AVALIAÇÃO DA IMDb
5,6/10
4,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA former Special Ops soldier leads a group of mercenaries to an island in the South China Sea: their mission is obtain the rights to the unusual treasure that the island beholds.A former Special Ops soldier leads a group of mercenaries to an island in the South China Sea: their mission is obtain the rights to the unusual treasure that the island beholds.A former Special Ops soldier leads a group of mercenaries to an island in the South China Sea: their mission is obtain the rights to the unusual treasure that the island beholds.
- Direção
- Roteiristas
- Artistas
Tony Denison
- Jimmy G.
- (as Anthony John Denison)
Tom Lister Jr.
- Blades
- (as Tiny 'Zeus' Lister)
Aldo Sambrell
- Goldmouth
- (as Aldo Sanbrell)
Ignacio Carreño
- John
- (as Ignacio Carreno Lopez)
Avaliações em destaque
Forget characterization. Forget plot. Go in expecting a bunch of cardboard characters moving from point A to B shooting stuff and you'll be happily entertained, like I was.
It's a very predictable "dude goes around recruiting his team, suffers moral crisis, and chooses to oppose his bosses and defend the little people" kind of story. Hmm, I wonder if he's going to win in the end? It's been done a zillion times, even in a throwaway movie like Star Trek: Insurrection.
But Dolph Lundgren's got a rocket launcher. Charlotte Lewis has a great body. And B.D. Wong was hilarious. Bring snacks. Turn off brain. Enjoy.
It's a very predictable "dude goes around recruiting his team, suffers moral crisis, and chooses to oppose his bosses and defend the little people" kind of story. Hmm, I wonder if he's going to win in the end? It's been done a zillion times, even in a throwaway movie like Star Trek: Insurrection.
But Dolph Lundgren's got a rocket launcher. Charlotte Lewis has a great body. And B.D. Wong was hilarious. Bring snacks. Turn off brain. Enjoy.
Men of War is a good action movie. Dolph Lundgren is cool as Nick Gunner, a mercenary hired to force natives to sign over mining rights of the island. When he decides to defend it, his employers hire his old enemy to kill him. The action sequences are pretty good, especially the fight scene at the end. And Catherine Bell (The chick from JAG) is pleasant as a women warrior. All in all, I recommend Men of War to anyone looking for an entertaining action movie.
"What if they made a really good Dolph Lundgren movie and nobody came?"
Well, if they put it out directly to video, ... :-)
I saw "Men of War" on broadcast TV, so of course some of the nastier stuff was censored. Still, I think I got the idea. And it was a good idea! This movie continually impressed me with excellent dialogue, good character development, humor, and most of all a story that I actually cared about. Sure it was somewhat predictable, but there were some unexpected developments, mostly centering on the ability of the supporting cast -- and I mean way down the list to some of the bit parts -- to behave in ways not anticipated by the principals. This made for a rather unorthodox movie. I also really enjoyed the soundtrack; good music, well suited to each scene. Did I mention the dialogue? I did? Well, I'll mention it again, because usually that's the last thing I expect to like in a DL movie, but this one was smartly scripted.
My favorite character was Po, who was exceptionally well written and nicely played by BD Wong. It took all of about 15 seconds for me to like this guy; his intelligence and wit were quickly evident even through the language barrier. Actually, that's one thing that impressed me a lot: they managed to come up with broken English script that comes across as totally believable. If I were a mercenary in SE Asia, this is a lot like how I'd expect people might really talk to me.
I can't say this is a great movie; it has its shortcomings. The themes explored were already old hat by the time this film was made, and there is a strange schizophrenia to the film; it's half story-movie and half action-movie-with-big-hero-star-dude. But the strong points seem to carry it pretty easily, perhaps because the makers realized before/during production what we do when we see it, and compensated. For example, the film does visit certain cliches, but it doesn't dwell on them, expecting them to make a huge impression on the viewer. It's as though the makers realize that a given situation is old hat, and are almost apologetically including it simply out of necessity, then moving on to "what they REALLY wanted to show us". I think that shows respect for the intelligence of the audience, treating us as though we've actually seen a movie before -- imagine that!! -- and I appreciated it.
Since Lundgren is the "star" here, I guess I'll close by saying that he was very well used. The story is the real star, which is why this movie works so well. Lundgren has never been a top-notch actor, and isn't one here, but that's not important. This movie tells a story and it uses all of its assets, not just shoving big Dolph in our faces over and over again. When he says something, or does something, it's because it was his turn to do so. Really, I'm very impressed by how well this worked.
