Jacó

The story of Jacob was one I knew nothing about before I sat down to watch this TV movie, which may be why I found it so engaging to watch. The hour and a half running time flies past as we follow a story involving pride, betrayal and eventual redemption.

JACOB works because it's all about the characters and the emotion. The whole gamut of the human experience is explored here - love, death, pain, suffering, respect - against a canvas of people who aren't merely vessels for story elements but who seem to be alive whether they're on the screen or off it.

And what a cast! Matthew Modine, who I've never liked before, is unrecognisable and all heart as Jacob. Sean Bean is excellent, if seldom used, as his brother Esau. Then we get the supporting players: elder veterans (Joss Ackland, Irene Papas, Giancarlo Giannini) mixed with the then-popular (Lara Flynn Boyle) and the future famous (Christoph Waltz). Their talents help to make this a compelling Biblical adaptation.

In land of Canaan lives Isaac : Joss Ackland, and his wife Rebekah : Irene Papas . Both of whom have two twins sons : the valiant , strong Esau : Sean Bean and the shy, silent Jacob : Mathew Modine. Esau is a brave, fearless hunter while Jabob is a lonely shepherd who is usually caring sheep. While Jacob is more compassionate, sensitive and tender than Esau. The good mother Rebekah is convinced that Jacob is the chosen heir, and due to God announced her long time ago : "two nations are within your womb, two manner of men shall be delivered , the one shall be stranger than the other and the elder shall serve the younger" . However, Jacob is the second born son, and he has not right in his father's inheritance against the desires his mother . Shortly after, Jacob is preparing a lentil porridge when his famished brother Esau asks him some food, Jacob agrees but only one condition, that Esau sell him his birthright .The starving Esau agrees it, though he gives little value to its meaning , and they eventually conclude the covenant. Later on, Rebekah prepares a ploy, as Jacob replaces Esau when Issac is blind and almost dying, and he then obtains his blessing as the main heir instead Esau. To be aware of Jacob blessing, Rebekah advises Jacob to flee due to the kill intention of his brother Esau . In his way to Haran, Jacob experienced a weird vision in which he saw a long stair to heaven, the famous Jacob's ladder and at the stair top, he heard the God's voice while shouting blessings to Jacob. Along the way Jacob fights an Angel and other incidents. Arriving in Haran Jacob meets Rebeca : Lara Flynn Boyle, and falls for her. Jacob asks his uncle Laban : Giancarlo Giannini for marrying her, but he has to carry out a hard condition by working 14 years for him. But then Jacob is deceived again, as in the wedding night Rebeca is replaced by her sister Lea : Juliet Aubrey. A bit later on, Laban gave him his daughter Rachel in exchange of other seven years working.

Biblical story narrated on The Genesis Book from the Holy Bible. This is the classy Biblic history with usual ingredients, dramas confrontation and romances. However, here lacks battles, epic events and spectacular settings. As it is a medium budget film, without pompa, shot simply on the usual location in Morocco .Well played by a very fine main and support cast. Matthew Modine is nice as as the good shepherd who God finally appoints as ruler of Israel and Father of Israelis. Lara Flynn Boyle is attractive as Rachel and Juliet Aubrey as her sister is charming . Remaining cast is excellent as Joss Ackland playing Isaac, Irene Papas as Rebekah, Giancarlo Giannini as Jacob's father-in-law, Christopher Ohrt as Morah, Yvonne Scio and brief appearance by a young Christopher Waltz.

It packs a sensitive and adequate musical score by Marco Frisina under supervision by the great Ennio Morricone. And colorful, evocative cinematography by Ennio Guarneri. The motion picture was professionally directed by Peter Hall. He was director of the Royal Shakespeare Company, as he took over the direction of the National Theatre from Sir Laurence Olivier. Peter Hall, Rebecca Hall's father, also directed some films as Never talk to strangers, The homecoming, La traviata, Perfect Friday, Work is a 4-letter word. Rating 6/10. Entertaining religious epic for the Bible lovers.

I had to watch 'Jacob' for my freshmen religion class. While it is interesting enough, I don't think anyone would find it a 'fun' movie. I think the movie requires that you have some sort of religious background. The story of Jacob and Esau is interesting, but I don't think it translates well into film. I'll give it a B-.

Of the few movies I've seen about different Old Testament heroes, I do believe this is my favorite. Morocco looked much like Canaan, Matthew Modine did an excellent turn as the deceiver and conniver Jacob, Sean Bean was excellent as the bitter brother Esau, and Lara Flynn Boyle was a very drawing Rachel. I, a minister, have read the Genesis account of Jacob's life many times, and I was very pleased with the way it was dramatized in this TV movie. I was impressed with the visual effects, especially with the dream Jacob experienced when he saw the ladder go up to Heaven. Additionally, I was taken with the dramatic scene of Jacob fighting with the angel when his thigh was painfully dislocated. When I considered all this movie entailed, i have a positive feeling about it. It was truly an excellent bible drama

Along with its obvious echoes of many biblical films, JACOB by Peter Hall, in accordance with the spirit of its two predecessors in the 1990s international productions, takes on an austere form. Simultanously, it can boast emotional resonance of a biblical story, its characters bring to mind people of our times with their desires, their fears, their constant quests for better world, their doubts blending with confidence. Meanwhile, JACOB is far from the mode of spectacular Cecil B DeMille who used the biblical source as a clever conceit to frame his plot and grandeur of spectacle but a faithful adaptation of the Bible with... surprisingly...only few liberties taken. Therefore, being a heartfelt and accurate adaptation, it is a pleasant Bible lesson on screen for young and elderly viewers alike.

Yes, it is the film which, actually, depicts the life of Jacob, also called Israel (the one who fought with God and won) in a very linear but convincing manner skipping the spirit of preaching but, rather, adapting the spirit of identification with the viewer. Among a lot of merits of the film, one could name a few like great locations that evoke the Biblical atmosphere of the story, the music score as an effect of useful collaboration of wonderful Ennio Morricone and Monsignor Marco Frisina (the mainstays of these films), clever script somehow adapted to the needs of modern audiences (lacking the pompous, unrealistic utterances). To that point, however, many of the Biblical films may be likened. But the depiction of many important moments from the life of our protagonist...indeed, the protagonist who makes the whole film and the story vibrant and realistic, corresponds vitally to modern times.

Jacob, portrayed memorably in the revelatory performance by Mathew Modine, is a character who undergoes development. More to say, he is a wayfarer no less than Abraham, no less than Moses, a typical Biblical hero who starts from nothing and has to rely on God, has to place all his trust in the supreme power of his everlasting presence, ever-present company and support. In a beautiful scene that has, in a way, become a symbol of Jacob's life, he sees the ladder to paradise (famous Jacob's ladder used in many contexts, including tourism in Wales) and sets on a journey unknown, a journey that requires confidence and purity of heart. Quite soon, as he leaves or rather flees from his home, having actually cheated his brother Esau played by another milestone actor, Sean Bean), he is showed to lose everything and arrive at his uncle Laban's (Giancarlo Giannini) with a stick as a wanderer of the desert. There, he has to win his respect and aims at being granted one of his daughters for a wife. Laban has two daughters but Jacob is particularly taken with pretty Rachel (Lara Flynn Boyle), falls in love with her girlish charm. One cannot go without the other, though... No wonder our protagonist will have famous 12 sons. There, a love story begins, love that will need lots of sacrifices... Played emotionally by Lara Flynn Boyle, Rachel is a manifestation or rather resemblance of highly positive women from the Bible. Just to spoil one thing, she gives birth to two of Jacob's most beloved boys: Joseph and Benjamin. Long is their way but, as it usually happens when a human being trusts in God, all must end well.

The emotional resonance of the entire story and the dramatic tensions are brilliantly intensified by their variety displayed simultaneously within the story and by the performers, all those versatile, sometimes contrasting feelings that are not vague nor dated whatsoever for us today: jealousy, fear, favoritism, disappointment, loyalty, deception, idolatry, patience, faithfulness, exploitation, hatred, reconciliation, punishment and redemption (one could name endlessly). All of them somehow blend in a unique story. The supporting cast give fine performances from Sean Bean as Jacob's brother Esau (he is unforgettable in the famous biblical moment of being granted pottage in exchange of giving up the right of inheritance as the first born) to Irene Papas as his mother, Rebekkah. A note must be made of Joss Ackland as old Isaac, the father of Jacob who gives him the blessing that, initially, Esau had deserved. That is actually the moment which makes the two brothers enemies, symbolic 'successors' of Caine and Abel. Not entirely, though. A chance for forgiveness will be granted to them.

There are some funny touches of the script, too. For instance, when Jacob comes to Laban with no dowry, he presents himself as a man having been robbed. Mr Giannini says a hilarious utterance: "We live in lawless times" (consider the fact the story takes place almost 4,000 years ago). Other moments of relief from the learned and serious source are the scenes of Jacob and Rachel flirting, one could say, like many today's teenagers.

An interesting drama highly recommended! A humane story! The Bible being read by means of modern technology and powerful visuals! There is some slight piece of Jacob within many of us. In all this distance of time, solid and austere in its communication. 7/10