Uma entomologista cria um inseto geneticamente modificado para deter uma praga de baratas em uma metrópole. O que ela não esperava é que, três anos depois, a evolução cumprisse seu papel do ... Ler tudoUma entomologista cria um inseto geneticamente modificado para deter uma praga de baratas em uma metrópole. O que ela não esperava é que, três anos depois, a evolução cumprisse seu papel do modo mais mortal possível.Uma entomologista cria um inseto geneticamente modificado para deter uma praga de baratas em uma metrópole. O que ela não esperava é que, três anos depois, a evolução cumprisse seu papel do modo mais mortal possível.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 8 indicações no total
- Yang
- (as Glen Bang)
Avaliações em destaque
So I fairly enjoyed MIMIC . It`s not as good as QUATERMASS AND THE PIT which is the greatest film to have the underground transport system as its setting but it`s a whole lot better than other subway or bug movies
The Underground scenes with the cast being trapped inside a stationary train and being attacked by giant roaches were by far the film's best scenes. Charles S. Dutton had a small role, but delivered! There are a few genuinely disturbing scenes as the giant roaches attack young children. The little boy constantly clapping spoons was a bit annoying, though, although I understand the relevance of this character. The film's visual effects are very good.
The ending leaves the door wide open for a sequel. (Just a pity the original characters and cast did not reprise their roles in the sequel).
Você sabia?
- CuriosidadesDirector Guillermo del Toro disowned the film after constant clashes with Harvey Weinstein and Bob Weinstein. The latter complained that early footage of the film wasn't scary enough, and would frequently visit the set to make unreasonable demands about what should be shot, deviating away from the script. When that did not solve the matter, Weinstein threatened to fire del Toro and replace him with another director. However, del Toro was saved by the intervention of Mira Sorvino, who was a recent Oscar winner for Poderosa Afrodite (1995) (produced by Weinstein's company Miramax). She threatened to quit the film if del Toro's vision wasn't respected, and she received support from her then-boyfriend Quentin Tarantino, who has made several films for Miramax. The Weinsteins finally agreed to let del Toro stay on, but they oversaw the final cut of the film. Since then, del Toro has never worked with the Weinsteins again, but he made his peace with the film after creating a Director's Cut that was closer to his vision.
- Erros de gravaçãoWhen Susan goes into the abandoned subway office looking for Manny, she calls out "Chuy?" and not "Manny?" Chuy is hiding in the office, but at that point in the film she doesn't know it yet; she has no reason to expect to encounter Chuy and no reason to call his name. In fact, as far as we know, she shouldn't even know his name.
- Citações
Peter Mann: Leonard, have you ever seen anything like this before?
Leonard: Why you asking me if I've seen some shit like this before? Do I look like I've seen some shit like this before? Hell, no I a'int never seen no shit like this before. Who the fuck would wanna climb up one of these walls and hang one of these? Musta been a big elephant-ass motherfucker.
- Versões alternativasGuillermo del Toro released a director's cut in 2011. It runs at 112 minutes.
- ConexõesEdited into The Blood Pact: The Making of 'Blade II' (2002)
- Trilhas sonorasGive Me Central 209
By Robert Ellen
Used with permission by Molique Music
c/o Warner Chappell Music Canada
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Mimic
- Locações de filme
- Lower Bay Station, Toronto, Ontário, Canadá(subway station)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.480.490
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.818.208
- 24 de ago. de 1997
- Faturamento bruto mundial
- US$ 25.480.803
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1