Sereias

"Sirens" seems to have touched a nerve here. Some reviewers dismiss it as derivative soft-core drivel. Others love it. It probably helps to know that there's little derivative about the story-it's based on real people and a real incident. Sam Neill's character--Norman Lindsay--was real. Lindsay, a prolific artist and novelist, was also a libertine living a Hugh Hefner lifestyle when the rest of the world was awakening from the Victorian Age. "Sirens" was filmed at the Lindsay home and gallery, a 40-acre estate now run by the Australian National Trust. The artworks are all Lindsay's. And the storyline is based on an incident in which the Anglican Church dispatched a cleric to convey concerns about "The Crucifixion of Venus." As for the plot, it's simply a humorous retelling of what might have been--with lots of voluptuous nudes and erotic symbolism tossed in for good measure. Yes, it's all quite predictable. You know five minutes into the film that the Converters will become the Converted. But it's a fun ride getting to that inevitable destination. `Sirens' is not for everyone. If full-frontal male and female nudity offends, you will be offended. If ridiculing the Church or its values offends, you will be offended. And if the notion that the cure for a boring marriage is a little extra-marital dalliance offends, you will truly be offended. Otherwise, it's a little erotic gem and a great way to start an even better evening. :)

It is not the bosoms, really. No, there is an earnest quality here that is dependent on performances and landscapes and an essential moral tale than on the bounteousness of bums and bosoms frolicking in Australia. Neil is always good, Tara Fitzgerland is fine, and that often one-note Hugh Grant works perfectly as a priggish English priest who opens up ever so slightly when all is said and done. And much is said and some is done. There is some absolutley wonderful photography and some perfectly awful and obvious photography that would make Hallmark blush. Pretty good script with the story wandering about more than a bit. Shorter would have been better and the blue shots of nude statuary of indifferent quality by this nice but hardly profound Australian artist(on whose life and an episode therein, is it based)could have been a one-shot affair for my money. But I liked it for the performances.

Having lived through similar experiences while in my late 20's, early 30's I found the movie both entertaining as well as sensitive. I suppose there could have been more graphic scenes for those of a more shallow nature needing to see some models naked and doing more, but that was not necessary for my wife and I to enjoy it- having been there, we knew what was not pictured.

Men, like the Preacher, often fail to see the sensuous side of women, either that or it frightens them. They see "sex" when they should be seeing loving and caring. The movie illustrates that nicely. The two townsmen who come to visit the models are a clear example of sex versus loving and sensuality. The clueless type is the Preacher.

This movie was a nice surprise to me. I expected something more raunchy, considering it's reputation with a lot of naked women (all gorgeus by the way). Instead, I found it to be a sweet and unexpectedly innocent movie about being yourself, accepting who you are, exploring your possibilities. Tara Fitzgerald is simple super as the curious wife of Hugh Grant's vicar (who seems to be constantly blushing and who is his usual bumbling self). She simply has the meatiest part and she surely takes advantage of that. All the "naked ladies" deliver very respectable performances. Only Sam Neill seems to be a bit too lost amid all these different personalities and doesn't really convince. Absolutely stunning visuals (it's shot in Australia, but apart from the odd scenes at a bar, it all seems to take place in some gorgeus never-never land). And the nudity didn't disturbed me one bit since it's presented in a very unaffected and natural way. Truly different and very refreshing!

I knew nothing about this movie, but offered to accompany a woman I had known for some time, but had never been on more than vaguely friendly terms. I was not prepared for the charm, playfulness, joy and raw sensuality that this film captured. Sam Neill is the ultimate sensualist, yet indulges his children's fancies with innocent abandon. Hugh Grant is a likable doofus, and he is far outpaced by Tara Fitzgerald's acceptance of the pleasures of the flesh. In many ways, this couple reminded me of Brad & Janet in "Rocky Horror" - the man is either unable or too clueless to accept the sensual awakening that his companion does. Thus, I was pleased at my date's choice of film, and any discomfort of my own at being seduced by the screen on a first date soon passed from my date's reactions to the sexy scenes. On the anniversary of that date, I paid the outrageous price of $59.95 for a VHS copy, and the repeat viewings were as pleasant as th first. We later married, and this was her idea, too.

P.S.: I recommend "The Advocate" for those who like "Sirens".

P.P.S.: I agree for the most part with Eamon Buchanan's comments, but, the models were "painted"in the nude, not "painting", and it was the Anglican church that was upset, not the Catholic (the Campions could not have been married if they were Catholic).