AVALIAÇÃO DA IMDb
6,4/10
46 mil
SUA AVALIAÇÃO
Um professor do meio oeste questiona sua sexualidade depois que um ex-aluno faz um comentário sobre ele no Prêmio da Academia.Um professor do meio oeste questiona sua sexualidade depois que um ex-aluno faz um comentário sobre ele no Prêmio da Academia.Um professor do meio oeste questiona sua sexualidade depois que um ex-aluno faz um comentário sobre ele no Prêmio da Academia.
- Direção
- Roteirista
- Artistas
- Indicado a 1 Oscar
- 7 vitórias e 18 indicações no total
Avaliações em destaque
Some movies want to make us think, some want to excite us, some want to exhilarate us. But sometimes, a movie wants only to make us laugh, and "In & Out" certainly succeeds in this department.
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Indiana high-school teacher Howard Brackett (Kevin Kline) is going to be married to fellow teacher Emily Montgomery (Joan Cusack) in three days, but the whole town is more excited about the Oscar nomination of former resident Cameron Drake (Matt Dillon). But when Cameron wins an Oscar for playing a gay soldier, he thanks his gay teacher, Howard, for inspiration. What follows is Howard denying it in an hilarious set of mishaps in a truly screwball fashion.
Kevin Kline is great, exuding gay stereotypes. Joan Cusack really has a knack for screwball antics. Debbie Reynolds is utterly hilarious as Howard's mother. And Bob Newhart is also a hoot as the homophobic principal.
Gay screenwriter Paul Rudnick really achieves a delicate balance here. He knows the stereotypes and exploits them in a way that's mostly tolerable to conservative Midwesterners and yet mostly inoffensive to the gay audience. It's not exactly progressive, but it's funny and inoffensive, and definitely a step up from the previous year's "The Birdcage."
Frank Oz directed 'In & Out' is indeed a Funny film. It gets it's humor right, and there are a couple of sequences that manage to make you laugh. Also, the performances in here, are top-notch!
'In & Out' tells the story of a teacher, played superbly by Kevin Kline, who, begins to question his sexuality after a former student makes a comment about him at the Academy Awards.
Paul Rudnick's Screenplay is funnily, inspired by Tom Hanks's speech when he accepted his 1994 Oscar for 'Philadelphia', in which he mentioned his high-school drama coach, and his former classmate, to be, two of the finest gay Americans, he knew. The Writing in the first hour, especially, is hilarious. The climax is absurd, but is mentionable nonetheless. Frank Oz has directed this comedy with ease. Cinematography is perfect.
Now to the performances! Kevin Kline is superb, as always. It's indeed time people start calling Kline as a Hollywood Icon! Joan Cusack is fantastic! Matt Dillon as the over-the-top Oscar-winning actor, is extremely amusing. Tom Selleck is lively. Debbie Reynolds is absolutely lovable. Others are perfect.
On the whole, A Well-Done Comedy, that truly deserves a watch. Thumbs Up!
'In & Out' tells the story of a teacher, played superbly by Kevin Kline, who, begins to question his sexuality after a former student makes a comment about him at the Academy Awards.
Paul Rudnick's Screenplay is funnily, inspired by Tom Hanks's speech when he accepted his 1994 Oscar for 'Philadelphia', in which he mentioned his high-school drama coach, and his former classmate, to be, two of the finest gay Americans, he knew. The Writing in the first hour, especially, is hilarious. The climax is absurd, but is mentionable nonetheless. Frank Oz has directed this comedy with ease. Cinematography is perfect.
Now to the performances! Kevin Kline is superb, as always. It's indeed time people start calling Kline as a Hollywood Icon! Joan Cusack is fantastic! Matt Dillon as the over-the-top Oscar-winning actor, is extremely amusing. Tom Selleck is lively. Debbie Reynolds is absolutely lovable. Others are perfect.
On the whole, A Well-Done Comedy, that truly deserves a watch. Thumbs Up!
I enjoyed this film quite a bit. Kevin Kline is one of my favourite actors, and after seeing this, I'm still firm in the belief that he can pull off any role he has a mind to. Joan Cusack's performance, while too over-the-top for some, really worked well for the part in my opinion... she and Kline both kept me laughing throughout. The supporting cast turned in nice performances as well, and Tom Selleck needs to keep that face clean-shaven more often. ^_-
This film was still quite amusing in some parts, but it seemed to indulge in a few too many stereotypes.
Overall, I think the actors did the best they could with what they were given, and while it wasn't *quite* what I had hoped for, it was still good entertainment for an afternoon... if you're not too sensitive about the Heterosexual vs. Homosexual issue, then you'll probably get quite a few good laughs out of this one.
This film was still quite amusing in some parts, but it seemed to indulge in a few too many stereotypes.
Overall, I think the actors did the best they could with what they were given, and while it wasn't *quite* what I had hoped for, it was still good entertainment for an afternoon... if you're not too sensitive about the Heterosexual vs. Homosexual issue, then you'll probably get quite a few good laughs out of this one.
In & Out is a comedy with a simple premise. It admirably succeeds in the mission of being funny and entertaining.
