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5,9/10
10 mil
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Adicionar um enredo no seu idiomaThe Midwest USA is invaded by stingray-shaped alien slugs that ride on people's backs and control their minds in order to spread their dominion. Government agency reps Sam Givens, Andrew Niv... Ler tudoThe Midwest USA is invaded by stingray-shaped alien slugs that ride on people's backs and control their minds in order to spread their dominion. Government agency reps Sam Givens, Andrew Nivens, and Mary Sefton must stop the aliens.The Midwest USA is invaded by stingray-shaped alien slugs that ride on people's backs and control their minds in order to spread their dominion. Government agency reps Sam Givens, Andrew Nivens, and Mary Sefton must stop the aliens.
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However, being that Heinlein was one of the few sci-fi authors I +didn't+ read (I'm more of an Asimov and Bradbury fan myself) as a kid growing up, and I haven't seen the original film, I didn't have any problems with this movie when it came out in theaters. In fact, I found the premise genuinely creepy, the effects highly believable, and the presence of Donald Sutherland to be a masterful touch. It may not go down in the all-time pantheon of "greatest sci-horror films" ever, but if it was playing on HBO I wouldn't change the channel. Sometimes I think people get too caught up in whether a story is true to the original, and forget that it's JUST a movie and they should try to enjoy it on that basis.
This was a decent sci-fi flick. Good performances by Julie Warner and Eric Thal, and of course there's no role that Donald Sutherland can't pull off. Alien effects were revoltingly good. OK, it's not completely true to Heinlein's magnificent novel. Hollywood has a formula, (the happy ending, the obligatory love interest of one or more of the stars, etc.) and any deviation from it is exceedingly rare. That's why foreign films are good, because they are not bound by the formula. I've noticed that great sci-fi movies are almost always originally written for the screen, rather than adapted from books. Books are always better than movies, but science fiction seems to be particularly so.
I remember watching this as a kid and thinking it was so scary. Now on rewatch I realize it is a campy sci-fi movie but with some good practical effects and John Carpenter vibes.
One science-fiction film that turns out to be less disappointing than expected is this loose adaptation of Robert A. Heinlein's novel.
Donald (give me another part in an alien pod movie) Sutherland interprets the role of Adam "The Old Man" Nivens, head of a secret government protection agency that has its hands full trying to stop an alien invasion by slug-like mental parasites which tap into people's brains, controlling them toward their own ends.
Eric Thal (of A STRANGER AMONG US) draws a blank where a strong character should be in the role of Sam, son of the Old Man, and fellow agent. Julie Warner (from DOC HOLLYWOOD) fares a little better as Mary, a NASA xenobiologist along for the roller coaster ride.
The opening scenes do justice to the setting and atmosphere of the book, and the skeleton of the original plot is unpredictable and thrilling, but eventually, the compromises in adaptation give rise to Hollywood-style sci-fi conventions such as alien hives.
Several realistic, key elements are thrown out, along with almost all of the sharp dialogue which made the book a hit.
However, the special effects are convincing, and the cinematography and editing are streamlined and tight. Far from being definitive, this version of the tale is nonetheless sufficiently satisfying and worth a look.
Donald (give me another part in an alien pod movie) Sutherland interprets the role of Adam "The Old Man" Nivens, head of a secret government protection agency that has its hands full trying to stop an alien invasion by slug-like mental parasites which tap into people's brains, controlling them toward their own ends.
Eric Thal (of A STRANGER AMONG US) draws a blank where a strong character should be in the role of Sam, son of the Old Man, and fellow agent. Julie Warner (from DOC HOLLYWOOD) fares a little better as Mary, a NASA xenobiologist along for the roller coaster ride.
The opening scenes do justice to the setting and atmosphere of the book, and the skeleton of the original plot is unpredictable and thrilling, but eventually, the compromises in adaptation give rise to Hollywood-style sci-fi conventions such as alien hives.
Several realistic, key elements are thrown out, along with almost all of the sharp dialogue which made the book a hit.
However, the special effects are convincing, and the cinematography and editing are streamlined and tight. Far from being definitive, this version of the tale is nonetheless sufficiently satisfying and worth a look.
This was a decent film. The book was far better.
If the book had been made into a three-hour film, it would have been excellent. They would have had time to do things right. As it is, they compact a wide-ranging tale set in the future into a dodgy action flick in the present day.
Do yourself a favour - read the book.
Donald Sutherland is too cool, though.
If the book had been made into a three-hour film, it would have been excellent. They would have had time to do things right. As it is, they compact a wide-ranging tale set in the future into a dodgy action flick in the present day.
Do yourself a favour - read the book.
Donald Sutherland is too cool, though.
Você sabia?
- CuriosidadesNo less than nine writers worked on the script. Besides the credited writers Ted Elliott, Terry Rossio and David S. Goyer, work was also done by James Bonny, Michael Engelberg, Richard Finney, Neal Purvis, Robert Wade and the film's director, Stuart Orme. The final version mainly uses ideas from the Goyer and Orme rewrites.
- Erros de gravaçãoNear the end of the movie, as a helicopter lands at the "Des Moines" City Hall, tall palm trees are visible in the background.
- ConexõesFeatured in WatchMojo: Another Top 10 Scariest Movie Aliens (2015)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 8.647.042
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.069.057
- 23 de out. de 1994
- Faturamento bruto mundial
- US$ 8.647.042
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