Sob o Domínio dos Aliens

Probably produced following the smash success of The X Files, The Puppet Masters is a pretty solid slice of alien invasion pulp fiction. The casting is good, with Eric Thal and Julie Warner proving to be charming enough stand-ins for Mulder and Scully. Elsewhere, sci-fi genre fans may appreciate the appearances of Yaphet Kotto (Alien), Keith David (The Thing) and of course the great Donald Sutherland (Invasion Of The Body Snatchers).

Behind the camera, it's an unusually British affair with director Stuart Orme, cinematographer Clive Tickner, and composer Colin Towns all heralding from the UK. They do nice work - Orme provides a tense and pacey first half, Tickner's very fine work lends a stylish visual sheen, and Towns' music is lushly complex.

However, although it starts out well, the flick loses some energy and traction around the middle and doesn't get it back. Its potential begins to slip away and I'm not quite sure why. Maybe budget/script cuts. The last third in particular, with its under-powered action set-pieces and somewhat perfunctory ending, suggests that the film had hit the glass ceiling of its production resources... or perhaps even its creators' full interest.

Nevertheless, it's an enjoyable sci-fi thriller for a good part of its running time. Might make a nice viewing companion with The Hidden (1987) or certainly any number of old X Files episodes!

Aliens have landed in the small town of Ambrose, Iowa. The locals have made an attraction of an alien landing. Government agents Andrew Nivens (Donald Sutherland) and son Sam (Eric Thal) arrive with Mary Sefton (Julie Warner) and Neil Jarvis (Richard Belzer) to investigate. They discover stingray-like creatures using humans as puppets. They escape back to base where agents Alex Holland (Keith David) and Dr. Graves (Will Patton) examine the parasite.

The problem for this movie is that the solution seems so obvious. Everybody should walk around without their shirts. The soldier can have extra armor on their backs. The President should be warning the general public. The movie starts out great with Julie Warner and her boobs theory. However, the tension peters out after they escape from the town. The movie wants to have a big third act but it's never big enough.

This was a decent film. The book was far better.

If the book had been made into a three-hour film, it would have been excellent. They would have had time to do things right. As it is, they compact a wide-ranging tale set in the future into a dodgy action flick in the present day.

Do yourself a favour - read the book.

Donald Sutherland is too cool, though.

I remember watching this as a kid and thinking it was so scary. Now on rewatch I realize it is a campy sci-fi movie but with some good practical effects and John Carpenter vibes.

How the producers got away with calling this "Robert A. Heinlein's Puppet Masters" amazes me - because the only resemblance to Heinlein's genuinely chilling short story about Titan 'slugs' are the character names. That's it. None of the wonderfully satirical espionage group shenanigans, none of the gripping suspense, none of the character development, and none of the setting. "Puppet Masters" is not supposed to be set in 1994, it's supposed to be set in 1957 - but a different 1957 to the one we know. I mean, this film didn't even attempt the flying cars or the hand-held lasers. Like so many new sci-fi films made from older literature classics, the fiction has been cut out like some sort of hideous tumor and the science has been exaggerated to make sure the audience knows it's SCIENCE fiction. The fact that the science is largely irrelevant is lost on most modern screen writers - and this movie is no exception.

Another example of a perfectly good story that has been shredded to make it 'fit' Hollywood's version of science-fiction, which is largely made up of clanking robots, flashing lights and explosions.

"The Faculty" was a good SF movie. And it was right - Body Snatchers is a rip-off from this story, but it never pretended to be anything but. Faculty had some enjoyable sequences. It wasn't perfect, and elements were laughable, but despite this, it was true to itself..._this_ film was just the massacre of a perfectly good story.

I only hope anyone else who ever tries to make a movie of a Heinlein classic will stick to the book and make a decent movie, not rehash the story until it sounds good - because they sounded good before.