Los Angeles: Cidade Proibida

In the gritty LA of the 1950's, stardom is the boom industry and all is about appearance and visual image. However under the surface drug use is rife, prostitution is rampant and the police officers are violent thugs. In the middle of this are three officers with different aims. Ed Exley is an ambitious young officer who will do anything to climb the ranks, Bud White is a muscle man and gets the job done while Jack Vincennes is only concerned with celebrity busts and getting his face in the paper. When the three come together on a coffee shop killing that brings in elements of cases they are following they solve it together. However each has suspicions that something is not right.

I'm sorry to say that I didn't pick up on this at the cinema and it wasn't until the Oscars brought it to my attention that I first saw it. Since then I have seen it several times and have enjoyed it every time. The plot is slightly complex (although maybe not by the genre's standards) and it isn't simplified for the audiences sake – it respects the audience enough to trust us to keep up with it's pace. The film is split into three strands dictated by the characters, they are not quite distinct but are mostly intertwined the whole way through – coming together in the final hour to great effect.

The pace of the telling is great; it has moments of drama, of tension and great action. Hanson has done a great job with the direction, he has a great sense of place and time to his 50's Hollywood – whether it be the stars' lives or the black suburbs – but he directs each scene with a sense of tension and urgency that the material deserves. The final twist is OK if not great but it is more the telling of the story that is enjoyable, not just the denouncement.

The casting did a great job of getting growth names and established qualities but no one huge star who could dominate the film. It is the Australian stars that stand out here. Pearce is excellent with a subtly changing character but it is Crowe that sticks in the memory with a very strong character and a performance to match. Spacey is as quality as he ever is (or at least, was for a few years either side of this film) and the support cast is as good with De Vito, Basinger, Cromwell, Rifkin, Strathairn and Guilfoyle.

There is nothing I really dislike about this film. The longer than average running time is not a problem as it easily fills it without dragging at any point. The film oozes class and has a great tough plot from Ellroy where nothing is as simple as right/wrong and everything comes together at the end. A real classy film with brains and brawn which continues to be one of my favourites of recent years.

We've not come very far since this classic in terms of high quality cop crime dramas. Acting and direction is perfection.

One of the greatest films ever made, L.A. Confidential benefits from a great script (Brian Helgeland), great performances (Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger, James Cromwell, Danny DeVito, David Straithairn), and great direction (Curtis Hanson). It's not easy to do a film noir in modern times that is set it in the past. All too often, the performances are too stylized or nonorganic, the direction is stilted -- the whole thing comes off as an attempt, and not a very good one. In this case, though, the result is brilliant.

Basically, L.A. Confidential is the story of three very different kinds of police officers who become involved in the same case, the Night Owl Murders. There's Russell Crowe as Bud White, the loose cannon, a strong but vulnerable cop; Guy Pearce as Exley, the political, honest, by the book cop who incurs everyone's wrath; and Kevin Spacey as Jack Vincennes, the celebrity detective who is a consultant on a Dragnet-type TV show, Badge of Honor. He works hand in hand with a writer for Hush magazine (Danny DeVito). But they're not the only ones embroiled in the Night Owl diner slaughter. There's Dudley Smith (James Cromwell), the Chief of Police, Ellis Loew (Ron Rifkin), the bisexual D.A., the wealthy, powerful Pierce Patchett (David Straithairn); and Lynn, the Veronica Lake-lookalike call girl (Kim Basinger). And Rollo Tomassi, of course - an important name in the investigation.

It's hard to single out any one performance. The film is perfectly cast. The three officers - Spacey, Crowe, and Pearce - are as brilliant as the characters they play are different. And everyone else in the cast is fantastic as well.

Historically, there are some things that are not correct as far as Hollywood - The Bad and the Beautiful and Roman Holiday did not run at the same time; and the duo of Johnny Stompanato and Lana Turner came later. However, two elements of the film are based on reality or at least rumors - there was supposedly a call girl ring where the women looked like famous film stars; and "Hush" magazine, the cover anyway, looks like "Whisper" magazine from that era.

L.A. Confidential is a story of twists, turns, and camaraderie that take place on the mean streets of '50s L.A., a story that winds up changing the lives of everyone involved. Filled with atmosphere and suspense, it's a not to be missed, violent, vivid portrait of a time when things at LAPD were (and still might be today) off the record, on the q.t. -- and very hush-hush.

L.A. Confidential is, without a doubt, the best film of the 1990s, and quite possibly one of the best films ever made.

As with any great film, it all starts with the writing. The story is riveting, the dialogue is smart and quite funny, and the characters are written in three dimensions.

The acting is phenomenal. Perhaps a bigger tragedy than L.A. Confidential's loss to Titanic in the Best Picture race is that none of the three lead actors even garnered nominations. Russell Crowe, Guy Pearce, and Kevin Spacey are absolutely phenomenal; it is their characters that drive this fascinating story about police corruption in 1950s Los Angeles. We get to know these people, to understand who they are and why they do what they do, and to root for them to overcome their imperfections.

The directing is fantastic. Curtis Hanson doesn't shove anything in the audience's face; instead, he allows the audience to discover the film's nuances on their own. (That makes this an excellent film for repeat viewings, you truly catch something new every time). 1950s Los Angeles is reproduced beautifully. The editing is quick and seamless, the music is perfect for the film (Hanson should teach other directors how to do a montage effectively), and the cinematography is great.

I can't find a negative thing to say about this film. It's truly a masterpiece.

L.A. Confidential is the most classy, intriguing, thought provoking and sexiest detective movie ever to be made in the history of detective films.

When you look back at it and see that Russell Crowe, Kevin Spacey and Guy Pearce actually appeared in the same film back in 97 then you wouldn't have believed it since they have all gone on to better things but before that we had L.A. Confidential which was Crowe's and Pearce's ticket into Hollywood. Spacey had already made it with his Best Supporting Actor nod for The Usual Suspects but what puzzles me is how everybody apart from Kim Basinger didn't get any acting nominations at the Oscars. James Cromwell is the most chilled out villain you'll ever going to see in a film like this and has been criminally ignored by the Academy. Curtis Hanson was also someone who had made some good films but no masterpieces till this came along.

They all must have sold their souls to make this because when you get big cast get together to make a Hollywood film then you become a bit intrigued by it because if the cast is big then is the story any good? In L.A. Confidential's case it had both and a lot more to say the least.

I still think that this is Spacey's, Crowe's and Pearce's best film of there career. Russell Crowe as tough guy but sentimental towards women Bud White is flawless and is quite like the real Russell Crowe which is scary. Guy Pearce as the quick witted but dumb looking Ed Exley is someone one you either love or you hate as the annoying rookie. Kevin Spacey is just as cool as anything that Bogart and Mitchium could have pulled off as Jack Vincennes and there is the movie along with a great script by Brain Heagland of Mystic River fame and Curtis Hanson himself who put together a great script from James Elroy's novel.

Kim Basinger is as sexy as she is going to get and her acting is very good and well deserving of her Oscar if the boys were robbed. I liked how we had three different stories and one case that all had something to do with another but were all separate anyway till the end. It was like watching a movie with three stories based on a trio of detectives. L.A. Confidential was a treat as far as storytelling goes because it enthrals you into the film straight away as well as it being more exciting than a night out in Vegas.

We don't see Detective films like this so we should be grateful that this came along when it did.