Crime Passional

A previous commentist accurately summarized the plot as follows: When an abusive man's girlfriend ends up in a wheelchair and another one jumps in front of a car to end her misery, attorney William Hurt decides to bring him to trial. Emotionally-scarred Robin Wright is called to testify at a court hearing against her former lover.

However, the rest of his comments indicate that it's not just adolescent Americans who want movie stories neatly finished by the end of the movie. I found this film to be a thoughtful examination of several aspects of love and dependency. It provides no easy answers to the questions posed and actually requires the viewer to pay attention and THINK. Performances are uniformly excellent, especially Robin Penn Wright's in the principal role.

The first love is the toughest. You'll never forget, sets the standards for all of the relations in the future. Some first love never finish, and they 're carried out throughout life like little secrets that we hide from everybody. That's what 'Loved' is about. I don't think our friend from Milan has ever had a direct experience in the matter.

Robin Wright plays the girl who finally seems in peace of mind apart from when it comes to her very first boyfriend. He's still around, victim of love, victim of himself.

This well thought court-house love drama is sometimes too etherious, like teen age love. You most relate to appreciate: I did, and I even tried to buy the film for an ancillary but the distributor would't return calls. I recommend it.

This movie has the most ridiculous dialogue. It was like walking into the middle of a conversation about something you never heard of and people you don't know. And that never changed.

This obscure drama film about a former talented swimmer who tries to piece her life together after a troubled relationship is so aloof and uncommunicative that you feel like you've snuck into a party you weren't invited to. Writer/director Erin Dignam arguably aims for authenticity and depth by being offish, and it works in the sense that Robin Wright Penn's lead character comes off as remarkably true, even if she still isn't particularly interesting. William Hurt plays her lawyer in an even more introspective manner than we usually see him. His character seems absentminded, almost like a distraction, until we ultimately get a little glimpse into his own demons, which seem to gravitate him towards Wright Penn. It's all a somewhat slight and detached character study, but at least it's an actual study. The women are in focus here, which may be some sort of accomplishment in itself, and the film tries to discuss issues which it doesn't claim to have a definitive answer to beforehand. For that Dignam and her cast deserve credit, even if the end product is artistically lacking and never quite comes alive. Sean Penn produced and appears in an allegorical cameo.

I saw this film while voting for the Independent Spirit Awards and I must say it had many of my favorite performers. William Hurt, Amy Madigan, Sean Penn (whose company helped make the movie), Joanna Cassidy, Paul Dooley and Jennifer Rubin is like a dream cast to me. I couldn't wait for them to be put to good use. Sadly, they were given almost nothing interesting to do. It has a good setup, it is about the damage that happens in abusive relationships, specifically what people are willing to endure in order to feel loved. The project was not structured or developed very well, however. I think the script needed a few more drafts because the situations needed more urgency or more weight. Most good independent films take you on an emotional or spiritual journey and this film just did not do that.