Um oficial da polícia deberá evitar que uma bomba detone dentro dum ônibus a 50 milhas por hora.Um oficial da polícia deberá evitar que uma bomba detone dentro dum ônibus a 50 milhas por hora.Um oficial da polícia deberá evitar que uma bomba detone dentro dum ônibus a 50 milhas por hora.
- Ganhou 2 Oscars
- 20 vitórias e 21 indicações no total
Loretta Jean
- Bus Passenger #2
- (as Loretta Jean Crudup)
Avaliações em destaque
"Speed" was a runaway success in 1994. It was a block-buster in every sense of the word and critically speaking, it is an excellent motion picture. The film deals with an LAPD swat officer (Keanu Reeves) who is playing a deadly game of cat-and-mouse with crazed ex-cop Dennis Hopper. After Reeves stops Hopper from blowing up a high-rise building, the next obstacle is a city bus. Hopper has rigged the bus to explode if the "speed" ever drops below 50 miles per hour. Sandra Bullock, in her star-making role, plays an unlucky passenger who becomes the center of attention when she is forced to be the driver when the original navigator is accidently shot. The great thing about "Speed" is the fact that it never tries to be more than it is. It goes for non-stop action, thrills, chills, and spills. However, Dennis Hopper's character is somewhat complex and his performance probably should have garnered him an Oscar nomination. A great film in spite of the fact it is from the action genre. 5 stars out of 5.
If ever there was a film I wished I had seen at the theater,this would be the one.It's a great combination of a well written story, great direction,and a great cast.It's one of those films that you want to like so much,and it does not disappoint.The only thing that bothered me about the film is perhaps is the insertion of ill timed corny remarks ("He lost his head"),and the ending could have been done better,but overall a great action film worth owning.
Even if you didn't experience the joy of 90-s culture in your own life, you can notice it in the music and movies. That being said, this movie is a true testament to that. Featuring young Keanu Reeves and Sandra Bullock ( this was her breakthrough role, and some people even today view her through this role) on a bus that can't drop below 50 miles per hour, or it will explode, you have a great concept. What you get from that concept is a 1 hour of pure action and that 90-s movie chemistry between the characters (especially between Keanu and Sandra) followed by negotiations with the bomber. It's a real blast (no pun intended) from the past, and with that said, you can easily overlook it's little flaws and unrealistic scenes. It's such a joy to watch and fills your heart with warmness, so it should be appreciated for that. Not a lot of movies today pull that off. 8.5/10 from me, and a warm recommendation! Enjoy! :D ;)
This aged just a bit better than I'd remembered, although admittedly I didn't have the fondest recollections of it. In essence it's a nonstop barrage of action clichés that doesn't try to step out of its own way, choosing instead to embrace the stereotypes and come up with a few new ones along the way. Keanu Reeves appears at his most wooden while Sandra Bullock is still finding her sea legs as an actress, but the two still manage some level of incalculable chemistry that makes you pull for them through thick and thin. In many ways, their relationship is a great analogy for the film as a whole - generic and ham-fisted, you've seen it a thousand times before but for some inexplicable reason you're still perched on the edge of your seat for the duration. Dennis Hopper is noteworthy as the preposterously over-the-top mad bomber; he serves up several great lines that sent me backwards through decades' worth of pop culture nostalgia.
Updated thought after a 2024 re-watch: Keanu Reeves and Sandra Bullock mash pedals and dodge traffic jams in this bomb-on-board blockbuster; an action ride so derivative, it was semi-affectionately dubbed "Die Hard on a bus" during production. The comparison is apt, except Reeves lacks the conviction or credibility of a peak Bruce Willis and the ancient LA-area commuter vehicle isn't as versatile a setting as the winding hallways and narrow air ducts of Nakatomi Plaza. At least Dennis Hopper compares favorably in this analogy, serving as an appropriately composed, vindictive (and sound bitey) foil to rival Alan Rickman's performance of a few years prior.
While he may not meet the standards of old John McClane, Reeves's determined SWAT officer shows heart and toughness despite his lack of personality, and I guess two out of three isn't so bad in that regard. His rapport with Bullock is essential, a cozy piece of human warmth that pushes the finished film beyond the scope of its limited screenplay. Each actor was destined for greater things, and in Speed they show flashes of the intangible magnetism that would eventually make them household names while still cutting their teeth as inexperienced big-budget centerpieces. They're vanilla but likable, and Hopper's scenery-chewing madman act is good enough to push the audience straight into their arms.
