Basquete Blues

It runs for three hours but it feels much less, such is the power that this documentary holds. Absorbing, you get sucked in and the film has this grip on you.

If Reality TV is your thing, I'd seriously give this film a go, then you can stop watching Reality TV and start to recognise, understand and prioritise real-world situations that actually matter, like racism, poverty, drug abuse, peer pressure and well, dreams.

You'll fall in love with the characters, and there's even a bad-guy for us to boo. You can sometimes question the manipulative techniques on display, but the film is actually not as guilty as some, the makers have a genuine affection for their subjects and do as much as they can within the rules of documentary to help them out without compromising their objectivity.

Be that as it may, this film should be compulsory viewing for many younger audiences, as it shows you exactly how real life differs from the garbage that passes for representation of youth on TV and in film today.

I really can't say enough about the need for more films like this, the fact that the Academy Awards were changed because of the strength of this film goes some way to showing you exactly how powerful it is.

This gets my vote for the best movie of all time!! I know, it sounds crazy to say that about a documentary, but to me, this film has more drama, truth, realism & emotion than a thousand Hollywood movies put together. I've seen it over 30 times, and it never ceases to gladden my heart to see Arthur & William's story. The scene where Arthur's mom receives her diploma from nursing school has to be one of my all time favorites. For me, this is one of the rare three-hour movies that I never wanted to end. 10/10.

Ten years after I first saw this film, based on the mention that Siskel & Ebert made on their show, I am still blown away by it.

A good case could be made for this being the best motion picture of all time. It is simply amazing. The characters (if I can call them that) in the film will astound you with their depth, and this movie will suck you right in... if not to the Cabrini Green projects, at least into the lives of these 2 young men and their families. You will cheer for them, feel their pain, their sadness, their triumphs... and their determination to achieve something better for themselves and their loved ones.

I bought the DVD the day it was released, and can give high praise to the good folks at the Criterion Collection. The accompanying booklet contains 3 excellent essays/articles as well as a complete list of the people in the film. The extras on the DVD are well worth watching, escpecially the commentary from Arthur & William.

To Frederick Marx, Peter Gilbert, and Steve James: Great job, guys. Your dedication to this project, and your understanding of the subject matter (that it was about more than mere basketball, from the beginning) have made a truly excellent film. Thank you.

To Arthur Agee & William Gates: You are both exemplary men, and the example of your lives, your perseverance, your awareness of yourselves and the world you live in, should serve as role models for all of us, regardless of age, color, or income. You are both heroes of mine, and have been for more than 10 years.

To the Agee & Gates families: Thank you for allowing these filmmakers access to your lives for so many years. I have wept at your hardships, and screamed joyously at your triumphs. Your dedication and love for each other is nothing short of inspirational.

If you are reading this and you have not seen this film, PLEASE go get a copy and watch it. You will not have wasted a single minute of your life by having done so.

A truly awesome film.

"Basketball is a ticket out of ghetto." (William Gates)

"... nobody cares about you. You're a black, you're a young male... The only reason why you're here [Nike training camp] is so you can make their team win. And if the team wins these schools get a lot of money." (Spike Lee)

These phrases, which have persisted as common knowledge among the African-American community during last several decades, have become familiar to the non-hyphenated Americans in the 90s, thanks to the films such as Boyz N the Hood and He Got Game. Among them, Hoop Dreams, a documentary that follows two black youths during a five-year period, is the most objective and the most quiet, but the most powerful statement to represent the disadvantaged youth in urban America.

The film reveals the pattern they follow. Being deluded by the luxurious surface of pro sports, they neglect education and then ending up going nowhere. The community suffers the vicious cycle and their feelings that the system exploits them remain.

Kudos to the filmmakers for their insane amount of work. They must have gone through numerous negotiations to attend and film various scenes, such as family's private events, classrooms, academic counseling, recruiting sessions with college coaches, and surgery operation rooms.

The filmmakers here show an admirable dedication to their art and to the underprivileged, spending five years tracking two kids, Arthur and William, and their dreams of basketball stardom. The two subjects and their families are simple and somewhat naive, in an endearing way. Their struggles, sometimes unflattering, are put forth for us to relate to, and we all can. Of course this is about two kids and their love for basketball, and about the "road to" that takes place as they try to get there, but it's really about the way people in near-poverty live, the education system and its downfalls, the manipulation of organized sports and tendency for people to try and achieve their goals through others (Arthur's father, William's brother), and the situation between blacks and whites in America. In one scene, Arthur laments being around mainly white kids for the first time in his life, and says it'll be difficult but he'll manage. That kind of relaxed confidence is so rewarding to watch. The film has endless insights into the black urban experience. Of course not every family in the ghetto is in a position where a father is a criminal and drug user, but when two kids in the same story are in that situation, it's got to be somewhat prevalent.

It's the kind of movie that's sustaining, and there are so many transcendent, revealing moments that stand out: Arthur's mother, such an inspirational woman to watch, as she gets her nurse certification; Arthur's family talking to another family in a cafeteria, with his mother high-fiving an elderly white lady; the descent into and path out of drug addiction; and a scene where the man who recruits these boys says that sometimes he has doubts about himself when he sees the pain that's a part of these kids' lives. Spike Lee makes a brief appearance giving a speech to the kids, and his pessimism is the only sore spot in the film.

We don't have to work for any of this, we don't have to question it. There's nothing to clean away before we can get to the real thing. This is the real thing. A curious moment, however, is one scene where Arthur's mother explains to us at one point she had her electricity cut off, which suggests that the crew wasn't there to film that period. But the next scene has her walking in the dark with a lamp, that seems like an undeclared "reenactment" of something they missed, for editing purposes. But the criticism of manipulation in documentaries is tired. Yes, the possibility of tricking an audience into believing something with a documentary is greater, but unless it's political in some respect it doesn't matter. Documentaries are supposed to be presented how the filmmaker sees fit. With no license, we'd have 350-hour documentaries.

At one moment near the end, William's coach says goodbye to him and as he walks out his coach mentions that that's the system: one goes out, another comes in. It feels like we're saying bye to a member of the family. This is a life-affirming experience, a family that should be visited again. 10/10