O Amor e a Fúria

This is a film that should be seen by everyone. A powerful movie that will stir almost every emotion you can think of, and sometimes all at once. Completely believable and compelling film that will hold you till the very end, and a long time after.

This is one of the most powerful and realistic movies I have ever seen.

A true modern-day tragedy, this movie shows the negative aspects of one indigenous culture in today's society. This is a very important movie as it forces you to look at issues that some have to live with on a daily basis.

This movie literally left me feeling sick in the stomach. Particularly with the knowledge that there are families out there living through this. The performance by Temuera Morrison was incredible.

I don't know where to start. When I'm asked of my favorite movie ever, this is ALWAYS the first to come to mind. This is one of the finest movies I've ever seen, and I've seen too many to count.

Once Were Warriors is, at its most stripped, about a woman named Beth and her struggle to just do what's best for her family. She is of Maori heritage, New Zealand's sort of Native Americans. Culture is a proud and powerful aspect of the movie, as Beth's strengths lie in her devotion to her family and her heritage. But that is little comfort, as her daughter is struggling to accept adulthood, her youngest son is heading towards juvenile detention, and her oldest son is fast on his way to joining a brutal gang. Worst of all, her husband Jake is a heavy drinker.

The film excels at painting everybody in full 3 dimensions. Each of her kids are troubled, but they all have fierce love and respect for their mother. The gang is cruel to the oldest son, but at the same time embraces him. The juvenile detention center separates the youngest son from his only home, but instills in him a pride in his ancestry. And Jake himself is a beast, a man built like a tank who will destroy you with anything available should you spill his beer...but somehow he also comes across as loving Beth. Sometimes.

The film follows Beth as she does her best to hold the family together even while the various problems tear them apart. At the center is Jake's drinking and further carelessness of his family's dissipation. While Beth's answer is to nurture and aid her children, Jake insists it's best to drink away the problems and quit being so "soft" on the kids. And we watch, through it all, as the family spirals further apart. Near the end, after seeing both happy and horrible things happen to each of the characters, we are jarred by a terrible tragedy. Beth and Jake both deal with it uniquely, as she draws once again on the tremendous power of family and human spirit, while Jake deals with it his own way. The last 15 minutes of the film keep us in suspense as we wonder whether a certain horrible injustice will be confronted, and if so, how. This scenario involves and encapsulates everyone in the family, and who they are inside.

The last few moments of the movie made me want to jump to my feet and applaud. I won't reveal what happens, but in the last 5 minutes, every person shows so much inner strength that I glow with admiration for their actions. Especially those of Beth and her oldest son, whose interaction with Jake results in my favorite scene in the movie. But don't think you know what's going to happen based on this description -it's a complicated scenario. I felt satisfied with the conclusion on all fronts, and thought that each character showed exactly where their strength lies.

Be forewarned that this movie is very heartbreaking. Its overall tone is one of futility, of better lives not received, of wanting the best but never quite getting it. It is very raw and intense in its portrayal of physical and domestic violence, and the easily upset may have a hard time waiting to see if it ends happily enough for their tastes. But no matter what your opinion is, it will definitely be a film that stays with you for a long, long time. My highest recommendation.

OWW is a truly great film. However I feel that people have missed one of the main ideas of the film. That is the fact domestic violence is truly horrifying. And it doesn't just happen in Maori families, it happens all over the world! I am Maori myself and first saw this film at the theatres with a mostly Maori audience. It was very well recieved. I was surprised to read the commentary by Glamwog when she said all of her Maori friends hate it. Oh and by the way not all Maori are as depicted in the movie!

If you haven't seen this film, do yourself a favour...watch it.

I've been reading the comments that people have made on this brilliant piece of film making that makes me proud to be a kiwi. Although I'm not Maori, I have somewhat of an understanding of, and a very deep appreciation for Maori culture. It is after all a major contributor to the uniqueness of New Zealand, and it's what a lot of the tourists come here to see/experience.

Some people have commented that the character of Beth is "descended from Maori royalty" and that the character of Jake is "descended from slaves". That's not quite correct. Although there is a Maori monarch; (Dame Te Atairangikaahu, the current Maori queen lives at the Turangawaewae Marae in Ngaruawahia, her official residence.) the Maori monarchy only goes back to the 19th century, and its not really representative of all Maori as it only really affects Waikato iwi/hapu, (tribe/sub tribe) It is more likely that Beth would be descended from chiefly linage, and hence she and her whanau, (extended family) would be very much aware of and in tune with their whakapapa or ancestry. Beth's line near the end of the movie that her people "once were warriors" is an indicator of this.

(The facial and body tattoos, or Moko that one sometimes sees Maori wearing are in fact representative of their whakapapa. Also, the carvings that feature on Marae and other carved Maori buildings/gates etc are representative of tribal ancestors, much like Indian Totem poles.)

Jake on the other hand is obviously urbanized. He would most probably know little or nothing about his whakapapa, and in addition he probably would not even be able to identify with an iwi or hapu. This would explain why he makes several references to "Maori bulls***". He is disenfranchised from his culture, and probably doesn't even speak Maori that well. (Although Temurera Morrison himself speaks fluent Maori.) His family have obviously been living in Auckland for so long, and there has been such tribal intermingling, that he doesn't know whether he's Arthur or Martha. And what's more, he doesn't care either.

(For those of you who are interested, the motorway shown at the start of the movie is the Southern Motorway which runs right through South Auckland, which is where *a lot* of Maoris and Pacific Islanders live.)

As other people have said, this kind of thing is sadly not unique to Maori, as American/Canadian Indians and Australian Aborigines can testify. Likewise domestic violence itself is not only limited to minority ethnic groups.

This is easily one of the best movies that I have ever seen. So if you haven't had the privilege of seeing it yet, then I highly recommend that you do so. George Henare's stirring Taiaha scene alone is well worth the cost of getting the movie out.

(A Taiaha is a Maori spear. To use one of these, one must have immense mana, or importance. As Henare's character said, the British *feared* the highly skilled Taiaha warriors.)