The premise of a fifteen-ton bus, wired to blow if it drops below 50mph, is simple and effective: a classic method to crank tension without explaining new rules along the way. Although we fudge a few details (no way it maintained such a pace while blasting through stalled traffic on a freeway exit), this is all in the name of good fun and our disbelief isn't nudged beyond the point of no return. We flirt with the line, but don't cross it, and that's good enough for a silly, concept-driven slab of blooming fireballs and spiked adrenaline. Light and silly, but effectively gripping and well-paced, Speed has aged better than a majority of its fluffy mid '90s contemporaries.
Bumped my rating from a 6 to a 7.
Updated thought after a 2024 re-watch: Keanu Reeves and Sandra Bullock mash pedals and dodge traffic jams in this bomb-on-board blockbuster; an action ride so derivative, it was semi-affectionately dubbed "Die Hard on a bus" during production. The comparison is apt, except Reeves lacks the conviction or credibility of a peak Bruce Willis and the ancient LA-area commuter vehicle isn't as versatile a setting as the winding hallways and narrow air ducts of Nakatomi Plaza. At least Dennis Hopper compares favorably in this analogy, serving as an appropriately composed, vindictive (and sound bitey) foil to rival Alan Rickman's performance of a few years prior.
While he may not meet the standards of old John McClane, Reeves's determined SWAT officer shows heart and toughness despite his lack of personality, and I guess two out of three isn't so bad in that regard. His rapport with Bullock is essential, a cozy piece of human warmth that pushes the finished film beyond the scope of its limited screenplay. Each actor was destined for greater things, and in Speed they show flashes of the intangible magnetism that would eventually make them household names while still cutting their teeth as inexperienced big-budget centerpieces. They're vanilla but likable, and Hopper's scenery-chewing madman act is good enough to push the audience straight into their arms.
The premise of a fifteen-ton bus, wired to blow if it drops below 50mph, is simple and effective: a classic method to crank tension without explaining new rules along the way. Although we fudge a few details (no way it maintained such a pace while blasting through stalled traffic on a freeway exit), this is all in the name of good fun and our disbelief isn't nudged beyond the point of no return. We flirt with the line, but don't cross it, and that's good enough for a silly, concept-driven slab of blooming fireballs and spiked adrenaline. Light and silly, but effectively gripping and well-paced, Speed has aged better than a majority of its fluffy mid '90s contemporaries.
Bumped my rating from a 6 to a 7.
'Speed' has to be the ultimate action film, involving you in an intense experience from the opening credits until the smash-bang climax. Not only do Keanu Reeves and Sandra Bullock do top work, but Dennis Hopper makes the most compelling villain of the '90s.
It all starts with a revenge-driven extortionist letting authorities know he has planted a bomb on a bus. The catch is it will explode if the bus is driven at less than fifty miles an hour. The script races along with non-stop action and surprise twists, without ever giving the audience time to stop for breath. It's a little too intense for its own good and could have used some lighter moments to give us a break!
Taut and suspenseful, with excellent effects and gripping suspense that keeps you riveted. Some of the stunts seem too incredible to be believable but in a film of this kind you have to go with the flow. The stunt work itself is breathtaking and makes it easy to see why the film is one of the most highly rated action films of the '90s.
It all starts with a revenge-driven extortionist letting authorities know he has planted a bomb on a bus. The catch is it will explode if the bus is driven at less than fifty miles an hour. The script races along with non-stop action and surprise twists, without ever giving the audience time to stop for breath. It's a little too intense for its own good and could have used some lighter moments to give us a break!
Taut and suspenseful, with excellent effects and gripping suspense that keeps you riveted. Some of the stunts seem too incredible to be believable but in a film of this kind you have to go with the flow. The stunt work itself is breathtaking and makes it easy to see why the film is one of the most highly rated action films of the '90s.
Você sabia?
- CuriosidadesSandra Bullock actually learned to drive a bus for the film, passing her test on her first attempt.
- Erros de gravaçãoOn the train, the console is malfunctioning but Jack speeds the train up by shifting the lever forward so why not pull the lever back which would slow the train down.
- Citações
Howard Payne: Pop quiz, hotshot. There's a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?
- Versões alternativasTheatrical version had the 1981 20th Century Fox logo at the opening. All VHS, Laserdisc and DVD versions plaster this with the 1994 CGI logo (with the 1981 fanfare) that was used until 2009. However, the Blu-ray release and streaming prints restore the original 1981 logo.
- ConexõesEdited into The Making of 'Speed' (1994)
- Trilhas sonorasA Million Miles Away
Written by Peter Case, Joey Alkes, and Chris Fradkin (as Chris Fredkin)
Produced by Ralph Sall
Performed by The Plimsouls
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Máxima velocidad
- Locações de filme
- Mojave Airport - 1434 Flightline Street, Mojave, Califórnia, EUA(cargo jet explosion)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 121.248.145
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.456.194
- 12 de jun. de 1994
- Faturamento bruto mundial
- US$ 350.448.145
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente







