Um Homem Sem Passado

This was one of the most brilliantly written shows of the 1990s. Unlike the vast majority of shows, it did NOT hold the audience in contempt and therefore dumb down the show, but created a captivating and surreal treat for those ready to watch something different. It was similar to the British series The Prisoner (early in season one only--after that, The Prisoner lost it's brilliance and momentum very quickly).

The problem is that in nearly every case like this, this is sure proof that the show will not last! Another excellent case was Brooklyn Bridge. The network also had no faith in this program because once again it was not mind rot--it was exquisitely written and engaging. Years ago, well-written shows for people who think were possible--the original Mission: Impossible is a good example. However, I fear that we are in an age where schlock sells.

PS--This GREAT series is now out on DVD! Get your copy ASAP!

While all of us who were hooked by this series probably still mourn its passing almost all the plaudits are, directly or otherwise, in reference to the concept or the writing. Both of these were indeed superb; however one aspect seems to have been overlooked. I doubt if there is another actor alive who could have brought to the character of Thomas Veil the precise qualities brought by Bruce Greenwood. He was simply perfect for the role. Combining appeal, intelligence and a certain "je ne sais quoi" of seeming a quarter of a bubble off, a semi-tone out, a tiny percentage off the beat and yet also perfectly normal. While everything else was terrifying, strange and unfathomable Greenwood was the sympathetic Everyman caught up in peculiar events and yet he himself is also peculiar. The audience can thus identify with Thomas Veil both as just like us and also as like us when we feel slightly bent. Greenwood conveyed this as probably no one else could. Should he not have won a Best Actor Emmy?

Quite possibly the best show in age of modern television that was cancelled before it could shine. The concept of the "man on the run" and the conspiracy that invariably drives such events has been done before, but what made Nowhere Man a more effective, if not evocative story was the idea that Thomas Vail quite possilby fabricated the events that caused him to go on the run. Everything he was running from, he may have created. This plus the many turns and twists the episodes took made the series irresistable to many, maddening to most and unfortunately fodder for dismissal in the pantheon on UPN. Its really too bad SciFi hasn't sought fit to continue the series or at least pick it up for rerun. They did some good fan service when they picked up other slain series like "Prey" and "Burning Zone" for replay, and you would think this one would come up for the running. Shame really.

This series sticks out as one of the best sci - fi mystery series ever aired. Unfortunately it aired on the UPN network during it's early years, and died in the ratings.

Not since THE PRISONER has a series left me saying "What the F..." every time I saw it. Imagine a world where you're identity, career, family, and finances disappear in the time it takes to go to the bathroom. Then imagine there's no one in the world you can never truly trust. (Especially if they smoked cigars).

Part of the story revolved around a photograph Thomas veil took as a war photographer. The picture of 4 men, executed by hanging, was about to be displayed to the public as part of Veil's first major photo exhibit. The photo had a lot of hidden meaning. It's origins weren't ever what Veil thought they were - Even though he took the photo himself. (Or did he?)

The pilot movie was directed by Tobe Hooper, and was considered by many reviewers to be a minor classic.

The series had an ending of sorts - Which I won't reveal that made some sense. But all in all the series could have lasted longer than the one season it ran. I, for one, miss it.

Tom Veil has the opposite problem of Number Six on "The Prisoner." Instead of being placed in a world which suppresses his individuality, he is placed in a world that doesn't even acknowledge his existence.

This is an excellent show. I am thankful to have seen it. How UPN cancelled this and kept "Voyager" (especially when Voyager started getting bad with Seven-of-Nine-a-thons and The Rock) is a mystery to me. A combination of "X-Files" and "The Prisoner" mixed in with "The Fugitive," and stuffed into the "Traveling Angel" format of shows like "Quantum Leap" and "The Incredible Hulk."

A minor classic.