O Máskara

Jim Carrey plays Stanley Ipkiss, a "zero" as the film tagline says, who never speaks his mind about anything. The typical mild-mannered guy.

After Stanley finds an enchanted mask under a bridge one day, though, everything changes. He goes from "zero to hero". But first, he plays around with his new found menacing powers.

Calling the mask a hero is like calling Hitler kind of a good guy. The mask makes Stanley rob banks, scare people and more. He's half-hero.

"The Mask" is not great, but it fits Carrey's film persona quite well. He bounces off the wall (literally) and just doesn't sit still. Typical Carrey.

If you're not one for loser-to-hero films or wacky slapstick, don't see "The Mask". Otherwise, it's worth a peek.

3/5 stars

Carrey is on top mad-cap form in the Mask, he plays Stanley Ipkiss, a boring Mr. nice guy with a longing for more excitement and success in his life. When he finds a relic of an ancient mask, he gets slightly more than he could have dreamt of; he becomes a cartoonish superhero and at last he can live out his desires; or not!

This film also introduced the very beautiful Cameron Diaz, and what man can forget her first screen appearance as she breezes in to the bank in all her splendour.

Hilariously funny, cracking special effects and a thoroughly entertaining story, the Mask is a winner people, and it's an absolute must-see for everyone who likes a bit of Jim Carrey madness.

7/10

It's years later, and it's still funny. Stupid but funny. Entertaining and stupid, but still funny. This isn't concidered a musical, but it has great musical numbers.

"The Mask" was the movie that introduced my family to Jim Carrey. And we all thought that it was great. Carrey plays unlucky bank clerk Stanley Ipkiss, who one night finds an ancient mask. When he puts it on, he turns into sort of a cartoon character; think Roger Rabbit on acid. The really great thing about the movie is that they just turn Carrey loose. Anything that you can imagine him doing, he does here. A particularly funny scene is when the police tell him to freeze, you'd better believe that he freezes! All in all, Jim Carrey's humor will never get old. He may have given his all-time funniest performance in "The Mask".

Stanley Ipkiss (Jim Carrey) is a bit of a dorky pushover. For example, he buys hot concert tickets to try to get a date with a fellow bank employee he's been pining after, but she easily scams him into keeping the tickets for herself, and he is too weak to publicly object. But when he comes across an ancient mask of Lodi long ago discarded by Vikings who tried to bury the "troublesome object" at the "end of the Earth", he discovers it has the power to unlock his true self--suave, smooth-talking, manic, a bit dangerous, and a hopeless romantic.

The Mask was a perfect vehicle for Jim Carrey. It not only allowed provided the perfect justification to flamboyantly engage in his rubber-faced antics in a manner even more over-the-top than what he'd become famous for, but it provided an opportunity to stretch his acting chops towards a more serious side at just the right time in his career, paving the way for later work such as Man on the Moon (1999), The Majestic (2001) and Eternal Sunshine of the Spotless Mind (2004).

The success of the film wholly depends on Carrey, as he has to sell his characters' frenzied insanity so that it's believable as a reflection of Stanley's inner self while at the same time likable but teetering on the edge of becoming obnoxiously overbearing. Of course, the amazing special effects and make-up help, as well as the clever script and more than competent directing and cinematography, but with the wrong actor in the part, the whole affair could have easily collapsed. The other cast members are fine in supporting roles, with Cameron Diaz coming across as being almost otherworldly beautiful, but Carrey is rarely off-screen, and rightly so.

The Mask is notable for both spoofing almost the whole history of cinema while at the same time respectfully paying homage to it. The audience is treated to everything from silent film slapstick to lavish musical numbers (with excellent songs), frenzied Tex Avery-styled animation to gangster film suspense. On its surface, the film is a crazy, often funny, hyperactively paced cinematic pastiche.

The subtext about identity and public faces versus private selves is interesting, but not the focus. It would be fine to explore further, but to do so in this particular film would have taken too much time away from Carrey's surrealistic tour de force. Besides, we've had later films where that subtext has been closer to the heart of a story, such as Catwoman (2004), and where it was very thoroughly and competently dealt with.

Many aspects of The Mask differed from the comic book source material, but this is a case where the changes led to such an excellent result that most people have forgotten about the source material and primarily remember Carrey's performance in this film as definitive.