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IMDbPro

Lolita

  • 1997
  • 16
  • 2 h 17 min
AVALIAÇÃO DA IMDb
6,8/10
72 mil
SUA AVALIAÇÃO
POPULARIDADE
577
41
Jeremy Irons and Dominique Swain in Lolita (1997)
Home Video Trailer from Trimark
Reproduzir trailer2:04
1 vídeo
99+ fotos
Comédia de humor negroDramaRomanceRomance sombrioTragédia

Humbert se casa com uma mulher madura para se aproveitar de sua filha, de quem ele está apaixonado.Humbert se casa com uma mulher madura para se aproveitar de sua filha, de quem ele está apaixonado.Humbert se casa com uma mulher madura para se aproveitar de sua filha, de quem ele está apaixonado.

  • Direção
    • Adrian Lyne
  • Roteiristas
    • Vladimir Nabokov
    • Stephen Schiff
  • Artistas
    • Jeremy Irons
    • Dominique Swain
    • Melanie Griffith
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    72 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    577
    41
    • Direção
      • Adrian Lyne
    • Roteiristas
      • Vladimir Nabokov
      • Stephen Schiff
    • Artistas
      • Jeremy Irons
      • Dominique Swain
      • Melanie Griffith
    • 292Avaliações de usuários
    • 49Avaliações da crítica
    • 46Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 4 indicações no total

    Vídeos1

    Lolita (1997)
    Trailer 2:04
    Lolita (1997)

    Fotos122

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    Elenco principal41

    Editar
    Jeremy Irons
    Jeremy Irons
    • Humbert Humbert
    Dominique Swain
    Dominique Swain
    • Dolores 'Lolita' Haze
    Melanie Griffith
    Melanie Griffith
    • Charlotte Haze
    Frank Langella
    Frank Langella
    • Clare Quilty
    Suzanne Shepherd
    Suzanne Shepherd
    • Miss Pratt
    Keith Reddin
    • Reverend Rigger
    Erin J. Dean
    • Mona
    Joan Glover
    • Miss LaBone
    Pat Pierre Perkins
    • Louise
    • (as Pat P. Perkins)
    Ed Grady
    Ed Grady
    • Dr. Melinik
    Michael Goodwin
    Michael Goodwin
    • Mr. Beale
    Angela Paton
    Angela Paton
    • Mrs. Holmes
    Ben Silverstone
    Ben Silverstone
    • Young Humbert Humbert
    Emma Griffiths Malin
    Emma Griffiths Malin
    • Annabel Lee
    • (as Emma Griffiths-Malin)
    Ronald Pickup
    Ronald Pickup
    • Young Humbert's Father
    Michael Culkin
    Michael Culkin
    • Mr. Leigh
    Annabelle Apsion
    Annabelle Apsion
    • Mrs. Leigh
    Don Brady
    • Frank McCoo
    • Direção
      • Adrian Lyne
    • Roteiristas
      • Vladimir Nabokov
      • Stephen Schiff
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários292

    6,871.7K
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    Avaliações em destaque

    7Tweetienator

    Good One

    I never read Nabokov's novel nor did I watch Kubrick's Lolita, but I liked this one - yes, my feelings sometimes were ambivalent regarding some scenes, but well, I guess that was Nabokov's aim and that of the director. Production is excellent, acting too. A good one that questions in its best moments our perception of reality and our moral values.
    Mr. Gore

    A powerfully moving adaptation

    Briefly put, this film is a quite brilliant adaptation of the novel. While staying pretty faithful to the original source, Stephen Schiff's screenplay fleshes out the primary characters and their relationship, which plays out as a taboo but reserved love story. Maintaining the central themes, the plot is reduced to the essence of the major players and the linear events of the book. It's almost impossible to adapt a long book into the confines of a single average-length movie, but Schiff captures most of the important moments quite well and humanizes the characters who could have come off as bizarre depictions from Humbert's narrative.

    Lyne's movie is at once haunting, compelling, and beautifully photographed. For all the controversy, it is a mature, reflective, and subtle film. "Lolita" is a challenging piece of work that sublimely reflects the pathos of the story and manages to retain bits of the complex humor of Nabokov. This "Lolita" abandons the notion of being a complete social satire and works as an essentially dramatic portrayal of a doomed, inappropriate romance that is ultimately a sad, tragic tale.

    The performances are remarkable, especially those of Jeremy Irons and Dominique Swain. Irons is utterly perfect as the ill-fated wretch, Humbert Humbert. So understated but evocative with every move and gesture, he is the definitive Old-World European whose obsession bristles beneath his timorous demeanor. He evokes an incredible amount of sympathy for the character. Swain delivers an on-target portrayal of the flowering nymphet who toys with her burgeoning sexuality but hasn't overcome her fundamental brattiness. Swain elicits both allure and pity as the wayward character whose immaturity in mindset and behavior does not excuse her complicity in her affairs. Despite what some critics may have written, Melanie Griffith is fine in the small role as Lolita's overbearing mother. She is comically obtuse, and her veneer hits all the right, grating notes. Frank Langella rounds out the cast as the mysterious Quilty. He is appropriately shady, vague, and sinister when he appears from time to time, slowly revealing himself.

