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IMDbPro

Prêt-à-Porter

Título original: Prêt-à-porter
  • 1994
  • R
  • 2 h 13 min
AVALIAÇÃO DA IMDb
5,2/10
16 mil
SUA AVALIAÇÃO
Helena Christensen in Prêt-à-Porter (1994)
Trailer
Reproduzir trailer2:12
1 vídeo
57 fotos
ParodySatireComedyDrama

Uma crônica da vida interconectada de um grupo de pessoas antes da Fashion Week em Paris.Uma crônica da vida interconectada de um grupo de pessoas antes da Fashion Week em Paris.Uma crônica da vida interconectada de um grupo de pessoas antes da Fashion Week em Paris.

  • Direção
    • Robert Altman
  • Roteiristas
    • Robert Altman
    • Barbara Shulgasser
  • Artistas
    • Sophia Loren
    • Julia Roberts
    • Marcello Mastroianni
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,2/10
    16 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert Altman
    • Roteiristas
      • Robert Altman
      • Barbara Shulgasser
    • Artistas
      • Sophia Loren
      • Julia Roberts
      • Marcello Mastroianni
    • 70Avaliações de usuários
    • 22Avaliações da crítica
    • 48Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 3 indicações no total

    Vídeos1

    Ready to Wear
    Trailer 2:12
    Ready to Wear

    Fotos57

    Ver pôster
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    + 51
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    Elenco principal77

    Editar
    Sophia Loren
    Sophia Loren
    • Isabella de la Fontaine
    Julia Roberts
    Julia Roberts
    • Anne Eisenhower
    Marcello Mastroianni
    Marcello Mastroianni
    • Sergei (Sergio)
    Jean-Pierre Cassel
    Jean-Pierre Cassel
    • Olivier de la Fontaine
    Kim Basinger
    Kim Basinger
    • Kitty Potter
    Chiara Mastroianni
    Chiara Mastroianni
    • Sophie Choiset
    Stephen Rea
    Stephen Rea
    • Milo O'Brannigan
    Anouk Aimée
    Anouk Aimée
    • Simone Lowenthal
    • (as Anouk Aimee)
    Rupert Everett
    Rupert Everett
    • Jack Lowenthal
    Rossy de Palma
    Rossy de Palma
    • Pilar
    • (as Rossy De Palma)
    Tara Leon
    • Kiki Simpson
    Georgianna Robertson
    Georgianna Robertson
    • Dane Simpson
    Lili Taylor
    Lili Taylor
    • Fiona Ulrich
    Ute Lemper
    Ute Lemper
    • Albertine
    Forest Whitaker
    Forest Whitaker
    • Cy Bianco
    Tom Novembre
    • Reggie
    Richard E. Grant
    Richard E. Grant
    • Cort Romney
    Anne Canovas
    Anne Canovas
    • Violetta Romney
    • Direção
      • Robert Altman
    • Roteiristas
      • Robert Altman
      • Barbara Shulgasser
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários70

    5,216.3K
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    Avaliações em destaque

    7DocPeters

    Just some jumbled-up fun

    Like everyone else, I note this didn't have much of a plot, etc. etc. But it was just a hoot to watch. I died every time Richard E. Grant came on the screen -- he's a phenomenal character actor. I say, lighten up! This wasn't just satire/social commentary... there was subtle homage to everything from the Marx Brothers to Fellini. In other words, don't analyze too hard; just enjoy!

    7/10
    7tobybarlowny

    Not classic Altman, but solid Altman

    There's one thing in this film that I love in a very film nerdish sort of way and that is Danny Aiello's character, which is, in a strange way, a homage to an earlier character in Altman's California Split (a film well worth revisiting). And while some of the characters may seem over the top, my own experience in the fashion world would attest to them being pretty realistic. While it feels as fragmented as any Altman, there is a story here, and it's a pretty subtle one, but perfectly satisfactory in my opinion. I think the film, overall, is woefully under-rated. I feel like everyone got caught up in the idea of "ALTMAN" and then got confused by "THE STARS" and then didn't really bother to look at the movie, which has some lovely grace and is well worth the time. Then again, why listen to me, I liked Ishtar.
    7lee_eisenberg

    Mr. Altman, wherever you are, we'll always remember you

    Robert Altman's death three days ago brings to mind not only his movies, but his unique style: letting people develop the characters themselves, and overlapping dialogue. In that sense, "Pret-a-Porter/Ready to Wear" is possibly the best example of his movies. One really gets the feeling that they just filmed whatever happened here. This story of a murder in the midst of a Paris fashion show pretty much does whatever it wants, and does a worthwhile job with it. Starring Marcello Mastroianni, Sophia Loren, and a too-long-to-name list of other people.

