Corcunda de Notre Dame: O Filme

Technically this movie sounds a bit of a dud. Terribly understated, little to no character development (even the Disney version had more if only just), dodgy make up even though Mandy Patinkin still manages to give an exeptionally sympathetic portrayal of Quasimodo, showing him as the man more than the monster. Some of the scenes remembered from the classic were downplayed where a little spectacle wouldn't have hurt. Most of the performances are 1 dimensional but the 3 main characters are good, Richard Harris is quite menacing as Dom Frollo. Direction is a bit sad in a lot of places giving the feel that the director just wanted to get the scene out of the way and move onto the next one. But despite all these flaws it's still pretty good. You really feel something for Quasimodo, all that he's been through, and the characterisation of him as a man rather than a monstrosity makes you all the more sympathetic. Worth Seeing....

This version of Hugo's classic tale, directed by Peter Medak, is spoilt somewhat by Mandy Patinkin's make-up as Quasimodo - only one side of his face seems to be disfigured, making him more like the phantom of the opera than the cathedral bell-ringer. But that's a small point.

Salma Hayek is just OK as Esmeralda, but she isn't as luminous a beauty as Maureen O'Hara was in the 1930s film version. Edward Atterton is Gringoire, and Benedick Blythe Phoebus - neither particularly memorable.

The two in the cast who are really worth watching are Nigel Terry as king Louis, and Richard Harris as the troubled, religious Frollo, ashamed of his feelings towards Esmeralda and jealous of the disfigured misfit he has taken on as his pseudo son. The character is multi-faceted and fascinating.

This version of The Hunchback of Notre Dame definitely shows its TV movie roots, but it is still a superior piece of drama, slightly above the average.

Sometimes it is difficult to judge a reproduction of an old classic film. The remake has to interpret the story to a different generation. I believe this Peter Medak movie will be better received by the younger generation for its modern visual effects and story telling. I recomend this film to high school and college students who will need to write a book report on the Hunchback of Notredame and want to enjoy a great movie at the same time. The casting and acting was great and the directing excellent.

Nicely done rendition of the classic melodrama, with Mandy Pantinkin taking a turn as Quasimodo, the bellringer of Notre Dame. Salma Hayek is marvelous as Esmeralda, with Richard Harris quite good as the wicked Monsignor Frollo, supported by a nice score by Edward Shearmur. The film stays faithful to the Victor Hugo storyline, while adding a new subtext about the new printing press' threat to the power of the Church, which adds to the story's existing political class substory and fuels the behind-the-scenes politics between Frollo and the King, within which the story of Esmeralda, Quasimodo, and the idealist Gringoire (quite competently portrayed by Edward Atterton, although both his role and that of Phoebus - a blasé Benedick Blythe - are quite abridged in this adaptation) play out. Jim Dale (reader of the Harry Potter audiobooks) is also quite notable as Clopin, King of the Thieves, whose presence throughout gives the story quite a fine dynamic. Small budget lessens the story's epic impact - and the setting resembles more of a rural farm than the center of Paris, but like most TVMs the story centers on the characters and this focus remains effective and likable. There have been many capable versions of the classic story - none of which have come close to matching the spectacle of the original silent version with Lon Chaney as Quasimodo; however this, along with the Charles Laughton version, is a worthy successor and was very nicely helmed by Peter Medak.

This version of the Victor Hugo story was good as a whole. Quasimodo wasn't particularly ugly, and it was amazing that he had read so much. Esmeralda was sweet, and it was no wonder she rejected Frollo since he looked very old and was far from attractive. However, at the beginning he really wanted to protect Quasimodo.

I was surprised that the art of printing books was so important in the film. It was incredible that Frollo was even ready to kill the King's minister rather than to let the people have books!

The public humiliation of Quasimodo and Esmeralda was shocking. It was touching that Esmeralda tried to appeal the King for the bellringer. I was very delighted that those two became friends, and again, it deeply touched me to hear Quasimodo talk about his appearance.

I had never before seen a version in which Quasimodo addressed Frollo as his father. He wanted to get him to confess his crime, but still, he tried to save him from death. And he was even strong enough to defy his guardian when he said: "You are a freak."

At the end, it was touching to see Esmeralda ring the bells for Quasimodo - at least, he was happy at the moment of his death.