AVALIAÇÃO DA IMDb
5,6/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaEpisodic story about a yuppie couple who're going broke, and can't decide if they want to stay together - but openly sleep around and experiment with different lifestyles, or not.Episodic story about a yuppie couple who're going broke, and can't decide if they want to stay together - but openly sleep around and experiment with different lifestyles, or not.Episodic story about a yuppie couple who're going broke, and can't decide if they want to stay together - but openly sleep around and experiment with different lifestyles, or not.
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Avaliações em destaque
Yes, The New Age is beguiling art film and not for everyone, but I enjoyed its take on the L.A. nouveau riche set. Peter Weller and the luscious Judy Davis are back again as a whacked out couple that are not unlike the pair they played in Cronenberg's Naked Lunch. I liked the look of the film, the off the wallness of it all, and its sly sense of humor. We need another reteaming of Weller and Davis for the new millenium, daddy-o. But if you like art movies about the rich bitch L.A. scene go see The New Age. Solid.
Wealthy LA couple Peter and Katherine live comfortably, spending on credit and having affairs. When Peter quits his job as a recession looms the couple find that money is tighter and the values they hold dear mean nothing. Can they get in touch with themselves to navigate through their journey of life.
This film seems to be an attack on the yuppie culture in LA, with their materialism, their spiritualism and their aimless, work-shy lives. It seems this way for the most part but towards the end seems to say that we can all be happy if we accept who we are and confront it. It doesn't quite ride with me but the film up till this point is good - it's interesting and a bit moving to see the couple's relationship rise and fall with the difficult times. However once it falls back on spiritualism and the like it loses a lot of credibility.
Peter Weller and Judy Davis are both good in the leads, managing to display the correct amount of arrogance and emotion during the story. Adam West has a small role and is not great - is it just me or does everyone else still see Batman when they look at him. Samuel L. Jackson has a small cameo as a motivational salesman (like Alec Baldwin in Glengarry Glenross) and he shows off his trademark powerful performance - but he's not as good as Baldwin was (the material's fault).
Overall a good attack on materialism but the spiritual stuff doesn't work.
This film seems to be an attack on the yuppie culture in LA, with their materialism, their spiritualism and their aimless, work-shy lives. It seems this way for the most part but towards the end seems to say that we can all be happy if we accept who we are and confront it. It doesn't quite ride with me but the film up till this point is good - it's interesting and a bit moving to see the couple's relationship rise and fall with the difficult times. However once it falls back on spiritualism and the like it loses a lot of credibility.
Peter Weller and Judy Davis are both good in the leads, managing to display the correct amount of arrogance and emotion during the story. Adam West has a small role and is not great - is it just me or does everyone else still see Batman when they look at him. Samuel L. Jackson has a small cameo as a motivational salesman (like Alec Baldwin in Glengarry Glenross) and he shows off his trademark powerful performance - but he's not as good as Baldwin was (the material's fault).
Overall a good attack on materialism but the spiritual stuff doesn't work.
The response to this film was a little more negative than I expected. I liked the film better than Tolkin's "The Rapture." It's one of my favorites to watch for non-serious viewing.
The film has a quirkiness, even a spookiness, that, apparently, many dislike and don't understand. I wanted to recount the plot; however, since that's not desired, I don't see why other reviewers think the plot is so implausible.
Peter Weller's and Judy Davis' characters seem to be mismatched partners, but is that so implausible? This dissonance was probably intended, but disliked by many viewers. Anyway, the main characters compromise themselves in many ways: I think Peter and Judy do well in the movie.
I also like Adam West in his small part, and the under-rated Patrick Bachau plays his part as a new-age guru with urbane spookiness. Corbin Bernsen has a small part at the beginning as the boss for Peter Weller's character (Weller's character is conveniently named "Peter.")
Finally, I like the depictions of certain new-age ceremonies and personalities--this is rare in movies.... I think the movie is thoughtful. It does not have much action, but don't most action films today flagrantly violate the law of "suspension of disbelief?"
This film will not be liked by the multitude in America with the attention span of a gnat.
The film has a quirkiness, even a spookiness, that, apparently, many dislike and don't understand. I wanted to recount the plot; however, since that's not desired, I don't see why other reviewers think the plot is so implausible.
Peter Weller's and Judy Davis' characters seem to be mismatched partners, but is that so implausible? This dissonance was probably intended, but disliked by many viewers. Anyway, the main characters compromise themselves in many ways: I think Peter and Judy do well in the movie.
I also like Adam West in his small part, and the under-rated Patrick Bachau plays his part as a new-age guru with urbane spookiness. Corbin Bernsen has a small part at the beginning as the boss for Peter Weller's character (Weller's character is conveniently named "Peter.")
Finally, I like the depictions of certain new-age ceremonies and personalities--this is rare in movies.... I think the movie is thoughtful. It does not have much action, but don't most action films today flagrantly violate the law of "suspension of disbelief?"
This film will not be liked by the multitude in America with the attention span of a gnat.
This film was a complete surprise to me. It's clever, funny and very thought-provoking. Judy Davis and Peter Weller (that man is underrated) both deliver excellent performances. A warning: The ending isn't quite the usual happy salvation, but it really does hit the perfect note on one of the main themes of the film: You can't always get what you want. And pushing that very feeling to the viewer just before the credits is perhaps the cleverest thing about the whole film.
Yuppie couple. Falls on hard times. After too many good times. Lose jobs. Have affairs. Have crisis of identity. Then set up in business.
That's a rough sketch of what happens, and it's quite watchable. Judy Davis looks incredibly young and sexy. So does Peter Weller. And it's written by Olly Stone too...What more do people want?
I Never 'New' It Was This Good!!!
That's a rough sketch of what happens, and it's quite watchable. Judy Davis looks incredibly young and sexy. So does Peter Weller. And it's written by Olly Stone too...What more do people want?
I Never 'New' It Was This Good!!!
Você sabia?
- CuriosidadesWas #9 on Roger Ebert's list of the Best Films of 1994.
- Citações
Peter Witner: Did you know that in Chinese the word for "crisis" is the same as the word for "opportunity"?
- ConexõesFeatured in Siskel & Ebert & the Movies: Why Gump? Why Now? (1994)
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- How long is The New Age?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The New Age
- Locações de filme
- Southern California, Califórnia, EUA(Location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 245.217
- Fim de semana de estreia nos EUA e Canadá
- US$ 35.797
- 18 de set. de 1994
- Faturamento bruto mundial
- US$ 245.217
- Tempo de duração
- 1 h 52 min(112 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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