Iruvar

Mani Rathnam has told a fine story about two friends. One who is a film actor whom the people love dearly and harbours political ambitions. One who is an accomplished writer, poet and politician. sounds familiar?

Anand is played by Malayalee actor Mohan Lal and Tamil Selvam's role by the very talented Prakashraj.

One cannot miss the resemblance to the real lives of M.G. Ramachnadran and Karunanithi. However very little is revealed of Pushpa who plays the love interest of Anand. Perhaps Manirathnam was playing his cards carefully, avoiding possible repercussions from Ms Jayalalith, who was the real life mistress of MGR.

There is also some fine acting by Naser who portrays the real life Tamil leader, Anna Durai. Indian cinema has few directors who can make a film that will stand the test of time. Manirathnam is one of them. The story for this film has been well researched and planned. Most Indian films skip these vital steps prior to production. Some may complain about the typical indianess of the film with the usual song and dance sequences in a good film like this. But do bear in mind that the intellectual crowd who sees the usual song and dance as a distraction is a minority. Majority of our desi brothers go to see Aishwarya Rai shaking about. And a movie can make money only by pleasing the Lowest common Factor of the society: The typical desi. Unless Mani Rathnam entertains them we won't have the opportunity to see more movies from this fine director.

This film tells the story of two friends and the parallel events in their lives. Although Rathnam states officially that this film is not a true story, it is generally believed that it was inspired by the real life stories of M. R. Karunanidhi and MGR during the beginning days of the DMK and their respective film careers.

Everyone always calls this film a "documentary" and tends to emphasize the fact that it supposedly tells the story of Karunanidhi and MGR. I think this film has very little to do with politics. It goes beyond the popular perception of two famous political figures in TN and tells their personal stories and attempts to disconnect these two characters in the movie from the superficial symbols of power we may perceive them as.

People that stubbornly hold onto to the idea that this film is about former Tamil Nadu chief ministers Karunanidhi and MGR (M.G. Ramachandran) will most probably not enjoy this film as much as people who view it as a drama about two ordinary men who turned out to do extraordinary things.

Some of the finer points in the movie are the unsaid words between Mohanlal and Prakash Raj (not their role in politics!). All the invisible dialog that goes on between the two of them is reflected in the background music. Mohanlal plays Anand with a high level of sensitivity. Prakash Raj is also brilliant. Good, controlled performances from the rest of the cast. This film also has two wonderful songs--"Narumugaye" & "Poo Kodiyin Punnagai." Both have amazing lyrics by Vairamuthu and good visuals, as well. Santosh Sivan's camera-work is spectacular, as usual. He impresses in a nicely-captured, post-lovemaking scene with Tabu and Prakash Raj.

Undoubtedly the best movie i have ever watched. Mani Ratnam, Mohanlal, Prakash Raj, A R Rahman & Santosh Sivan at their best. Mohanlals act in this film is a guide for all budding actors. The soundtrack of the film is amazing. Every shot of this masterpiece looks like picture postcards. Thanks to Santosh Sivan. I don't mind watching this film a hundred times. Iruvar is Aiswarya Rai's first film & its definitely her career best film. Mani Ratnam , Mohanlal & Rahman deserved national awards. Its a pity that they were not given national awards.Another thing which surprises me is that the movie was a flop, which is a wonder aspect of Tamil Cinema.

I have seen this movie about 10 times in the last 5 years. One of the most inspiring movie ever made in Indian movie history. The best part which sets this movie apart is the fact that it is in Tamil and about two of the greatest pioneers of Tamil Nadu, yet it is unbiased and brings out the psyche of two of the greatest minds of Tamil Nadu. Although the movie claims that it is not a true story (in the very first scene), it is intuitive to anybody who lived or are aware of the golden age of Tamil Nadu.

Mohanlal and Prakash Rai play Anandan and Tamizh Chelvan respectively. Impeccable performances by them portraying the real life characters. Every bit of this movie says that it is a classic and this will only be realized in years to come. The film showcases the kind of films Maniratnam is capable of making. A.R.Rahman's music will haunt the ears of the viewers.

This movie was not appreciated by the movie goers in India as it was a little too slow. There are no racy songs, unwanted characters or unrealistic scenes to woo the viewers. Suhasini Maniratnam's dialogues in Tamil takes this movie to a pedestal where only the connoisseurs can admire. A very straight forward approach by the best film-maker in India.

Arvind Swami lends his masculine voice to Vairamuthu's verses to bring out the intensity in the scenes that show Thamizh Chelvan's prowess as a poet.

On the whole, a wonderful movie to have in your DVD rack. A classic that will only reveal itself in the years to come.

I think this is one of Mani's best films ever. Everything about it was astounding. Rehman's music - transported you to the period. Prakash Raj's acting was amazing, he's a class act in this one. Mohan Lal, needless to say was sparkling, some of his emotions, like when he says they expelled him for asking a question and in numerous other instances, were superb. Aish was great... and the accolades goes on.

Also the movie was remarkable for Mani's raw power / edge in showing a movie that so loosely piles incident upon incident, scene after scene - more like a real life documentary, and less like a feature film. Great experimenting and also great final product. Was enjoyed more by film scholars and film students, and not so much by the general public. In the end, it's just good to know that one of India's most successful commercial directors is also experimenting with new themes, new presentation styles, thereby pushing the frontiers of what can be done film-wise.