteen thumbs up!
    9chrisck

    Great film

    I found Antonia's Line to be a wonderful expression of what is endearing and enduring in the human spirit. It was a truly lovely story, clever character development, warmly delivered. I can understand how some may not understand or enjoy this film. It flies in the face of convention, but that is its beauty. Some would fear the freedoms this film demonstrates.

    Love and acceptance abound, in a timeless manor. I like the way it offered a different definition of family, one where diversity is an asset, guarded by respect.

    This is one of the greatest stories to come across the screen.
    9ferretcat1

    It's not anti-male, anti-family, anti-religion

    I think the other viewer got it wrong when they said the movie suggested "who needs men?". This movie contains every kind of relationship combination imaginable-- the message was anybody can find love. People also have children under all sorts of circumstances in this movie. The characters are in a family like relationship to each other because in a lot of cases they don't fit in with their family or the norm. Not to mention it explores the relationship of a woman with her family--- her mother, her daughter and her granddaughter. This movie explores religion and atheism, namely the hypocrisy of religion and the emptiness and search for meaning when one doesn't have religion. This movie explores a lot of themes- love, life, death, good vs. evil, and meaning. If all a person got out of it was that it was anti-family and anti-religion and anti-male, then they have lived a pretty sheltered life and won't get "it" anyway.
    9williamknott

    A Story Well-Told

    For the intelligent and reflective movie-goer, there is much to appreciate about this film. To begin with, the opening narration, although fantastic, is just about the best opening line to any story out there. It immediately draws one into the world of these weird, wonderful people. And that fantastic aspect is maintained throughout the film, like a fairy tale that provides a surprise around every corner. It is a pleasure to be taken into this kind of world for the 100+ minutes of the film.

    I strongly disagree with the comments, which the IMDb is currently (as of March 13/04) displaying as being "representative," which states:

    "If you hold dear the innocence of children, respect God and those who serve Him, and hold dear what is beautiful in a spiritual sense, you will probably dislike this film."

    That's one seriously narrow-minded opinion the IMDb people have selected as being representative. There was a time when the IMDb was more discriminating in what they allowed through to the site. That they allowed *this* posting through *and* chose it to represent the average response to the film is bad a sign; the ship is sailing but there's nobody at the wheel. Reading those comments, one could easily conclude that there are a great deal of sadly unimaginative people out there who just don't get this film.

    It isn't surprising that someone with the kind of insular view of the world as expressed in those "representative" comments wouldn't enjoy this film. I never thought of it this way, but I suppose "Antonia's Line" is not for the polite, ultra-conservative, easily-offendable religious folks out there who, it seems, are more apt to feel threatened by fantastic stories like this than to appreciate them for what they are. "Antonia's Line" is the kind of story that give us permission to *imagine* how things might be if they were just slightly eschew. This film is not a picture of the real world, but, like a good fairy tale, provides one an opportunity to reflect on a variety of human conditions and experiences that everyone in some way can relate to.

    In this regard, "Antonia's Line" is a wonderfully rich and rewarding film, and a beautifully well-told story.

    It should not be dismissed so easily. (And the IMDb ought to get their act together.)
    myefairy

    Rich encapsulation of life

    This film was like taking a trip to an alternate universe and being given the gift of living a full, rich, and rewarding life there. For the most part, everyone is redeemed &/or fulfilled, although no one escapes tragedy, and some definitely have it worse than most. There was a line from the narrator, something to the effect of how "timed flowed into itself and wanted nothing more than to do so," (I am paraphrasing), and that, to me summed up the lovely slow pace of this film. The characters were real and quite sympathetic. I didn't find it to be agenda-driven like the previous commenter did. I simply thought it was a movie about Antonia, a kind and realistic woman, and those whom she loved.

    Enredo

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    • Curiosidades
      The film winning the Academy Award for Best Foreign Language Film was somewhat serendipitous. The film's reception in its native Netherlands had been somewhat lukewarm, and most of the attention had gone to Minha Amada Irmã (1995) (which had also beaten A Excêntrica Família de Antonia (1995) as Best Picture at the Dutch Film Festival that year). However, since Minha Amada Irmã (1995) had not been officially released in theaters at the time, it couldn't qualify as the Dutch submission for the Oscars. Fortunately, A Excêntrica Família de Antonia (1995) enjoyed much more critical success abroad, and especially the positive reception in the USA was felt to have contributed to the film winning the Oscar.
    • Citações

      Verteller: The proverb is wrong. Time does not heal all wounds. It merely softens the pain and blurs the memories.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Broken Arrow/Black Sheep/Beautiful Girls/A Midwinter's Tale/Antonia's Line (1996)
    • Trilhas sonoras
      My Blue Heaven
      Written by George Whiting and Walter Donaldson

      Performed by Dora van der Groen and Centrum Nieuwe Koormuziek

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    Perguntas frequentes18

    • How long is Antonia's Line?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 8 de março de 1996 (Brasil)
    • Países de origem
      • Países Baixos
      • Bélgica
      • Reino Unido
      • França
    • Idioma
      • Holandês
    • Também conhecido como
      • Antonia's Line
    • Locações de filme
      • La Neuville-aux-Tourneurs, Ardennes, França(location)
    • Empresas de produção
      • Bergen
      • Prime Time
      • Bard Entertainments
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • £ 1.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 4.228.275
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 45.051
      • 4 de fev. de 1996
    • Faturamento bruto mundial
      • US$ 4.249.321
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 42 min(102 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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