Yeuk saat

RED TO KILL (Ruo Sha)

Aspect ratio: 1.85:1

Sound format: Mono

Though Chinese filmmakers have long been fascinated with images of violence and bloodshed - from the vintage horror films of Ma-xu Weibang through to Chang Cheh's splattery kung fu pictures of the 1970's - it wasn't until the early 1990's that Hong Kong horror movies found a new and unexpected foothold within the cultural mainstream, due to a wave of 'true crime' dramas spearheaded by DR. LAMB (1992) and THE UNTOLD STORY (1993), both helmed by Danny Lee (Chow Yun-fat's cop nemesis in John Woo's THE KILLER). For a brief period, the former colony played host to a wave of confrontational 'Category III' (Adults Only) movies, dominated by the work of controversial director Billy Tang. Already notorious for a scene in RUN AND KILL (1993) in which a little boy is burned alive in merciless detail, Tang proceeded to scale the heights of calculated outrage with RED TO KILL, arguably one of the most harrowing films ever made.

Orphaned by the death of her parents, a mentally handicapped young woman (Lily Chung) is remanded to the care of a hostel for the disabled, where she falls prey to 'benevolent' caretaker Ben Ng, a musclebound hulk whose charming demeanour belies his true nature: Traumatized by a childhood incident in which his mother slaughtered his father and brother with a meat cleaver, drenching him in blood, Ng is prompted to murderous psychosis whenever he sees the colour red, resulting in horrific explosions of rape and murder. Unable to control himself when confronted by Chung wearing a long scarlet dress, Ng assaults her and is promptly arrested, but his indictment is later dismissed on a technicality, and the three main characters (including Money Lo as a sympathetic social worker) converge on the workshop beneath the hostel for a climactic showdown which closes proceedings on a note of ABSOLUTE SCREAMING HYSTERIA!!

Judged alongside similar Asian atrocities, such as MEN BEHIND THE SUN (1987) or the infamous "Guinea Pig" series from Japan, RED TO KILL is either a fearless challenge to established cinematic limits or a reckless descent into the abyss, depending on your point of view. Photographed with stunning visual flair by Tony Mau and expertly edited by Choi Hung, the movie alternates scenes of naive sentimentality with eruptions of graphic horror, taking time to establish Chung's beauty and innocence before unleashing the forces of hell against her. But while Chung and Lo are dignified in adversity, Ng plays the villain as an unstoppable force of nature, literally throbbing with uncontrollable rage; his descent into complete psychosis during the hair-raising finale provokes a devastating rampage which is truly frightening to behold. Unsurprisingly, Ng has been typecast in villainous roles ever since.

But the filmmakers' bravura technique, coupled with an obstinate lack of moral restraint, makes it difficult to defend the film's worst excesses. The protracted rape scenes are designed as a visual spectacle, showcasing the humiliation of vulnerable female characters. Worse still, following the sexual assault on Chung (the movie's pivotal set-piece), the actress is involved in a shocking episode of self-mutilation which not only degrades the entire production, but seems deliberately contrived to test viewers' patience to breaking point. However, despite its questionable motives, the film is executed with such breathtaking cinematic gusto, it compels attention in a way that few other horror movies have managed before or since.

Director Tang continued his one-man assault on the boundaries of taste and decency with such inferior offerings as BROTHER OF DARKNESS (1994) and SEXY AND DANGEROUS (1996) before going 'legit' with a number of socially conscious dramas, beginning with Chinese MIDNIGHT EXPRESS (1997), featuring Ben Ng and HARD-BOILED's Tony Leung Chiu-wai.

(Cantonese dialogue)

A lurid and sleazy piece of gratuitously violent exploitation, Red To Kill will either have you switching off in disgust or glued to the screen in complete awe, such are the levels of excess committed to celluloid in this notorious Hong Kong shocker. Personally, I loved it, but then I've always had rather 'dubious' taste in films.

Ben Ng plays Chi Wai Chan, a seemingly mild-mannered care-worker at a home for the retarded; however, it transpires that, as a child, he was badly traumatised by a violent family incident and as a result, he isn't quite right in the head. Now, when Chi sees the colour red, he becomes a sweaty, sex-crazed, spittle-flecked maniac who rapes and kills with sadistic glee.