The comedy in this film ranges from the ridiculous to the sublime, physical comedy exists alongside dry humor, with a nice veteran turn by Bob Newhart. Kevin Kline is predictably in excellent form in this film, alongside Tom Selleck not playing to his expected "square jawed" leading man type. Mr. Selleck plays his humor well and displays a nice sense of comedic timing. The cast makes this film successful.
Not all films with homosexual themes are made to advance some sort of sinister, hidden Hollywood liberal agenda, in point of fact this film was simply made to entertain, and if any part of this films makes the viewer think, then it was a byproduct of the well-acted work by a terrific cast of professionals. Frequently tongue-in-cheek, I found myself laughing at the right moments. A solid "B."
The comedy in this film ranges from the ridiculous to the sublime, physical comedy exists alongside dry humor, with a nice veteran turn by Bob Newhart. Kevin Kline is predictably in excellent form in this film, alongside Tom Selleck not playing to his expected "square jawed" leading man type. Mr. Selleck plays his humor well and displays a nice sense of comedic timing. The cast makes this film successful.
Not all films with homosexual themes are made to advance some sort of sinister, hidden Hollywood liberal agenda, in point of fact this film was simply made to entertain, and if any part of this films makes the viewer think, then it was a byproduct of the well-acted work by a terrific cast of professionals. Frequently tongue-in-cheek, I found myself laughing at the right moments. A solid "B."
Without a doubt, much humor and good performances. The scene with the "Exploring Your Masculinity" tape (this is the one where Kline is told that real men don't dance) had me laughing so hard that I had tears in my eyes.
Unfortunately, everything that I had seen and read about this movie before I went to see it indicated that it was a case of a man who was wrongly "outed"... period. When it became evident that he was going to end up being gay (notice his foot-lifting during the kiss with Selleck), I felt very let down.
I didn't want to go see an "it's okay to be gay" movie (there seem to be enough of that type already). I wanted to see the teacher who seems to fit the "gay profile", if you will, gets falsely outed, but nevertheless is "straight".
Making Peter Malloy (Selleck) gay shows that gay doesn't have to fit any preconceived profile (remember, this is the guy who played Magnum, P.I.). But by making Howard Brackett (Kline) gay, it supports the idea that sensitive, poetry-loving (etc.) men must be gay. The viewer would have been better served had the movie stuck with the premise that gay/straight doesn't have to fit a stereotype; let "manly" Sellect be gay and "sensitive" Kline be straight.
Don't interpret this as a gay-bashing/homophobe review; it is not. I sympathize with Kline's character inasmuch as I am a man in his early 30's who is still unmarried, and occasionally catches the "how come he isn't married" sort of thing from people.
Unfortunately, everything that I had seen and read about this movie before I went to see it indicated that it was a case of a man who was wrongly "outed"... period. When it became evident that he was going to end up being gay (notice his foot-lifting during the kiss with Selleck), I felt very let down.
I didn't want to go see an "it's okay to be gay" movie (there seem to be enough of that type already). I wanted to see the teacher who seems to fit the "gay profile", if you will, gets falsely outed, but nevertheless is "straight".
Making Peter Malloy (Selleck) gay shows that gay doesn't have to fit any preconceived profile (remember, this is the guy who played Magnum, P.I.). But by making Howard Brackett (Kline) gay, it supports the idea that sensitive, poetry-loving (etc.) men must be gay. The viewer would have been better served had the movie stuck with the premise that gay/straight doesn't have to fit a stereotype; let "manly" Sellect be gay and "sensitive" Kline be straight.
Don't interpret this as a gay-bashing/homophobe review; it is not. I sympathize with Kline's character inasmuch as I am a man in his early 30's who is still unmarried, and occasionally catches the "how come he isn't married" sort of thing from people.
Você sabia?
- CuriosidadesThe Oscar statuette used in the film is Kevin Kline's. He won it in 1989 for his performance in Um Peixe Chamado Wanda (1988).
- Erros de gravaçãoThe timing referred to in the film is way off. The celebration dinner before the wedding is held in the daytime before the Oscars. At the dinner, Howard states that he is getting married on Sunday, in three days. The Oscars are never held on Thursday, they have been held either Sunday or Monday. Meanwhile, this is a short time before high school graduation, which is in late May or early June. The Oscars are now being held in January or February.
- Citações
[while listening to the "How to Be a Man" tape]
Voice on tape: Repeat after me: Yo!
Howard Brackett: Yo!
Voice on tape: Hot damn!
Howard Brackett: Hot damn!
Voice on tape: What a fabulous window treatment!
Howard Brackett: What a fabu...
Voice on tape: That was a trick!
- Cenas durante ou pós-créditosDuring the end credits, the cast is dancing to "Macho Man" and goofing off at Berniece and Frank's wedding reception.
- Trilhas sonorasEverything's Coming Up Roses
Written by Stephen Sondheim and Jule Styne
Performed by Ethel Merman
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Principais escolhas
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- How long is In & Out?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- ¿Es o no es?
- Locações de filme
- Sparta, Nova Jersey, EUA(exterior bar scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 63.856.929
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.019.821
- 21 de set. de 1997
- Faturamento bruto mundial
- US$ 63.856.929
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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