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IMDbPro

Rosas Selvagens

Título original: Les roseaux sauvages
  • 1994
  • Not Rated
  • 1 h 50 min
AVALIAÇÃO DA IMDb
7,3/10
7,1 mil
SUA AVALIAÇÃO
Rosas Selvagens (1994)
Home Video Trailer from Strand Releasing
Reproduzir trailer2:50
1 vídeo
73 fotos
DramaRomance

Adicionar um enredo no seu idiomaThe fates of two partners are divided.The fates of two partners are divided.The fates of two partners are divided.

  • Direção
    • André Téchiné
  • Roteiristas
    • Olivier Massart
    • Gilles Taurand
    • André Téchiné
  • Artistas
    • Élodie Bouchez
    • Gaël Morel
    • Stéphane Rideau
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    7,1 mil
    SUA AVALIAÇÃO
    • Direção
      • André Téchiné
    • Roteiristas
      • Olivier Massart
      • Gilles Taurand
      • André Téchiné
    • Artistas
      • Élodie Bouchez
      • Gaël Morel
      • Stéphane Rideau
    • 38Avaliações de usuários
    • 21Avaliações da crítica
    • 83Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 8 vitórias e 7 indicações no total

    Vídeos1

    Wild Reeds
    Trailer 2:50
    Wild Reeds

    Fotos73

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    Elenco principal21

    Editar
    Élodie Bouchez
    Élodie Bouchez
    • Maïté Alvarez
    Gaël Morel
    Gaël Morel
    • François Forestier
    Stéphane Rideau
    • Serge Bartolo
    Frédéric Gorny
    • Henri Mariani
    Michèle Moretti
    • Madame Alvarez
    Jacques Nolot
    Jacques Nolot
    • Monsieur Morelli
    Eric Kreikenmayer
    • Pierre Bartolo, the Groom
    Nathalie Vignes
    • Irène, the Bride
    Michel Ruhl
    • Monsieur Cassagne
    Fatia Maite
    • Aicha Morelli
    Claudine Taulère
    • Nurse
    Elodie Soulinhac
    • Colette, Girl at Party
    Dominique Bovard
    • Guard
    Monsieur Simonet
    • Guard
    Chief Officer Carre
    • Officer
    Paul Simonet
    • Monsieur Bartolo
    Charles Picot
    • Headmaster
    Christophe Maitre
    • Gym Instructor
    • Direção
      • André Téchiné
    • Roteiristas
      • Olivier Massart
      • Gilles Taurand
      • André Téchiné
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários38

    7,37K
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    Avaliações em destaque

    10vandrade

    The movie of my life

    It is absolutely impossible to make a film like this one without carrying out the personal memories of an our own teenage time. That's why this so called 'teenage movie' is so far away from all other experiences within this field. Téchiné had written and directed a part of his own life. Villeneuve-sur-Lot, Paris, Lisbon, who cares? This is the movie of my life. And if it is so, it's not only because of the unexpected beauty of all frames on the movie, but, essentially because that I felt every inch of the road walked by the characters of this film, as if their experiences, a long time ago, in a galaxy far, far away, were my own teenage experiences and hopes. I saw this film ten years ago, and still I can remember every image, every phrase... And I kept these memories as a guideline for a future life, when I was 23 years old. I know what I have lived, I still don't know what the future reserves to me. But, on those days, ten years ago, I have increased my hope. I found that there was people like me, and like the others around me... The time and the place doesn't matter. No film will never make me feel so strongly about my youth, and, simultaneously, about my future as a man. This is not a 'teenage movie', it's a collection of memories about the construction of our personality. And, we all, with that age, were a little bit of François, Serge, Henri and Maite. And we still are. (...I'm sorry about my English...)
    9davidals

    A complex and graceful drama - among the finest French dramas of the 90s

    On all fronts WILD REEDS is a top-notch drama - offering a look into the lives of 4 teenagers at a boarding school in rural France in the early 60s, this film is complex and immaculately well-made. Unusual in films depicting adolescence, WILD REEDS is complex and sophisticated, respectful of its' characters' varying sexualities (and their struggles to accept same), while also offering other glimpses of their intelligence and growing independence: views on the Algerian war, which was then raging, and on communism (with one character defined as communist, and another as an ardent anti-communist). The lush cinematography is summery and beautiful throughout, and the cast (most whom have gone on to other notable films) is great throughout.

