Pagemaster - O Mestre da Fantasia

Just because something is part of my childhood doesn't mean it's good, and this movie is really not a great animated film. It's got a nice message, and it looks good, but the premise of jumping from storybook to storybook gets tiring by the end.

Richard Tyler (McCaulay Culkin) is a scaredy cat who's always getting picked on. On a stormy night he gets stuck in a library, and ends up animated with several book friends. He meets Fantasy (Whoopie Goldberg), Adventure (Patrick Stewart) and Horror (Frank Welker), and he goes through many famous books. The plot is very slim, and kind of just jumps around from book to book, but it actually works very well. This also has a great musical score and it manages to make the movie sad at times. Unlike many animated films, you actually come to like the characters by the end, and that's hard to do.

"The Pagemaster" is a very underrated, good animated movie that will appeal to kids and will amuse adults.

My rating: *** out of ****. 70 mins. Rated G

Many of the titles featured in this Internet Movie Database represent films that for various reasons are welcomed with scorn regardless of the good intentions of their creators. One such film is David Kirschner's "The Pagemaster," created by him as a means to share with his two daughters, Alexis and Jessica (both of whom, by the way, have cameos in the film), the wonder of reading. The story was born out of a clandestine visit by David, Lexie and Jess Kirschner to the New York Public Library's Center for the Humanities (the Headquarters Branch). Both Kirschner girls were little back then, and Dad ran Hanna-Barbera at the time. But what those two chldren took out of that visit was a spectacular sense of wonder --- and, consequently, that's how their father developed the idea for "The Pagemaster."

Some 3 1/2 years later, the result of David's concept stands as a spectacularly imaginative adventure where the joy of reading is made manifest within the simple space of 75 minutes. What a lot of people grumble about, as far as this film is concerned, is the fact that this was Macaulay Culkin's penultimate appearance as a child actor. There were many in and out of Hollywood who wanted to see his career implode; and part of that, as we all know by now, was due to the bitter divorce and custdy battles between his parents. That, more than anything, was the lynchpin of the disgust most of us had for this kid.

And what of the film itself? Well, the story of Richard Tyler still enchants me, if it doesn't anyone else. Who wouldn't want to have adventures with three delightful book characters representing their namesake genres --- Adventure (Patrick Stewart), Fantasy (Whoopi Goldberg) and Horror (Frank Welker)? Not only that, encountering both Jekyll and Hyde (Leonard Nimoy), Captain Ahab (George Hearn), Long John Silver (Jim Cummings) .... and a fire-breathing dragon --- and taking them on any way you can is perfect fodder for an 11-year-old constantly fearing the world around him.

One particularly funny line in the film comes in the live-action prologue, co-starring Ed Begley, Jr. and Mel Harris as Richard's parents. Alan, the father (Begley), recalls to his wife Claire (Harris) the day he signed his son up for Little League Baseball: "...he drove everybody crazy with statistics about how you can get a blood clot just by being hit on the head with a ball. 'Did you know that shin-splints can lead to blood clots in the legs?' Claire, he brought in a medical journal! Nobody wanted to play after that! And now, I'm building him a treehouse in a tree he refuses to climb!" Looking back, it's not how Begley utters that line, but rather, it is the way he delivers it that makes me laugh.

And then, there's James Horner's delightful score, punctuated by the central theme tune --- recorded as a single by Capitol recording artist Wendy Moten. Entitled "Whatever You Imagine," the song, with lyrics by the indefatigable Barry Mann and Cynthia Weil, was even nominated for a Grammy, which, alas, it didn't win. But the tune was eventually embraced by yours truly; and has since been adopted as Blackwolf the Dragonmaster's personal song.

These are just some of the special memories I have about "The Pagemaster." But of course, it is the Pagemaster himself, voiced and spoken by Christopher Lloyd, who drives home the story's central point. It is he, more than anyone else, who gives Richard Tyler the strength he needs to confront his own fears, regardless of the world around him. The result, of course, is that, by the time our tale ends, Richard becomes a stronger and better person --- all thanks to the magic of books. I sincerely believe that, given the current popularity of the Harry Potter and Lord of the Rings books, the wisdom of the Pagemaster is paying off, long after the film has been forgotten. After all, without books, we couldn't take on the imagination in our own way fearlessly. And that, I think, is as much reward as a young person needs in this world. 'Nuff said.

Okay, in 1994 I was obsessed with Macaulay Culkin. When I saw a trailer for this film, I couldn't wait to see it. When I went to see it though, my family and I were the only ones in the theatre! The same thing happened to my aunt and my cousins. I remember loving the film. I wanted that awesome bike he had. I got the videogame, and I got my copy on video. AND JAMES HORNER'S SCORE WAS AMAZING! I thought it was a good movie that had all the genres, even cooler that it was live action/animation. It's sad about it's bomb at the box office. It's quite a forgettable film, but I love it and I still do. Don't forget that Joe Johnston who is now quite acclaimed directed the live action scenes. Great for him.

This was my favourite film as a kid. Being born the year it came out, I think i spent the majority of 1998 watching it as that is when my brain developed enough to remember a movie. I honestly remember sitting there in my lounge room literally wishing there would be a sequel or a longer version somewhere out there because even as a toddler there were still parts of the film frustrated the hell out of me. I wanted to see Richard at school, get better sense of his lack of friends and worried, overly cautious nature. I wanted him to have a girl he liked, or someone he wanted to impress, that he could after his adventures with the books. I wanted more Christopher Lloyd. I wanted the areas of the journey he embarked upon to go longer than about 15 minutes each, I wanted more jokes and maybe a few more characters for them to meet along the way. I also would have liked more books to pop up, maybe like action or something like that. Even just a little cameo would have been cool.

All that being said, what I was left with, I loved. More than anything. James Horner's score is easily my favourite of all time and summarises my awesome childhood. Macaulay Culkin was always my hero. I was delighted he was the star of this. It was a hell of a lot better than richie rich. Yeesh. The visuals were terrific and it really did have a sense of wonder. The very short runtime however, stopped it from being a real classic. Man oh man that was a small tragedy as a kid. It filled me with a rich sadness, because I didn't want the story to end. It did make me feel as hard as i think i ever felt as a child though, and for that, I cant fault it. Plus the bike scene made me want to jump 10 feet in the air with happiness.

With its curious mix of Time Bandits-like enchantment and plain sense of fun, The Pagemaster represents the least-annoying and most enjoyable contribution Culkin has made to the industry since Home Alone. This won't be the monster hit that movie was, but children venturing into The Pagemaster should be no less beguiled. Grownups who often feel insulted by the too-juvenile tone of most so-called "family features" will likely find this movie long enough to catch their attention, but short enough not to lose it -- in essence, a surprisingly affable (and occasionally even sophisticated) movie-going experience. Most importantly though- This film is even more relevant today 25 years on.