When Ming Ming (Lily Chung), an orphaned retarded girl with a love of dance, accidentally flashes the gusset of her red knickers to Chi, and later wears a red dress for a dance performance, she becomes the latest victim of the twisted lunatic, suffering a brutal sex attack.

Chi is arrested, but is later freed on a technicality. Ming Ming's social worker and close friend Ka Lok Cheung (Money Lo) vows revenge. She follows Chi to a bar, dressed in a sexy red outfit, and teases him enough to cause him to wig out and go postal in a finale which has to be seen to be believed.

Director Billy Tang, who gave us the stylishly sick Dr. Lamb, goes all out to offend the sensibilities with what may be the most repulsive, yet compelling movie to ever be awarded the Category III rating. Just setting a rape/revenge movie in a home for the mentally handicapped might be considered reason enough for most to avoid this film, but fans of extreme cinema will be delighted. If you are able to look beyond the questionable subject matter, it is not hard to admire Tang's audacity as he enthusiastically ladles on the excess.

Lily Chung and Money Lo both give excellent assured performances, but it is Ben Ng as the crazed sex-fiend Chi, who steals the show. His transformation from gentle care-worker to deranged muscle-bound, sledgehammer-wielding rapist is a joy to behold and goes to the top of my list of all-time favourite cinematic psychos (sneaking just ahead of Anthony Wong as Bunman).

Given the extreme nature of Red To Kill, one should think carefully before viewing. Even if you are an experienced Cat III junkie, be prepared to have your jaw hit the floor at least once or twice during this relentlessly harrowing and sleazy tale.

Ben Ng plays the overseer of a home for the mentally disabled in this outrageous shocker. He also plays the monster rapist stalking every woman in sight.

It's RED TO KILL because the color "red" sets the rapist off.

We get a whole new brand of lurid here. And director Tang is no shrinking violet in his depictions of the numerous sexual assaults. A sequence in which a victim saws off her public hair with a blunt razer blade is a real showstopper.

The actors playing the mentally retarded really look it. One, in particular, looks like he was recruited straight off the Ugly Tree.

A deep thread of sex and voyeurism snakes its way through the narrative. Panty-watchers are well served, too, by a voyeuristic sequence in which an intended rape victim dances for the camera and gives us a bird's eye view of what's under her skirt.

As one expects from Tang, his climactic battle between heroine and victim is over-the-top and not one bit interested in reality. It's Human versus Monster as the rapist meets his match.

Exploitation of the highest order.

"Red to Kill" is one of the classic Category III psycho-sicko flicks.It is about the teacher of retarded children who goes completely crazy in front of color red because of one trauma.He falls in love with one of his students,a childlike teenage girl but soon discovers her red underwear.What follows is an unspeakable acts of terror,rape,self mutilation and very disturbing violence."Red to Kill" is extremely strong and disturbing piece of horror.This is the kind of film even 'jaded' HK cinema fans seem to dislike and judge as sick and repellent.Of course it's gratuitous but has also some interesting points and thoughts about society's care for retarded people who can,and sometimes are much more 'human' and kind than the normal ones.The scene after he brutally raped one of the retarded girls where she is standing alone in the shower traumatised and hacking away at her pubic hair with a razor blade whilst murmuring "dirty...dirty...dirty!" is a jaw dropper.So if you're a fan of extreme cinema give this little gem a look.9 out of 10.

I've seen quite a few of Billy Tang's films, and I must say this is the best. The direction is great, Tang's penchant for blue lighting works perfectly with the material. Lily Chung plays a retarded girl who is sent to a home after the death of her father. Ben Ng plays the mild mannered director, who happens to be a psychotic killer and rapist, his violent impulses triggered by the color red. This is an awesome performance, ranking as one of the most entertaining film loony's I've ever seen (and that's no small number). While bleak, there is also plenty of humor, some unintentional, due to the poorly translated subtitles ("Crash your penis, cut it to make soup!"). Fans of HK horror will love this.