AVALIAÇÃO DA IMDb
5,2/10
16 mil
SUA AVALIAÇÃO
Uma crônica da vida interconectada de um grupo de pessoas antes da Fashion Week em Paris.Uma crônica da vida interconectada de um grupo de pessoas antes da Fashion Week em Paris.Uma crônica da vida interconectada de um grupo de pessoas antes da Fashion Week em Paris.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 3 indicações no total
Anouk Aimée
- Simone Lowenthal
- (as Anouk Aimee)
Rossy de Palma
- Pilar
- (as Rossy De Palma)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Like everyone else, I note this didn't have much of a plot, etc. etc. But it was just a hoot to watch. I died every time Richard E. Grant came on the screen -- he's a phenomenal character actor. I say, lighten up! This wasn't just satire/social commentary... there was subtle homage to everything from the Marx Brothers to Fellini. In other words, don't analyze too hard; just enjoy!
7/10
7/10
There's one thing in this film that I love in a very film nerdish sort of way and that is Danny Aiello's character, which is, in a strange way, a homage to an earlier character in Altman's California Split (a film well worth revisiting). And while some of the characters may seem over the top, my own experience in the fashion world would attest to them being pretty realistic. While it feels as fragmented as any Altman, there is a story here, and it's a pretty subtle one, but perfectly satisfactory in my opinion. I think the film, overall, is woefully under-rated. I feel like everyone got caught up in the idea of "ALTMAN" and then got confused by "THE STARS" and then didn't really bother to look at the movie, which has some lovely grace and is well worth the time. Then again, why listen to me, I liked Ishtar.
Robert Altman's death three days ago brings to mind not only his movies, but his unique style: letting people develop the characters themselves, and overlapping dialogue. In that sense, "Pret-a-Porter/Ready to Wear" is possibly the best example of his movies. One really gets the feeling that they just filmed whatever happened here. This story of a murder in the midst of a Paris fashion show pretty much does whatever it wants, and does a worthwhile job with it. Starring Marcello Mastroianni, Sophia Loren, and a too-long-to-name list of other people.
So, in conclusion: thanks for everything, Mr. Altman! You were one of the greatest directors of all time!
So, in conclusion: thanks for everything, Mr. Altman! You were one of the greatest directors of all time!
I've seen it a couple of times. I understand Altman was maybe trying to create a disjointed, farcial almost surreal type atmosphere, but I found the lack of cohesiveness and clear cut thread annoying and it caused me to not care about the film or its characters. Being just a regular jane and not blessed with 15 or so credits in Film-making at NYU, the subtly of the art was lost on me. I desperately wanted just a little exposition to grab onto, and all the film's inside jokes and vague, obscure references to Italian films I found to be self indulgent. I'm not saying this film was bad - just bad for me. I think he could have pulled off the same feel and frenzied little European farce with a TOUCH more connective tissue in the plot. Not a lot, just a little for the audience to care about the story, the characters and whatnot. The thing I found in the film that I even cared more than a fig about was the Simone storyline.
This review is written specifically for those who have not seen 'Pret-a-Porte' and are confused by the mixed reviews on this site and from the Critical Press in general. To you, I would say the following: Don't take my word for it...see it for yourself and figure out what YOU think of it. It is my opinion that the worst film from Robert Altman is still the best film of the year (with rare exceptions) and so, naturally, I would recommend this film to anyone. However, Director Altman does NOT make films for everyone. He often makes films for the 'Advanced' film-goer. His work is often dis-jointed and overlapping to an extent that it requires one to actually ay attention to the goings' on rather than to spoon-feed the answers to the audience. Couple this with his tendency to allow the plot and the character to meander, evolving slowly over the course of the film and you often get a movie that is distinctly 'un-Hollywood', which can turn some film goers off. So I would recommend that you not only sit through this film, but allow yourself to actually watch it without any preconceived ideas of how a movie is supposed to be. Then I think you will find a witty, sexy satire that is more about our own vanity and betrayal than it is about the fashion industry.
But like I said, don't take my word for it (or the words of anyone else, for that matter): If you are curious, please watch it. And make up your own mind.
But like I said, don't take my word for it (or the words of anyone else, for that matter): If you are curious, please watch it. And make up your own mind.
Você sabia?
- CuriosidadesDanny Aiello and Lauren Bacall clashed during filming, with Bacall calling him a bully due to his behaviour towards other cast members.
- Erros de gravaçãoIn the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down.
- Citações
Kitty Potter: This is fucking fruitcake time. I mean - is that fashion, is it? I mean, is there a message out there? I mean, you got lot of naked people wandering around here.
- Cenas durante ou pós-créditosThe film's opening scene where Sergei buys the 2 Dior ties is set in Moscow's Red Square and the first 2 lines of credits (a Miramax production and a Robert Altman film) appear solely in Cyrillic characters
- Trilhas sonorasHere Comes the Hotstepper (Allaam Mix)
Written by Ini Kamoze, Salaam Remi (as Salaam Gibbs) & Chris Kenner
Performed by Ini Kamoze
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Principais escolhas
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- How long is Ready to Wear?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Ready to Wear
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 11.300.653
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.026.295
- 26 de dez. de 1994
- Faturamento bruto mundial
- US$ 11.300.653
- Tempo de duração2 horas 13 minutos
- Mixagem de som
- Proporção
- 2.39 : 1
- 2.35 : 1
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By what name was Prêt-à-Porter (1994) officially released in India in Hindi?
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