Nos anos 1930, um outrora violento criminoso em busca de redenção retorna à sua cidade natal de Nova York para se tornar um combatente do crime, e encontrará seu mais formidável nêmesis, um ... Ler tudoNos anos 1930, um outrora violento criminoso em busca de redenção retorna à sua cidade natal de Nova York para se tornar um combatente do crime, e encontrará seu mais formidável nêmesis, um descendente de Genghis Khan.Nos anos 1930, um outrora violento criminoso em busca de redenção retorna à sua cidade natal de Nova York para se tornar um combatente do crime, e encontrará seu mais formidável nêmesis, um descendente de Genghis Khan.
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The main reason I wanted to comment on this movie, however, was because of the question raised by Patrick in London about why Baldwin's nose changed shape when he became The Shadow. Lamont Cranston's hawk-nosed profile was one of the most famous trademarks of The Shadow. Alec Baldwin, however, does not naturally have that kind of look (to be honest, Lee Van Cleef may be the only movie actor in history with the correct look to have been able to portray The Shadow without resorting to make-up or special effects). Personally, I thought it was a brilliant touch to make that profile an illusion which Cranston utilizes when he becomes The Shadow. It makes it more believable that no one would be able to figure out he is The Shadow. A profile as distinct as Cranston's traditional look would make it difficult to believe that no one could put two and two together... kind of like believing that no one could figure out that Clark Kent is Superman just because he wears glasses. To me, it was just one more thing that elevated this movie above the usual superhero genre flick because it showed an appreciation and respect for the source material that Hollywood is not necessarily known for.
I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.
Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).
What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.
This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)
I recommend watching it, but only with an open mind.
At first (see my earlier comment) I found John Lone's villain to be too weak...but I see now why. The REAL foe in the film is not Khan..but the SHADOW himself. His inner darkside vs his good side. Lone is just there to show you what the darkside could be. HE isn't what scares the Shadow. It's his own past, his evil side, loss of control that plagues the hero.
I wish this had been better received because we could've enjoyed a few sequels by now. And the same goes for THE PHANTOM and THE ROCKETEER.
"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.
As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.
But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.
Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...
Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!
Você sabia?
- CuriosidadesWhen Shiwan Khan and Lamont Cranston first meet, their dialogue about where Cranston purchased his tie is a spoof on product placement during the radio airing of The Shadow.
- Erros de gravaçãoThe wire insulation on the bomb is modern day plastics not the correct cloth type for the day, and the nylon wire ties wouldn't be invented for another 30 years or so. The timer in the bomb used a display tube called the Nixie tube to show the digits of the countdown. The original Nixie tube was patented in 1938, but it looked like a small TV screen on which the numbers were displayed. The tube design used in the bomb was not introduced until 1962.
- Citações
Margo Lane: Oh, God I dreamed.
Lamont Cranston: So did I. What did you dream?
Margo Lane: I was lying naked on a beach in the South Seas. The tide was coming up to my toes. The sun was beating down. My skin hot and cool at the same time. It was wonderful. What was yours?
Lamont Cranston: I dreamed I tore all the skin off my face and was somebody else underneath.
Margo Lane: You have problems.
Lamont Cranston: I'm aware of that.
- ConexõesEdited into Taylor Dayne: Original Sin (1995)
- Trilhas sonorasOriginal Sin (Theme from 'The Shadow')
Written, Produced and Arranged by Jim Steinman
Performed by Taylor Dayne
Courtesy of Arista Records, Inc.
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Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 32.063.435
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.713.845
- 4 de jul. de 1994
- Faturamento bruto mundial
- US$ 48.063.435
- Tempo de duração1 hora 48 minutos
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