    So, in conclusion: thanks for everything, Mr. Altman! You were one of the greatest directors of all time!
    6OnlyZuul

    A little too... something

    I've seen it a couple of times. I understand Altman was maybe trying to create a disjointed, farcial almost surreal type atmosphere, but I found the lack of cohesiveness and clear cut thread annoying and it caused me to not care about the film or its characters. Being just a regular jane and not blessed with 15 or so credits in Film-making at NYU, the subtly of the art was lost on me. I desperately wanted just a little exposition to grab onto, and all the film's inside jokes and vague, obscure references to Italian films I found to be self indulgent. I'm not saying this film was bad - just bad for me. I think he could have pulled off the same feel and frenzied little European farce with a TOUCH more connective tissue in the plot. Not a lot, just a little for the audience to care about the story, the characters and whatnot. The thing I found in the film that I even cared more than a fig about was the Simone storyline.
    7kylebengel

    The worst film by Robert Altman is still the best film of the year.

    This review is written specifically for those who have not seen 'Pret-a-Porte' and are confused by the mixed reviews on this site and from the Critical Press in general. To you, I would say the following: Don't take my word for it...see it for yourself and figure out what YOU think of it. It is my opinion that the worst film from Robert Altman is still the best film of the year (with rare exceptions) and so, naturally, I would recommend this film to anyone. However, Director Altman does NOT make films for everyone. He often makes films for the 'Advanced' film-goer. His work is often dis-jointed and overlapping to an extent that it requires one to actually ay attention to the goings' on rather than to spoon-feed the answers to the audience. Couple this with his tendency to allow the plot and the character to meander, evolving slowly over the course of the film and you often get a movie that is distinctly 'un-Hollywood', which can turn some film goers off. So I would recommend that you not only sit through this film, but allow yourself to actually watch it without any preconceived ideas of how a movie is supposed to be. Then I think you will find a witty, sexy satire that is more about our own vanity and betrayal than it is about the fashion industry.

    But like I said, don't take my word for it (or the words of anyone else, for that matter): If you are curious, please watch it. And make up your own mind.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Danny Aiello and Lauren Bacall clashed during filming, with Bacall calling him a bully due to his behaviour towards other cast members.
    • Erros de gravação
      In the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down.
    • Citações

      Kitty Potter: This is fucking fruitcake time. I mean - is that fashion, is it? I mean, is there a message out there? I mean, you got lot of naked people wandering around here.

    • Cenas durante ou pós-créditos
      The film's opening scene where Sergei buys the 2 Dior ties is set in Moscow's Red Square and the first 2 lines of credits (a Miramax production and a Robert Altman film) appear solely in Cyrillic characters
    • Conexões
      Featured in Siskel & Ebert & the Movies: Speechless/Dumb and Dumber/Legends of the Fall/Little Women/Death and the Maiden/The Madness of King George (1994)
    • Trilhas sonoras
      Here Comes the Hotstepper (Allaam Mix)
      Written by Ini Kamoze, Salaam Remi (as Salaam Gibbs) & Chris Kenner

      Performed by Ini Kamoze

      Courtesy of Columbia Records

      By arrangement with Sony Music Licensing

    Principais escolhas

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    Perguntas frequentes18

    • How long is Ready to Wear?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 21 de abril de 1995 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official site
    • Idiomas
      • Inglês
      • Francês
      • Italiano
      • Russo
      • Espanhol
    • Também conhecido como
      • Ready to Wear
    • Locações de filme
      • Champs Elysées, Paris 8, Paris, França
    • Empresas de produção
      • Etalon Film
      • Miramax
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 18.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 11.300.653
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 2.026.295
      • 26 de dez. de 1994
    • Faturamento bruto mundial
      • US$ 11.300.653
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 13 minutos
    • Mixagem de som
      • Dolby SR
    • Proporção
      • 2.39 : 1
      • 2.35 : 1

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    Helena Christensen in Prêt-à-Porter (1994)
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