Milagre na Rua 34

With so many people upset with the fact that they enjoyed the original and have been watching it on TV their whole lives, this remake should never have been made. Remember that the beloved one is also a remake. I agree that the former was superior, but like other holiday movies, isn't it fun that we try to update and try things differently? Think about something like "A Christmas Carol" which has had numerous incarnations. For me the Alistair Sim version still rests on top, but does that mean we shouldn't have Albert Finney's version or, especially, that of George C. Scott (quite well done). I know that actors and directors interpret things differently. We are in a different world now, and personalities are going to be different. There are still the trials and the usual naysayers and the tools of the government presented in their utter humorlessness. It isn't perfect but it's still worth watching. Also, I enjoyed watching Mara Wilson as the little girl.

The late Lord Richard Attenborough looked like he enjoyed himself in the role of Santa Claus aka Kris Kringle in this delightful updated remake. With a solid supporting cast, the film included a believable love story between Elizabeth Perkins and Dylan McDermott. Mara Wilson was wonderful as the child. There are other notable performances like Robert Prosky, Allison Janney, Mary McCormack in her first film role, J.T. Walsh and others. The film was shot on location in New York City. Instead of Macy's there is a Cole's Department store and a rival with Jane Leeves. The film has a charm all its own.

I can't see why a retelling of a really good story gets panned. It stayed true to the original concept, that believing in something good, even if it only comes once a year, can make us better. If I may reference another Christmas classic of which there have been several worthy interpretations, "Scrooge" (1951), the young Scrooge says to the young Marley upon their meeting, "I believe the world is becoming a very hard and cruel place...". If it was that way in the 1800's, it's ten times worse today, and therefore all the more reason to be reminded of our better nature. I especially enjoyed the scene where the streets of New York City were filled with throngs of people, traffic on the bridges was stopped, all waiting for the verdict. I know NYC well, and how its people rise to such occasions. These scenes were not in the 1947 version, and I think they added a uniqueness to this version. Better, worse than the 1947 version? Neither - just different, and just as valid.

To watch with the family, especially children. It tried me with some tears it's true, but it wasn't as emotional as I thought. Cute, funny, not boring, it could have been better, but I'm grateful. I want to see the original now. Thank you! Merry Christmas!

To give the movie its deserved credit, Richard Attenborough is a wonderful successor to the iconic Kris Kingle as played by Edmund Gwenn in George Seaton's seminal Christmas classic "Miracle on 34th Street" and Mara Wilson is just as good as the little girl who doesn't believe in Santa but wishes she could and only asks for a proof. In fact, she embodies our very attitude toward the film, we love the original, we want to embrace this one with the same enthusiasm, so we're waiting for the script to charm us.

And it's only fair to have high anticipations, the film was made in 1994 when commercialism was as preeminent as five decades later, and written by John Hughes who could give a subtle dimension of satire and benign cynicism, all these elements could have given an edge to the 1994 remake. Unfortunately, the film doesn't really manages to deliver: when it's good, it's just as good as the original, the rest of the time, it's just a pale copy that fails to capture the the taste of its era. This film could have been made in the 80's or the 70's as well because the story is timeless, but not in the 'appealing' meaning of the word.

It's incredible but "Miracle on 34th Street" manages to feel more dated than its glorious predecessor, the 1947 version starring Edmund Gwenn, Maureen O'Hara and young Natalie Wood. Maybe the remake was liable to feel dated because the 1947 classic was already ahead of its time for its take on Christmas consumerism, its portrayal of a divorced mother and a precocious girl (tired tropes today), so any attempt to duplicate the charm of the movie was likely to fail... unless it tried to modernize the original premise a little bit.

The problem with Les Mayfield's movie and John Hughes' screenplay is that the two men seem to be in awe with the original and never really dare to make the original structure shatter, not a bit. As a result, we have quite exactly the same movie, and the changes operated in this one never feel as improvements but rather inspire the opposite feeling. For instance, the climactic trial scene with the bags of mail delivered on the courtroom is only replaced by a parallel drawn between the existence of Santa Claus and the faith in God which, as smart as it is, is anticlimactic and leaves many things in wanting.

We all know the story is heading toward a heart-warming and magical conclusion but there's just something curiously depressing in the turn of events that lead the gentle Kris Kingle in jail and the way his aura immediately fades while the set-up of his downfall is quite obvious. There was a moment where I expectedKingle to tell that the man he assaulted had just literally accused him of the worst possible crime and had the punch coming, but the scene dangerously flirts with the idiotic plot where the lines that can get you off the hook aren't said, for no other reason that they're waiting for the right moment.

I feel a bit guilty to be so judgmental, again there's that snow beard in Richard Attenborough and that glee in his eyes that makes many scenes with him very touching, I loved his interaction with the deaf girl (a smart remake of the Dutch scene), his chemistry with Mara Wilson hit the right chord, and that little girl is a genuinely good actress conveying the right mix of smartness and innocence (a bit like a real-life Lisa Simpson). But the film reminded me of that scene where Kingle and Bryan, the lawyer enamored with Susan's mother, and played by Dylan McDermott, discuss about the mother (Elizabeth Perkins) and say there's something quite sad about her.

There's something sad in the film as well, sometimes, Elizabeth Perkins overplay that feeling and make any scene she's in a killjoy, even her romance with Dylan, while integral to the original happy ending, are only inserted in the movie as an 'obligation' but it's obvious these moments slow down the script more than anything. There are a few good characters in the film, the judge played by a scene-stealing Robert Prosky, the so underrated J.T. Walsh as the prosecutor but the film loses its way in many unnecessary plot points, and escalate to a trial where we feel cheated because we didn't have our bags of mail, after all, there was no Internet yet in 1994, it could work.

The film is still an enchanting moment that can please any child of any age, but it lacks that little sharpness, the taste of modernity it needed, and luck, too. Macy's didn't want its name associated with the film so they had to come up with a fictional company had to invent a and make the rival an evil businessman, missing the opportunity of the 'marketing policy' subplot that made the first film so ahead of its time. It's like Mayfield and Hughes didn't trust their own material, they had so charming protagonists who could carry the film alone, who needed villains? Especially when the "system" or the world's cynicism was good enough an antagonist.

A good film nonetheless, but so one-dimensional in its treatment it feels dated by the original film's standards.