Entre Amigos

I would die to see the play. I didn't want to see it at first because I'm not a fan of Jason Alexander but I must admit he did surprise me, who knew he could act (although he was trying a little hard to BE Nathan Lane). I cried through most or it and I'm not much of a crier so BE WARNED! IT IS A CHICK FLICK! but a damned good one.

I have to wholehearted disagree that this film is disappointing. I found the characters interesting and deep. Yes - the gay men approach stereotypical roles in some instances, but they are developed over the course of the summer in a manner that mimics the boys in "Stand by Me". We see the changes in the relationships between nearly every pairing of the eight men. Some are in relationships; some were. Some hate each other; but they nearly all care about one another. This is the kind of movie that makes you reflect on your own human interactions. You don't have to be HIV+, a choreographer, a yuppie, a broadway queen, or even gay to see yourself in these characters. This is a fine exhibition of love, lust, friendship, and life.

I had the good fortune to see the play in New York, with it's almost original cast; many of the actors who appear in the film were still in the roles on stage when I saw it. This leads to the film's only (in my opinion) flaw...it's not the play. The theatre creates an intimacy that is perfect for the issues and performances in this piece. However, we allow ourselves a detachment when seeing it as a film that really doesn't mix with the story. Here's the thing for those who have a problem with either the overt homosexual themes, or the stereotypical characters...imagine if half the cast were women and the other half were heterosexual men...would you feel different about the piece if Arthur and Perry were a hetero couple? If Ramon was a female dancer instead of a male? The thing is, the piece is not primarily about the fact that the men are gay, or about how gay they are. It's a love story, a story of friendship, and a story of loss. The fact that all of them are homosexual is simply a backdrop to everything else going on. Excellent performances by John Glover, Jason Alexander and Steven Bogardus. I see what everyone is saying about not being able to get Seinfeld out of their heads, but I didn't have that problem. The rest of the cast is only adequate, but no one lets the ensemble down.

There is a trend of making filmed versions of stage performances available to the public...this would be the perfect piece with which to do that. The movie is good, and I very much enjoyed it...it just doesn't have the vibrancy and immediacy of seeing these characters live.

Eight gay men spend Memorial Day, Fourth of July and Labor Day in a remote house near NYC. Film follows their friendships and relationships. Previous posters have complained about the lack of character development but remember...the original play ran 3 1/2 hours! They had to cut out over an hour's worth of material to get a two hour film and the cutting does hurt. Still I like the film. The entire cast is good...even Jason Alexander. The setting is beautiful and the script is very good...but I saw the play so I was constantly remembering things they cut out. Ramon's (Randy Becker) part especially was chopped down. Still, the film shows a bunch of gay men dealing with AIDS, sex, love etc truthfully and with great humor. The best performances come from Alexander, Justin Kirk, John Glover and Randy Becker. Also the film has plenty of casual male nudity (especially Becker who is handsome and has a very nice body). Worth seeing...especially if you never saw the play.

LOVE! VALOUR! COMPASSION!

Aspect ratio: 1.85:1

Sound format: Dolby Digital

This perceptive drama - written by Terrence McNally, adapted from his award-winning Broadway play - starts out as a warm-hearted examination of the lives and loves of eight middle-class gay men during three eventful weekends at the isolated country home of ageing dancer Stephen Bogardus and his blind, youthful boyfriend Justin Kirk (ANGELS IN America). As it progresses, however, McNally's snappy screenplay begins to expose the faults in his principal characters, as well as their virtues, leading inevitably to fireworks and revelations. Set in a beautiful lakeside house somewhere in upstate New York (filmed in Quebec, though you wouldn't know it), director Joe Mantello - also responsible for the original Broadway production - and cinematographer Alik Sakharov take full advantage of the area's natural beauty, moulding a defiantly cinematic template from the material's inherent staginess.

All but one of the fine ensemble cast was culled from the stage version, including Stephen Spinella and John Benjamin Hickey as a staid yuppie couple, and Randy Becker (LIE DOWN WITH DOGS) as the handsome young stud whose overt sex appeal creates emotional tension in a household dominated by middle-aged men. However, the film is virtually stolen by "Seinfeld"s Jason Alexander (in a role essayed by Nathan Lane on-stage) as the archetypal Broadway-loving queen who lives in fear of his HIV status and masks his anxiety with outrageous humor, and John Glover in dual roles as English twins, one of them noble and humane (and dying of an AIDS-related illness), the other a mean-tempered bitch of the highest order. McNally's script finds something deeper than mere stereotype in these disparate characters, and he examines the many ways in which they love each other, despite their differences. The full-frontal nudity which characterized the original stageplay (causing a minor stir at the time) has been toned down for the film, but not completely erased, and Becker in particular seems entirely at ease during his frequent nude scenes.