Poh wai ji wong

Not knowing any of Chow's films before seeing Shaolin Soccer, I only heard about this HK comic actor and thought he was just another of the typical broad comedians that come out of the HK film industry. Shaolin Soccer was a real revelation but it could have been a unique instance. Kung Fu Hustle showed me that he was an accomplished comedic talent. I have been trying to find his earlier films and am finally succeeding. I encourage you to do the same.

There's a lot to compare Chow with the classic comedians of the US film industry. Unlike Jacky Chan who has publicly stated his fondness for Buster Keaton, Chow seems to be more related to Harold Lloyd style. A low key personality in crazy situations. Unlike Chan and many other HK performers, Chow never forces his personality over the top. He surrounds himself with inventive situations and great supporting characters. The one unique aspect about Chow is the philosophic nature of many of the characters he plays. This film is a good example.

Lots of very good comic situations and a great climax. The main drawback is the overused wide-angle cinematography which make the film look cheaper then it should. This film has a lot in common with his more famous films so it should be enjoyable.

Good time.

Stephen Chow is a comedic genius. Sure, Love on Delivery can at times be childish or even banal, but the overall effect is one of sheer insanity of the best kind. One of my favorite scenes is the satire of the Terminator. The characters are genuinely funny caricatures of the down on his luck loser delivery-boy, the dreamy lover girl, the penny-pinching boss, the cocky martial arts instructor, the dirty cheat out to make a quick buck, and many more.

Like Shaolin Soccer, Chow manages to create a mindless romantic comedy mixed with chopsocky martial arts and it works, but expect something more like a cartoon that your typical western comedy.

A very silly comedy that makes the most out of the visual medium. This film makes its mark on the audience with intense zooms and dolly shots, wide-angle lenses, over-the-top sequences, strange and hilarious scene transitions, creative visual gags, absurd fight sequences, and rapid, witty dialogue. It plays with highs and lows with the unbounded imagination of a child and never relents. Poh wai ji wong is a light hearted comedy that earns its place on the silver screen.

This is the funniest Hong Kong movie I've seen (though I've only seen a few dozen) -- even better than Jackie Chan's stuff. In fact, it's one of the funniest comedies of any kind that I've seen.

The scene where the seemingly indestructable hero keeps popping up, fists on his hips (in a Superman pose), wearing that incredibly ridiculous Gar Fai (AKA Jim Davis' Garfield) mask, is to die for.

Christy Chung stars as a Judo student and her teacher feels that he should be able to have her. Since she knows that she can have anybody, she decides to play around with her teacher and Stephen Chow shows up at just the right moment to get asked out to a Jacky Cheung concert right in front of the Judo teacher. In a poop involved confrontation, the teacher accidentally hits Chritsy in the face and Chow doesn't stand up for her. He says that he loves her dearly, but she won't date a coward. He starts training in kung fu, and like all Chow movies, there is no training and this is just a reason for more comedy. They drag the story out with tons of hilarious stunts and jokes. So after briefly learning kung fu, Chow sort of gets lucky against the Judo master where he fights him in a Garfield mask. After saving Christy from possibly being rapedd, he ends up losing credit for his good deed and she finds a boyfriend in no time. One that can protect her that is. This guy just kind of shows up to get rid of all types of martial arts since his Karate is so superior. He also takes the credit for being the masked Garfield hero and Chow ends up having to fight him in a contest.

There are 3 fight scenes. The first one is played for laughs, the second is a huge throwdown, and one of the very few times I found myself rewinding a Stephen Chow movie for the action. A lot of effort was put into this scene and that is for sure. The final battle in the arena is a mix of comedy and realism. Some of the choreography is good and MMA is put to good use. Chow never does end up learning kung fu, so he has to defeat his enemy by using his wit. Luckily, he did do some weird training on top of a moving van and it proves to be very useful. The gags never stop. Another Stephen Chow classic.