    This is a real winner on many levels and should be up for several awards including best picture, director, actor, actress, and adapted screenplay. Showtime should be congratulated for its smart acquisition. I hope the movie finds its way to the largest possible audience.
    pooch-8

    Lyne's Lolita emphasizes tragedy of Nabokov's novel

    Lyne's point of departure from the Kubrick version of Nabokov's great novel lies primarily in tone: the later version focuses more on the tragic, dramatic elements of the book and less on the comedic ones. I will not go so far as to suggest that Lyne made a better film; he did not. I do think, however, that he did pinpoint one of the key components of the novel's genius: a capturing of life on the newly paved highways of mid-century America. As Humbert, Jeremy Irons is as good as his predecessor James Mason. Frank Langella's interpretation of Quilty entirely diverges from the one given by Peter Sellers (and rightfully so; who wants to compete with Sellers?). But it is Dominique Swain, outdoing Sue Lyon, who comes closer than what ever seemed possible to embodying the essence of the doomed Dolly Haze.
    Aislynn

    Having not seen Kubrick's version, I can only say...

    I fell in love with Nabokov's masterpiece. Upon hearing that there was a movie adapted from the novel (I am of a younger generation) I found it hard to believe that anyone could put into visual images and dialogue what had appeared in my mind as flawless. After seeing this remade version, I came away satisfied. Hearing what countless critics had to say has never changed my view. Of course, it can never come even close to the novel, but watching Lyne's version unfold in quiet and somber light brought to mind the exact same feelings I was experiencing reading the book. Certain things did bother me. Lolita's mother in particular. Hearing Melanie Griffith deliver lines as if she were reading to a group of school children set my teeth on edge, although she went down in fine style. And having the sole reason for Humbert's obsession with nymphets wrapped up in one neat reason(Annabel) was also hard to swallow. But Dominique Swain was nearly the perfect picture of the Lolita in my mind. Wistful, vulnerable, and a fierce manipulator all at once, it's hard to believe she'd never had acting experience beforehand. Perhaps a bit too old in certain lights, she still managed to carry off a difficult role and steal every scene she was in, much like Natalie Portman in "Beautiful Girls". Certain expressions were incredibly poignant. (Think of Lo's face when Humbert denied permission to be in the play. Think of her lipstick smeared smile after being caught going out when Humbert went to the market). The essence of this movie is what formed my opinion that this was a good film. The pacing, the comparison to Kubrick didn't matter when the mood of the entire film was left. Maybe the critics are right, and I'm missing something. But when the final scene appeared, that dreamy image of Lolita's face, I was completely satisfied that Lyne did the best job anyone could have.
    tedg

    Lost Narrative Folds

    The Author would be dismayed, and precisely because the story is so faithful to the book. But the story in the book was incidental, just something on which Nabokov could hang his layered challenges to concepts of narrative. The narrator is crazy, overly colors and outright lies. The story never fully exists in the book at all, and such as it does one can never be sure what is true and what imagined. Humbert is a made up name (as are all names) and clearly the narrator makes up most of the elements of his own character as well (European, Professor, Author... obviously a joke by the narrator on Nabokov).

    In this film, everything makes sense, exactly the opposite of the reason the book exists. This is a beautiful film, with lovely detailed cinematography, good acting and great score, and all to solidify something that Nabokov created such that it could not be so. I believe that Peter Greenaway could make a good film of Lolita, and that he would have the courage to make it confusing and unerotic and unresolved. Why does Dolores' fate have to change in the film's epilogue? Because it ties up every last loose end. On Christmas Day no less!

    (The real scandal is not that audiences/censors are shocked by prurient subjects, but that they take one of the greatest literary achievements ever and make it "explainable." Is this the only thing we can accept?)

    But take the film on its own presumption that the book's story is what matters. This Lolita is too old, too pretty and sexy, too controlling. Irons is clearly narrowly channeled here and he is smart enough to know it: his frustration with the unimaginative stance of the film translates to a frustrated Humbert. I think Melanie is just right (just because HH calls her a cow means nothing). HH's violence with his previous wife should have been mentioned; her running away with the Russian cabbie is as much a setup for the Lolita fixation as the childhood dalliance, and better justifies the angst of loss. There should have been a few butterflies, and some explanation about the play: that it was written to allude to that first night at the hotel.

    I highly recommend the audio tape version of Lolita. It is read by (guess...) Jeremy Irons! What he brings to the audio tape is the voice and phrasing of a man in a cell continually going over things in his own mind, embellishing and exaggerating and confusing and speculating and sometimes not at all sure about any of it. He brings this same voice to the voiceovers in the film, but it conflicts with the images which purport to represent a narrative stance of "real truth".

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      As Dominique Swain was a minor at age 15 when the movie was filmed, an adult body double had to be used for most of the sex scenes.
    • Erros de gravação
      Charlotte threatens to "ground" Lolita. Though the term was known to airmen it would not assume its current familiar meaning for many years.
    • Citações

      [first lines]

      Humbert: [voiceover] She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.

      [whispered]

      Humbert: Lolita.

    • Cenas durante ou pós-créditos
      After the credits are over there is a brief clip where Lolita is shown juggling a red apple.
    • Versões alternativas
      The film was slightly cut to avoid a 'Not under 18' rating in Germany. An uncut version has been released on video.
    • Conexões
      Featured in Siskel & Ebert & the Movies: The Mask of Zorro/Polish Wedding/There's Something About Mary/Lolita/Poodle Springs (1998)
    • Trilhas sonoras
      Stormy Weather
      Written by Harold Arlen and Ted Koehler

      Performed by Lena Horne

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    Perguntas frequentes19

    • How long is Lolita?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 4 de setembro de 1998 (Brasil)
    • Países de origem
      • França
      • Estados Unidos da América
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • Lolita: Una pasión prohibida
    • Locações de filme
      • El Paso, Texas, EUA
    • Empresas de produção
      • Guild
      • Lolita Productions
      • Pathe UK
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 62.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.071.255
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 19.492
      • 26 de jul. de 1998
    • Faturamento bruto mundial
      • US$ 1.071.255
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 17 min(137 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
      • SDDS
    • Proporção
      • 1.85 : 1

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