Sob o Domínio dos Aliens

It looks like a UFO has landed in a small Iowa farm town. A top-secret US government investigative team from the "Office of Scientific Central Intelligence" goes out to investigate. The three stars are: limping leader Donald Sutherland (as Andrew Nivens), his handsome son and partner Eric Thal (as Sam Nivens) and sexy alien biologist Julie Warner (as Mary Sefton). They are about to conclude the whole thing was a teenagers' hoax, but Ms. Warner realizes aliens have landed. The reason, according to Warner, is that no males on the scene have noticed her arousing figure or tried to look down her unbuttoned blouse. You can almost hear her say, "Don't look at that alien spaceship, dammit, look down my shirt!"...

Now, these aliens attach themselves to your back (your spinal column, specifically) and they multiply quickly. The way to see if someone has been "infected" is to order the person to, "Take off your shirt!" Since this trick works, we're left wondering why most people in the cast are allowed to keep their backs covered. Most viewers would not protest Warner and Mr. Thal acting without their shirts (Thal goes without pants, too). If you don't mind wondering about plot confusions and contrivances like that, you could do worse than Stuart Orme's vision of Robert A. Heinlein's science-fiction novel. Thal and Warner are an attractive couple and Mr. Sutherland is a classic performer who can improve movies by simply being there.

****** The Puppet Masters (10/21/94) Stuart Orme ~ Eric Thal, Julie Warner, Donald Sutherland, Keith David

How the producers got away with calling this "Robert A. Heinlein's Puppet Masters" amazes me - because the only resemblance to Heinlein's genuinely chilling short story about Titan 'slugs' are the character names. That's it. None of the wonderfully satirical espionage group shenanigans, none of the gripping suspense, none of the character development, and none of the setting. "Puppet Masters" is not supposed to be set in 1994, it's supposed to be set in 1957 - but a different 1957 to the one we know. I mean, this film didn't even attempt the flying cars or the hand-held lasers. Like so many new sci-fi films made from older literature classics, the fiction has been cut out like some sort of hideous tumor and the science has been exaggerated to make sure the audience knows it's SCIENCE fiction. The fact that the science is largely irrelevant is lost on most modern screen writers - and this movie is no exception.

Another example of a perfectly good story that has been shredded to make it 'fit' Hollywood's version of science-fiction, which is largely made up of clanking robots, flashing lights and explosions.

"The Faculty" was a good SF movie. And it was right - Body Snatchers is a rip-off from this story, but it never pretended to be anything but. Faculty had some enjoyable sequences. It wasn't perfect, and elements were laughable, but despite this, it was true to itself..._this_ film was just the massacre of a perfectly good story.

I only hope anyone else who ever tries to make a movie of a Heinlein classic will stick to the book and make a decent movie, not rehash the story until it sounds good - because they sounded good before.

This was a decent film. The book was far better.

If the book had been made into a three-hour film, it would have been excellent. They would have had time to do things right. As it is, they compact a wide-ranging tale set in the future into a dodgy action flick in the present day.

Do yourself a favour - read the book.

Donald Sutherland is too cool, though.

I remember watching this as a kid and thinking it was so scary. Now on rewatch I realize it is a campy sci-fi movie but with some good practical effects and John Carpenter vibes.

Probably produced following the smash success of The X Files, The Puppet Masters is a pretty solid slice of alien invasion pulp fiction. The casting is good, with Eric Thal and Julie Warner proving to be charming enough stand-ins for Mulder and Scully. Elsewhere, sci-fi genre fans may appreciate the appearances of Yaphet Kotto (Alien), Keith David (The Thing) and of course the great Donald Sutherland (Invasion Of The Body Snatchers).

Behind the camera, it's an unusually British affair with director Stuart Orme, cinematographer Clive Tickner, and composer Colin Towns all heralding from the UK. They do nice work - Orme provides a tense and pacey first half, Tickner's very fine work lends a stylish visual sheen, and Towns' music is lushly complex.

However, although it starts out well, the flick loses some energy and traction around the middle and doesn't get it back. Its potential begins to slip away and I'm not quite sure why. Maybe budget/script cuts. The last third in particular, with its under-powered action set-pieces and somewhat perfunctory ending, suggests that the film had hit the glass ceiling of its production resources... or perhaps even its creators' full interest.

Nevertheless, it's an enjoyable sci-fi thriller for a good part of its running time. Might make a nice viewing companion with The Hidden (1987) or certainly any number of old X Files episodes!