    Techine's direction gives the many strands of this story a great, personal feel - the shoe store scene stands out as an honest depiction of an individual recognizing and trying to accept his sexuality, and attempting to identify other gay people, as a way of lessening isolation, and in an attempt at spontaneously finding some sort of role model. Very thoughtful and very well-made.
    8Red-125

    You'll need to know about the Algerian War of Independence

    Les roseaux sauvages (1994) was shown in the U.S. with the translated title Wild Reeds. It was co-written and directed by André Téchiné.

    The movie is set in 1962, just at the end of the Algerian War of Independence. To fully understand and enjoy the movie, it's helpful to know the basics. French soldiers were still being sent to Algeria to oppose independence. The OAS was a right-wing group in Algeria and France that wanted to retain French colonial power.

    We don't see Algeria in the movie--the action takes place in and around Toulouse, in southern France. The film is a coming-of-age movie for four young adults.

    Élodie Bouchez portrays Maïté Alvarez, the only woman of the four. Gaël Morel is François Forestier, Stéphane Rideau plays Serge Bartolo, and Frédéric Gorny portrays Henri Mariani.

    The three young men are studying in a boarding school. Maïté's mother teaches at the school. She and her daughter are both Communists, and they believe in Algerian independence.

    The movie examines a few weeks in their lives. These weeks are filled with self-discovery and interaction among the four adolescents. Some of the events are profound and will change what happens to them in the future.

    We saw the film on DVD. It would work better on the large screen, but it was OK on the small screen. The movie has a solid IMDb rating of 7.4. I thought it was better than that and rated it 8.
    peterjcolbert

    A film that is respectful of teenagers and tells the rest of us how they grow up

    How do teenagers grow-up? Andre Techine's camera gives us a cool and respectful view into their emotions. Elodie Bouchez, playing sixteen-year-old Maite, in particular, projects emotion with a quiet dignity. It is remarkable how much is going on while the film seems so quiet. Maybe it is the durability of French countryside that calms the children and us.

    The children realistically explore their budding sexuality with all dimensions treated in a straightforward and sensitive manner. The children await the results of their baccalaureate exam, the culmination of French High School education and the key to their professional lives. The natural developmental and educational issues that teenagers face are compounded by the turbulence of the times. And what turbulence surrounds these children! A violent, unpopular, and un-winable war to retain colonial ownership of Algeria strikes directly into this small French village as one child looses his brother and another his homeland. The latter plans bloody revenge against those whom he believes betrayed France until he realizes that Maite, a girl he loves, would be his target. Maite's mother is overwhelmed by guild and institutionalized by fear that her lack of action may have led to the brother's death.

    Oh, and there is some great American rock and roll that somehow fits in; it must be that enduring French countryside.
    8DennisLittrell

    Sexual coming of ager

    The slightly loose and episodic feel of this charming coming-of-ager doesn't matter because the characters and the conflicts are so well presented that we are enthralled throughout.

    Three boys on the verge of manhood (with the French-Algerian conflict smoldering in the background) are in residence at a boarding school in the south of France in 1962. One is gay, the second is bi-sexual and the third is straight. Through their interactions we (and they) discover their sexuality.

    Francois Forestier, played attractively by Gael Morel, is gay as he discovers one night when Serge Bartolo (Stephane Rideau), an athletic schoolmate with a natural style, awakens his sexuality by seducing him. For Serge it is just a school age sexual adventure; for Francois it is love so intense he is transformed. The third boy, Henri Mariana, who is from Algeria, is a little older and a little more cynical. He finds heterosexual love with his enemy, Maité Alverez, who is a hated communist. Elodie Bouchez, whom I recall from The Dreamlife of Angels (1998) for which she shared a Cannes Best Actress award, plays Maité whose style is earnest, witty and brave.

