O Sol Enganador

Despite its dark subject matter, this is a very positive and heart warming movie. It shows Stalinism without the Western propaganda, through the lens of great Soviet people that made everything good even under Stalin possible. An ode of love to the great Russian and Soviet nation. Definitely recommended.

"Burnt by the Sun" glides effortlessly, seamlessly though the genres as it tells of a handful of Russian characters who collectively constitute a family of sorts with great humor and drama, poignant and sweetly sentimental moments, and excellence both technically and artistically. What is more, the film's story is interesting, unpredictable, and well told with depth and thoroughly developed characters.

The much which has been written about the politics of the our time, the Oscar award and the bravura with which it was accepted, etc. is much ado about nothing. This is a movie. This is art and entertainment. And, when taken for what it is, "Burnt by the Sun" is truly a masterpiece.

This is an interestingly broken-backed film. Set during the Stalinist era during one idyllic summer, it begins by contrasting the lives of Dmitriy (Oleg Menshikov) and Sergey (Nikita Mikhailkov) - the one a dilettante musician and pianist, the other a colonel in the Russian army and favorite of the premier. They both have a claim on Marusya (Ingeborg Dapkunaite): Srgey is married to her, and Dmitriy was a former lover of hers. It seems that the film's moral scheme is relatively straightforward: Dmitriy is talented but feckless, while Sergey seems virtually untouchable - not only does he have a great career, but he is happily married as well. However director Mikhailkov turns the tables on our expectations and thereby transforms BURNT BY THE SUN into a penetrating analysis of how dictatorships corrupt everyone around them. Concepts of 'good' and 'evil# no longer prevail: everyone simply does what it takes in order to survive. The ending is both shocking yet predictable. Visually speaking, the film contrasts the idyllic surroundings of Dmitriy's dacha with the behavior of the protagonists - it seems that no one can actively enjoy the delights of glorious summer weather, for fear of being discovered. Life at that time must have been precarious, with no one actually being sure as to what would happen to them next. BURNT BY THE SUN is slow-moving, but Mikhailkov's camera has an eye for telling detail and significant gestures. Definitely worth watching.

You know, here, in Moscow, the critics do their best to show that Nikita Mikhalkov makes popular pictures which aren't to be considered serious. To hear that "The Barber of Siberia" is a stupid sentimental movie is quite common nowadays.

But the more time passes from his next in turn production, the more a "strange" effect seems to take place: his films at last are rated according to their true value and not to somebody's opinion about them. It is always hard to say that something new is really good, but some time later...

"Utoml'ennye Solntsem" is not a very emotional movie. I don't suppose you'd cry when watching it. But my opinion is that it's a brilliant one. It is historically authentic (I've studied that period of time quite carefully so I think I have a right to say so). And no-one on this site seems to notice the love story in the film, which actually brought about the whole tragedy (remember, Kotov made Mitya work for NKVD). It was marvellously played by Oleg Men'shikov (my favourite actor) and Ingeborga Dapkunaite, a remarkable Lithuanian actress. And Mikhalkov himself, of course - "Kot" means "cat", by the way. Many people endow him with the characteristics of Kotov which only shows that he played his role well. A good actor is always attributed his character's traits.

But still, for me the main feature of the film is the world of Mitya's soul created by Men'shikov. A young, talented boy with brilliant prospects is what Mitya was. He gets involved in the war, goes through many ordeals, then comes home and falls in love with the girl he knew from her very birth, Marousya. But their happiness is too short. He is given a choice: to work for NKVD or...to commit suicide. He's only 24, and he wants to live. But hope for future slowly disappears as life goes on, cruel and senseless. When Mitya appears on the dacha of Marousya's parents, his soul is almost a wreck. But the last chance is killed when he sees that, after a suicide attempt, after months of despair, Marousya has married Kotov and doesn't want to go through everything again. Therefore Mitya begins to fulfill his revenge.

Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then, including Mikhalkov. The fear of the purges that swept over the Soviet Union during the 1930's and 40's is a kind of fear that will fade, but never die away entirely. So, what can be the point in overly criticising Mikhalkov or any one in the former USSR for surviving under the system as it was before glasnost, knowing what they knew of the state and the full extent of what it could do and had already done (Stalin's purges may even have claimed 20-40 million lives)? If Utoml'ennye Solntsem is Mikhalkov's attempt to exonerate his "cooperation" with the Soviet system within his own time, what has he really got to vindicate or to feel guilty about? That being said, and despite the fact that numerous films, books, and media have copiously used this subject to tell a story, it is not a subject which can be exhausted but a rich treasure of unusual human experiences. And, as some have pointed out, this film is far more than just a story of revolutionary politics or a tale of betrayal: it IS a love story, between men and women, and between men and their motherland. Moreover, I was sincerely moved by the love triangle between Marussya, Mitya, and Kotov. Utoml'ennye Solntsem is not, however, a film that will make you laugh often, and would not at all were it not for the undeniable charm of the bold little Nadya. Utoml'ennye Solntsem will make those who appreciate the tragic element within history, and in particular, this era of political turmoil, shed more than a few tears. Because the truth lingers behind this tale, the truth of a time which was a nightmare few of us can imagine... or would want to. In my opinion, the great thing about this film is that it throws us back for a while into that era and portrays what was good about it, what remains good, despite all obstacles; the film is a tale of love that survives the most extreme of human conditions. It is fascinating and compelling, brave and tender, horrifying, and real. Not for everyone, but certainly a masterpiece within its genre.