O Segredo do Silêncio

A boy named Jimmy West (Phillippe), who longs for a better life, learns some harsh realities about his existence. After years of dealing with an abusive and sexually disturbed "father" (Savage) and being protector to his "mother" (Kinski) and younger brothers, he is given a chance by his wealthy girlfriend to get away. The only problem is, guilt, love and fear for his family makes him stay. Upon realizing Jimmy is growing up and has been snooping around where he shouldn't, his father decides its time to reveal some startling news to him. The shocking news makes Jimmy more desperate than ever to tear himself and his family away from his father before something worse happens. At the same time, a woman named Doris (Knight) appears in town, and she reveals to the police why she is searching for the West family. The police lend their help, but she ultimately takes matters into her own hands when she shows up at the West's trailer. The ending is not at all what one would expect and many questions are left unanswered, leaving the viewer wishing for more explanation.

I was sorry to see that this movie was not highly publicized because I thought the acting was intense by all. Having forgotten that I first saw Phillippe (along with John Savage) in "White Squall", this was really the first time I saw him in a leading role and, might I say, what a performer he is. As for Savage and Kinski, one of the reasons I watched this movie was to see them together again as I had enjoyed them so much in "Maria's Lovers". It was nice to see the chemistry still there. Admittedly, some of the sex scenes are a bit harsh and you need to see this movie more than once to really understand it, but don't let that stop you from seeing it at all.

Little Boy Blue is a drama set in a small town in southern USA. You will recognize the landscape and the usual sleazy bar. But there it'll stop.

It the center of the story stands Jimmy who is going to move away from his father he doesn't get along with (and even doesn't know.), his mother that he's very attached to. And his two younger brothers that he's in many ways a guardian to.

That are really good performances in this film, not only from the three leads. Jimmy's brothers are very impressive, I think it's quite unusual to see child actors in American films to act this natural.

It's really nice to have Nastassja Kinski back as a big name again, so she can show what a talented actress she is.

John Savage, who's career in many ways is reminiscent of Kinski's, does a performance somewhere between Marlon Brando and Gary Busey.

(Note: Kinski and Savage also acted together in _Maria's Lovers (1984_(qv).)

I am a huge fan of Ryan Phillippe. He has been my idol for forever (visit my website on him: http://www.geocities.com/Hollywood/Movie/7977) Anyway, I was in Suncoast one day and it was on sale, so I decided to buy it and check it out. It was the best choice of my film-oriented life. It is such an amazing film. It captures modern-society so well, its frightening. Everyone gives amazing performances. At times disturbing, but realistic. The realism is what is the scariest part about it. Everyone says that about "Blair Witch", but come on, who HONESTLY liked it. If you find this video in the store, buy it or rent it. You will not regret it.

P.S.- This movie is a very shocking and disturbing movie. It is aimed at an adult audience.

We were still talking about this three days after seeing it. So many questions are left unanswered that it is easy to see why studio executives chickened out and didn't hype this as a major theatrical release: they probably decided that Little Boy Blue it is too challenging to the "lowest common denominator" mindset which THEY have created among American movie-goers.

One wonders if Alfred Hitchcock's The Birds would have been released by an American studio nowadays; we think probably not -- some idiot would think that American audiences wouldn't understand, appreciate or care to see a movie which leaves ANY questions unanswered at the end, let alone one which leaves open as many questions as does Little Boy Blue.

Bah! Make a challenging movie and the audience will rise to meet the challenge. Little Boy Blue surely ranks among the most intellectually challenging movies of all time; decades from now film students will probably be writing dissertations about the cryptic symbolism of the book kept in the clothesline pole or the name of Jimmy's dog! This is not to suggest that the movie is an all-time great, but it certainly works on many more levels than that of Ryan Phillippe humping someone in the station wagon.

A Ryan Phillippe movie which forces the viewer to think! No wonder he found it so challenging: directors have had him playing blond pretty boys for so long that he probably had a difficult time portraying a character who is as savvy and insightful as he himself is in real life.

The primary problem with most non-mainstream films is that they fail to adhere to some of the basic cinematic elements that make films work. True, they are often interesting and provocative, but they fail in the larger sense that the film itself (not just the subject matter or content) fails to succeed for viewers.

That is not the case with "Little Boy Blue." For once, a novel premise and provocative content combine in a well-written screenplay that leaves the viewer fulfilled instead of disappointed. This film far exceeded my expectations in all areas, including the believable yet powerful acting in all of the major characters.

My major problem with the film was that the early part of the film didn't deal with (or even allude to) the overriding premise that really comes to light in the final third of the film. Additionally, the Doris Knight characterization seemed a bit unstable and her motivation in the final scenes is hard to pin down.

Still, a highly recommended film.