    As it happens I was in France during the period of this film, and a teenager as well. The Algerian conflict haunted the young men because as soon as they were of age they could be sent away to fight. Also the Communist Party was strong in France and an attraction to some who opposed what they saw as French colonialism in Algeria and Vietnam. Director André Téchiné who characteristically explores human sexuality in his films (e.g., Rendez-Vous (1985) with a young and vital Juliette Binoche; Le lieu du crime (1986) with Catherine Deneuve; and Ma Saison Préférée (1993) also starring Catherine Deneuve) attempts to integrate these larger issues into his film but I don't think is entirely successful. Serge's older brother is killed in Algeria and his teacher blames herself for not helping him to escape his military service and suffers a nervous breakdown. However this story is not well-connected with the rest of the film. Also more could have been done with the divergent views of Maité and Henri. What I loved was the club scene where suddenly the French girls are twisting to Chubby Checker's "Let's Twist Again" which propelled me back to 1962 when indeed the Twist was all the rage in France.

    What makes this film superior is the warm and truthful way in which the sexual awakenings are realized. The kids seem absolutely real and the dialogue is sharp and authentic. Morel is very winning. I especially liked the earnest way he confronts and then accepts his sexuality. Interesting was the scene in which he seeks out the shoe salesman whom he knows is gay for his advice on how he should cope with unrequited homosexual love.

    This is a film about young people for open-minded adults attractively done. For many it will strike a strong cord of recognition.

    (Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      There are many references in the movie to "The O.A.S.," in conversation, and overheard on radio and television newscasts. OAS - or Organisation armée secrète, literally "Organization of the Secret Army" or "Secret Armed Organization," was a French nationalist terrorist organization during the Algerian War (1954-62), which ended in independence for Algeria in July 1962, which was not only the time setting for this movie, but the Algerian War was also the background conflict that propelled much of the plot of this film. Using armed struggle in an attempt to prevent Algeria's independence, OAS's motto was "Algeria is French and will remain so" (L'Algérie est française et le restera).
    • Erros de gravação
      One of the songs featured at the party which Maïté and François go to after the movie is "Barbara Ann" by The Beach Boys, which was recorded and released in the fall of 1965, a full three years after the 1962 time setting for this movie.
    • Citações

      François Forestier: I'm like you, I'm queer, but I haven't met my soul-mate yet. I met someone who doesn't want me. I should give up. That would be smarter. But I'm not smart. I have no chance, but I can't give up. I don't get discouraged. We made love once. Just once. In the beginning. He doesn't want to anymore. Since then I'm like a thief. I steal brief moments... Once I held him tight on my bike. Another time, I slept near him. You have experience. Only you can help me. At my age, did this happen to you? When you liked a boy, what did you do? How did it work?

      Monsieur Cassagne: Listen... It was so long ago... I don't want to disappoint you, but I've forgotten. I'm sorry. I have a client waiting. I have to go.

    • Versões alternativas
      Shorter TV version released under the title Tous les garçons et les filles de leur âge: Le chêne et le roseau (1994) (TV)
    • Conexões
      Featured in Cinéma, de notre temps: André Téchiné, après la Nouvelle Vague... (1993)
    • Trilhas sonoras
      Adagio for Strings
      by Samuel Barber

    Principais escolhas

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    Perguntas frequentes19

    • How long is Wild Reeds?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de junho de 1994 (França)
    • País de origem
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • Wild Reeds
    • Locações de filme
      • Villeneuve-sur-Lot, Lot-et-Garonne, França(city)
    • Empresas de produção
      • Ima Films
      • Les Films Alain Sarde
      • Canal+
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 807.775
    • Faturamento bruto mundial
      • US$ 807.775
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 50 min(110 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.66 : 1

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