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7,3/10
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Adicionar um enredo no seu idiomaA British gentleman's innocent bride grapples with intrusive reminders of his deceased wife.A British gentleman's innocent bride grapples with intrusive reminders of his deceased wife.A British gentleman's innocent bride grapples with intrusive reminders of his deceased wife.
- Ganhou 1 Primetime Emmy
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This is a terrific adaptation of Daphne du Maurier's 1938 novel. The period detail, costume and scenery are all spot-on, and the acting is good, especially among the principals. Generally, this television version is more faithful to the book, both in spirit and in plot, than the 1940 Hitchcock version with Laurence Oliver and Joan Fontaine. I found Charles Dance to be a much more believable Maxim de Winter, with some definite sex appeal that was lacking in Olivier's portrayal. Emilia Fox was perfectly charming as the 2nd Mrs. de Winter, managing to come across as shy and unsure of herself without appearing too passive or neurotic. As has been stated in other reviews, the romance between the two was far more believable and realistic in this version.
Diana Rigg gives quite a different portrayal of the creepy Mrs. Danvers than Judith Anderson did, and I found Rigg's more humane and pathetic (although still sinister) housekeeper more three-dimensional. The supporting characters are also good, and I even enjoyed Jonathan Cake's scenery-chewing portrayal of Jack Favell.
All in all, a great effort, well worth watching.
Diana Rigg gives quite a different portrayal of the creepy Mrs. Danvers than Judith Anderson did, and I found Rigg's more humane and pathetic (although still sinister) housekeeper more three-dimensional. The supporting characters are also good, and I even enjoyed Jonathan Cake's scenery-chewing portrayal of Jack Favell.
All in all, a great effort, well worth watching.
Oh I wish I were Emilia Fox. Charles Dance as Maxim De Winter captured my heart- I will dream of him as he romanced this young lady with love and romance. I adore his moments of sensitivity towards his blossom. The manner in which he glances at his bewildered beauty brings tears of joy to my wounded heart. As a mere example when Maxim states:''of course I love your hair.'' Mrs De Winter smiles as if a thousand bars of gold were placed into her hands. To find a romance with such wonder would be my dream- this wonderful portrayal of acting is solidified by wonderful acting from all the cast.The music is complements the darling movement of the film. An amazing cast with the wonderful Faye Dunaway of whom as usual acted with such high vivaciousness.
10pyenme
I appreciated the romantic aspect of this version, even if it may not have followed the spirit of the book entirely. Maybe that is because I think Charles Dance is hot, and any chance I have to see him in a romantic situation is OK with me! On the whole, I think this "Rebecca" is very good - and stands its ground along side Hitchcock - not as a comparison, but as a different approach. I did get the British version (I have a region-free player) because the PBS version cut out 18 minutes. I do believe the British version (with the honeymoon scene) may have been shown originally on Masterpiece Theatre, but in the US release DVD, it (along with a couple other scenes I like) were cut. Glad to have that region-free player!!
This two-part TV adaptation of the famous Daphne Du Maurier benefits hugely from a pitch-perfect piece of central casting: Charles Dance as the mysterious Maxim de Winter and Emilia Fox as his new wife. Dance is all suaveness mixed with a little sensitivity, while Fox is mousey and subdued, and the two actors share a genuine chemistry at all times.
Given the nature of the three hour running time, the pacing of this is slow and unhurried. I wasn't bothered: there are enough interesting supporting characters (the friendly gardener, the mad fisherman, the caddish acquaintance) to keep the attention hooked, and the sumptuous locations make this a delight to look at.
The nature of the mystery kept me guessing right until the end, and it helped that I hadn't read the novel or seen any of the other adaptations (including the famous Hitchcock film). It also goes without saying that Diana Rigg makes for a masterful villain as Mrs Danvers, putting memories of her pin-up days long in the past. She's truly hissable, and it's testament to the quality of the storytelling that by the end you can only empathise with rather than hate her character.
Given the nature of the three hour running time, the pacing of this is slow and unhurried. I wasn't bothered: there are enough interesting supporting characters (the friendly gardener, the mad fisherman, the caddish acquaintance) to keep the attention hooked, and the sumptuous locations make this a delight to look at.
The nature of the mystery kept me guessing right until the end, and it helped that I hadn't read the novel or seen any of the other adaptations (including the famous Hitchcock film). It also goes without saying that Diana Rigg makes for a masterful villain as Mrs Danvers, putting memories of her pin-up days long in the past. She's truly hissable, and it's testament to the quality of the storytelling that by the end you can only empathise with rather than hate her character.
I thought this was marvellous, and that Charles Dance as Maxim, Emilia Fox as The Second Mrs De Winter, and Diana Rigg as Mrs Danvers, were note perfect - but that's before I saw the 1970s version with Jeremy Brett, Fox's mother Joanna David, and Anna Massey.
However, this 1990s version runs a close second. It isn't as involving to watch, and Dance has a certain dryness that perhaps does not work all through the piece - but the cast do well (including Faye Dunaway as Fox's chaperone). Set pieces are excellent, there's beautiful scenery, and a tight script, and all this is good.
You rarely see watchable literacy adaptations of this quality, and this version of 'Rebecca' does not really disappoint. It's just that it has already been done better before - and it is a shame that the 1997 version is the only one now widely available for viewing.
Watch it by all means - but try to seek out other versions as well.
However, this 1990s version runs a close second. It isn't as involving to watch, and Dance has a certain dryness that perhaps does not work all through the piece - but the cast do well (including Faye Dunaway as Fox's chaperone). Set pieces are excellent, there's beautiful scenery, and a tight script, and all this is good.
You rarely see watchable literacy adaptations of this quality, and this version of 'Rebecca' does not really disappoint. It's just that it has already been done better before - and it is a shame that the 1997 version is the only one now widely available for viewing.
Watch it by all means - but try to seek out other versions as well.
Você sabia?
- CuriosidadesEmilia Fox's mother, Joanna David, played the same role (Mrs. de Winter) in Rebeca (1979).
- Erros de gravaçãoEmilia Fox has both ears pierced, twice, in each ear lobe, and this was clearly visible while portraying the character of the second Mrs de Winter, even though she only had one pair of earrings in at a time. In the 1920s piercing the ear multiple times was unheard of, and did not come into fashion until the 1980s.
- Versões alternativasVersion aired on PBS and subsequently released to home video in the USA has 13 minutes cut from episode one. Cut scenes: Max and Mrs de Winter are shown spending another afternoon together, in between Mrs Van Hopper's party and her making plans to leave for New York. (2 min.) Mrs de Winter and Max in the hotel lobby after the proposal. (30 sec.). Max and Mrs de Winter on board a cruise ship before returning to England -- includes a bedroom scene and Mrs de Winter getting a makeover that displeases Max. (4 min.) Various scenes of scenery around Manderley, and Mrs de Winter walking around the house and gardens. (2 min.) Beatrice and Mrs de Winter lunching with Max's senile grandmother (Jean Anderson). (4 min.) While in the garden, Mrs de Winter sees Mrs Danvers and Jack at the window. (30 sec.) Episode two has approx. 10 seconds edited out of the scene when Mrs de Winter and Max are talking while lying in bed. Although all the dialogue still remains, the nudity was censored. Note: As of 2017, the longer uncut version is available on streaming video and some later DVD publications in the USA.
- ConexõesFeatured in The 49th Annual Primetime Emmy Awards (1997)
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