(BTW, lest you get the wrong impression, I actually like Dolph Lundgren, and have enjoyed some of his films, usually almost exclusively for the action. I just don't think he's Oscar material.)
Well, if they put it out directly to video, ... :-)
I saw "Men of War" on broadcast TV, so of course some of the nastier stuff was censored. Still, I think I got the idea. And it was a good idea! This movie continually impressed me with excellent dialogue, good character development, humor, and most of all a story that I actually cared about. Sure it was somewhat predictable, but there were some unexpected developments, mostly centering on the ability of the supporting cast -- and I mean way down the list to some of the bit parts -- to behave in ways not anticipated by the principals. This made for a rather unorthodox movie. I also really enjoyed the soundtrack; good music, well suited to each scene. Did I mention the dialogue? I did? Well, I'll mention it again, because usually that's the last thing I expect to like in a DL movie, but this one was smartly scripted.
My favorite character was Po, who was exceptionally well written and nicely played by BD Wong. It took all of about 15 seconds for me to like this guy; his intelligence and wit were quickly evident even through the language barrier. Actually, that's one thing that impressed me a lot: they managed to come up with broken English script that comes across as totally believable. If I were a mercenary in SE Asia, this is a lot like how I'd expect people might really talk to me.
I can't say this is a great movie; it has its shortcomings. The themes explored were already old hat by the time this film was made, and there is a strange schizophrenia to the film; it's half story-movie and half action-movie-with-big-hero-star-dude. But the strong points seem to carry it pretty easily, perhaps because the makers realized before/during production what we do when we see it, and compensated. For example, the film does visit certain cliches, but it doesn't dwell on them, expecting them to make a huge impression on the viewer. It's as though the makers realize that a given situation is old hat, and are almost apologetically including it simply out of necessity, then moving on to "what they REALLY wanted to show us". I think that shows respect for the intelligence of the audience, treating us as though we've actually seen a movie before -- imagine that!! -- and I appreciated it.
Since Lundgren is the "star" here, I guess I'll close by saying that he was very well used. The story is the real star, which is why this movie works so well. Lundgren has never been a top-notch actor, and isn't one here, but that's not important. This movie tells a story and it uses all of its assets, not just shoving big Dolph in our faces over and over again. When he says something, or does something, it's because it was his turn to do so. Really, I'm very impressed by how well this worked.
(BTW, lest you get the wrong impression, I actually like Dolph Lundgren, and have enjoyed some of his films, usually almost exclusively for the action. I just don't think he's Oscar material.)
Everything John Sayles does reeks of intelligence one way or another, and this movie tries to imply issues much more important than macho bravadura, "Broken Arrow"-like. I'll leave you to check those issues by yourself, since this wasn't intended to be a philosophy lesson in the first plane (and doesn't fall in Hemingway-esque clichés like "Sniper")but this one also features one of the greatest mug-catalogue since the heyday of Spaghetti-western (Too bas Danny Trejo wasn't on the boat !), including the charismatic English actor from "Mortal Kombat", who really, really shines in this one. I'm as tired of guns-and-explosions movie as the next guy, but this one is really worth a look, if only for its lush photography and elegant direction. Besides, the latest reel, chock-full of adrenaline, is really better than average. I'm glad I saw this one.
This is a really good story similar to Rambo or even Chuck Norris in Missing in Action being called to do some work in a foreign country. Only this time, he's hired to be the bad guy; they want him to go and nuke a village so they can have the land for mining. After sleeping with Charlotte Lewis (native girl) Nick decides not to nuke the village and to protect the people from the bloodthirsty miners. His group is split in half between those who will join him and those who will leave and fight with the miners against him. Good action in this movie combined with some nice on location native scenery and native people. Very enjoyable. Charlotte Lewis even flashes her wonderful large ripe all natural breasts a few times. Wow!!! She is a looker! Damn!!!
Você sabia?
- CuriosidadesWhen Gunar (Dolph Lundgren) shoots the recoilless rifle at the enemy camp he says: "Spring, era jävlar!" which is Swedish for: "Run, you bastards!". This exclamation has become a cult classic line in Sweden.
- Versões alternativasThere are 3 different video-prints out in Germany. The 16 and 18-rated Versions were heavily cut (so is the TV-Version); only the Unrated Rental-Video is uncut.
- ConexõesReferenced in Ciné6: Episode dated 9 July 1995 (1995)
- Trilhas sonorasI MIGHT BE LEAVING YOU
Written by Nathaniel Pierre Jones and La Vette Goodman
Published by Nathaniel Pierre Jones and La Vette Goodman
Performed by D.J. Pierre and featuring La Vette Goodman
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- O Homem da Guerra
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.600.000 (estimativa)
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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