Reação Mortal

"Motorcycle Gang" benefits from above average performances and interesting, though marginally developed characters. The deliberate pacing is another plus, which allows for more than just the usual cursory dialog. Jake Busey is well cast as the leader of the gang, and Gerald McRaney is good as the dad in pursuit of his kidnapped daughter, Carla Gugino. Nice desert photography enhances the production as well. Overall, this has entertainment value because it never pretends to be anything except an updated 50s biker movie, and at that it succeeds nicely. So what you see is what you get, and that is totally acceptable from my point of view. - MERK

This is officially THE worst film ever made. It is terrible! The acting is awful, the sets are awful, the editing is awful, the plot is awful, the props are awful, the soundtrack is awful, I simply could not state one positive comment about this movie! Set in the fifties, you can blatantly see 90's cars roaming around, the bikes the 'Gang' use are rusting even though they are ahead of their time, this is diabolical. Words cannot describe it! Take my advice - avoid this piece of junk at all costs! It will be the biggest waste of 80 minutes you could ever imagine.

Made for TV (Showtime) and directed by John Milius ("Conan the Barbarian," "Red Dawn"), 1994's "Motorcycle Gang" relays the story of a family traveling through the Southwest circa 1959-60 wherein they run afoul of a small gang of criminal bikers. The daughter is kidnapped and taken into Mexico. The father has no recourse but to take matters into his own hands. Will this crisis tear the family further apart or bring them closer together (i.e. a blessing in disguise)?

Jake "Gary's Son" Busey plays the charismatic bike leader and does it well. The father is played by Gerald McRaney (Major Dad), who's always perfect for father-type roles. The wife is played by Elan Oberon, who doesn't seem all that spectacular looks-wise until you see one shot of her at the motel (whoa!). One of the highlights is Carla Gugino (Silk Spectre in "Watchmen") as the daughter. The daughter's only 16 years-old but Carla was 22 at the time of filming.

There's an interesting subplot about sexuality -- the wife is bored with her husband and was having an affair to fulfill her sexual desires before the trip; the daughter (who suspects the affair) is just awakening to her sexuality and finds it intriguing; the father has grown bored with romance/sex and has drifted from his wife, but the vacation reinvigorates him and stirs his passions; the bikers only regard sex on the most base level.

Another theme is that of universal justice. Scum who choose to give themselves wholly over to their dark side and commit extreme criminal acts don't deserve lovey-dovey mercy and understanding -- they've gone too far; they deserve nothing but obliteration from this realm of existence (say a prayer with 'em if you want).

At a mere 84 minutes the film is short-but-sweet with almost no filler.

The gorgeous Southwest locations are a definite plus.

Being made-for-cable-TV "Motorcycle Gang" is obviously low-budget fare, but that's okay because the biker films of the late 60s/early 70s were just as low-budget. The good thing is that "Motorcycle Gang" is actually better than most of those films. In fact, it's on a par with 1992's "Beyond the Law," although I much prefer "Motorcycle Gang" (Charlie Sheen isn't believable as a hardcore biker plus that film had too many goofy elements).

This isn't "Apocalypse Now," it's a low-budget TV biker flick, so don't expect to be blown away. Just enjoy it for what it is, and maybe you'll discover that it's even more than that.

GRADE: B+

An ordinary American family, not counting the fact that the head of such is a former Marine, a veteran of the Korean War, once again moves to a new place of residence. Their path lies from Texas to California. In general, a measured trip is episodically interrupted by various small stories, such as a meeting with a couple of beatniks who own a small motel, gradually leading the parallel story to a skirmish with a biker gang led by a blond nicknamed Busey, who kidnaps the daughter and goes to Mexico for a batch of drugs. Remembering his former skills, the hero again takes the path of war and begins to inflict justice in his own way in the vastness, where, apparently, the police are pushed into the background, and various psychopaths and crazy criminal elements rule the ball. The synopsis of the plot introduces some dissonance.

This layout fits in well with the reality of what could be expected in the 1990s, but with the conditional specificity of the 1950s, this form fits rather poorly, and it actually explains the weak presence of action as such. Some philosophical messages do not particularly save the situation.

There is "Motorcycle Gang" from 1957 with a similar theme, but a different story.

I first saw this film on TV late one night. It starts out with the basic fundamentals of a road movie, a family are driving across the mid American desert to their new home in California in the mid sixties when they become terrorised by a motorcycle gang. The father, Cal, appears to be a mild mannered family man, spontaniously dealing with the angst displayed by his wife and teenage daughter whilst also trying to negotiate moving the family across the country. When his daughter is taken hostage by bikers it would seem he is powerless to alter the events that occur.

Nothing however could be further from the truth, it turns out that Cal is actually a World War 2 combat veteran and despite his humbled and fifty something appearance is a very efficient killing machine. When the final fight sequence occurs the character transformation becomes something to behold, as family man Cal takes on his opponents with a supremely violent and ruthess efficiency.

This movie is a classic. despite being shunned at the cinema, i would recommend it to anyone interested in good film. Neither a road, action or adventure movie, this picture defies a specific genre and in doing so in my opinion has become one of the best low key American classical of all time.