AVALIAÇÃO DA IMDb
6,3/10
13 mil
SUA AVALIAÇÃO
Gângsteres negros no Harlem de 1930 lutam contra Dutch Schultz, que está tentando se intrometer em seus esquemas.Gângsteres negros no Harlem de 1930 lutam contra Dutch Schultz, que está tentando se intrometer em seus esquemas.Gângsteres negros no Harlem de 1930 lutam contra Dutch Schultz, que está tentando se intrometer em seus esquemas.
- Prêmios
- 7 indicações no total
Avaliações em destaque
An epic gangster story. Great performances. They don't make them like this no more!😎
I had this movie on homemade VHS for a while and just received the DVD.
Mesmerizing!!! Beautifully Filmed! Hats off to Bill Duke - another very distinguished African-American director!! Once you get past the fact that the movie is FILLED with phenomenal performances from the likes of Laurence Fishburne, Andy Garcia, Tim Roth, Vanessa Williams. Queen Latifah, Loretta Devine, Clarence Williams III, and of course, Miss Cicely Tyson you also discover a gem of a movie.
It follows the exploits of a 30s Harlem gangster Bumpy Johnson. Fishburne reminds you of why he is such a charismatic actor. His performance here is one you can watch over and over again. Of course the movie may have been exaggerated but what movie isn't?! It is a very stylized presentation and the obvious attention to detail to create the look and the feel of the period help intensify the viewing experience.
I am quite proud of the production and highly recommend it become part of your movie collection. Notwitstanding that is a worthy project, there are treasures of performances here that warrant attention.
Mesmerizing!!! Beautifully Filmed! Hats off to Bill Duke - another very distinguished African-American director!! Once you get past the fact that the movie is FILLED with phenomenal performances from the likes of Laurence Fishburne, Andy Garcia, Tim Roth, Vanessa Williams. Queen Latifah, Loretta Devine, Clarence Williams III, and of course, Miss Cicely Tyson you also discover a gem of a movie.
It follows the exploits of a 30s Harlem gangster Bumpy Johnson. Fishburne reminds you of why he is such a charismatic actor. His performance here is one you can watch over and over again. Of course the movie may have been exaggerated but what movie isn't?! It is a very stylized presentation and the obvious attention to detail to create the look and the feel of the period help intensify the viewing experience.
I am quite proud of the production and highly recommend it become part of your movie collection. Notwitstanding that is a worthy project, there are treasures of performances here that warrant attention.
Riveting film about gang wars and race relations in 1930s New York, with Ellsworth "Bumpy" Johnson (Laurence Fishburne) at the center. Engaging characters and situations make this overlong movie watchable; but Andy Garcia doesn't channel Luciano as well as he should, and Tim Roth turns Dutch Schultz into such a blatant stock villain that one wonders what the real Arthur Fleggenheimer was like. Otherwise, excellent performances all around - and Paul Benjamin steals several scenes as a creepy assassin who talks as if he eats tobacco leaves for breakfast. Emotional and powerful.
The 1997 movie `Hoodlum' takes place during the depression. A black man named Ellsworth `Bumpy' Johnson (Lawrence Fishburne) was released from prison and went back to Harlem. Then he joins his cousin, Illinois Gordon, and gets back into an illegal lottery racket ran by Madame Queen. They call the game `numbers.' They say that numbers is the only business in Harlem which provides them with work. A white man from uptown named Dutch Shultz (Tim Roth) is also trying to run the numbers downtown in Harlem, and there ends up being a battle between Shultz and the Queen. Madame goes to jail and leaves Bumpy in charge. Bumpy meets a fine woman, Francine (Vanessa Williams), who sees good in him and wants him to stop messing around with `numbers.' But she stays by his side while things get chaotic. Will he realize what he should do in time or will he lose everything?
The director Bill Duke has a message in this movie. It says when people are left limited options, they are going to find a way to get by. In one scene, Bumpy is telling Illinois because of the depression there isn't very many jobs and white men didn't leave them any jobs, so they had no options for making money other than through the numbers racket.
This movie had fast paced action. I liked the part where Dutch Shultz wants Madame Queen's organization out of the numbers racket in Harlem, so he can make all the money from it. Bumpy, who works for Madame Queen, comes up with a plan for eliminating the problem of Dutch, by getting Lucky Luciano (Andy Garcia), another gangster, and Dutch in a fight. This movie is a `classic gangster movie.'
The director Bill Duke has a message in this movie. It says when people are left limited options, they are going to find a way to get by. In one scene, Bumpy is telling Illinois because of the depression there isn't very many jobs and white men didn't leave them any jobs, so they had no options for making money other than through the numbers racket.
This movie had fast paced action. I liked the part where Dutch Shultz wants Madame Queen's organization out of the numbers racket in Harlem, so he can make all the money from it. Bumpy, who works for Madame Queen, comes up with a plan for eliminating the problem of Dutch, by getting Lucky Luciano (Andy Garcia), another gangster, and Dutch in a fight. This movie is a `classic gangster movie.'
It seems to me like in today's film world, critics, whether it be Ebert or the viewers, are quick to down a film if it has a large budget. I think Hoodlum fell victim to this epidemic. With a bankroll of wonderful actors and actresses, and some of the best historical recreation of the locations, the movie delivers. The plot was simple, but it doesn't need to be complicated in a gangster flick like this. It was based on real people, so the creators of the film cannot go ballistic on changing the story. Maybe the 'critics' would like it better if it had a little green man who uses the force, or maybe a future crime prevention device. Well, you won't find this here. It's a wonderful, semi-true story about the way things were in Harlem and the surroundings areas back then. Fishburn turned in a wonderful performance, and Roth played a great villian as he always does. Just relax, and take it for what it's meant to be. Entertainment.
Você sabia?
- CuriosidadesIn Luciano's close ups, his right eye is not open as much as the left. On many historical pictures of the real Lucky Luciano his right eye is partially closed as well. This was due to a knife injury during a 1929 abduction by unknown assailants that damaged muscles in his right cheek that prevented his eye from working properly.
- Erros de gravaçãoCharles Lucky Luciano pronounced his name: Lucy-ano. And that's how everyone pronounced it. It is not pronounced Luchi-ano (closer to the correct Italian pronunciation) as in this film.
- Citações
Dutch Schultz: I remember the days when you could get a guy hit for 40 bucks.
Albert Salke: We live in inflationary times
- Trilhas sonorasIt Don't Mean A Thing (If It Ain't Got That Swing)
Written by Duke Ellington and Irving Mills
Performed by Laurnea Wilkerson
Laurnea Wilkerson appears courtesy of Yab Yum Entertainment
Principais escolhas
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- How long is Hoodlum?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El gángster
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 23.499.102
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.162.768
- 1 de set. de 1997
- Faturamento bruto mundial
- US$ 23.499.102
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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