Martin Blank é um assassino profissional. Ele é enviado em uma missão para um pequeno subúrbio de Detroit, Grosse Pointe, e, por coincidência, a sua festa de reunião de dez anos de formatura... Ler tudoMartin Blank é um assassino profissional. Ele é enviado em uma missão para um pequeno subúrbio de Detroit, Grosse Pointe, e, por coincidência, a sua festa de reunião de dez anos de formatura do colégio está acontecendo lá ao mesmo tempo.Martin Blank é um assassino profissional. Ele é enviado em uma missão para um pequeno subúrbio de Detroit, Grosse Pointe, e, por coincidência, a sua festa de reunião de dez anos de formatura do colégio está acontecendo lá ao mesmo tempo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 8 indicações no total
Avaliações em destaque
I read that parts of the dialogue were contributed by Cusack and a couple of [real-life] school friends, though cannot confirm this. It's believeable though - for example when he meets the legal guy propping up the bar at the re-union. His offering of the pen, the aside that Cusack should 'read the cap' and asking to use the funny quip - 'they all seem kinda related' - must have been based on a real person. Too sad to be fiction.
Minnie [cab] Driver, Joan Cusack and Dan Ackroyd personalise their performances very well. The support cast were excellent too. The music was an oddly enjoyable mix and the fight sequence with the pen was the most realistic (and exhausting) I'd seen. It was the attention to small detail which swung it in the end though. Cusack's buddy's coke-fuelled, paranoid banter was spot on ("Jenny Slater, Jenny Slater") as was the burning the fingers on the furnace, to name just two random details. The effect of this, is that they all add up to a movie which you can enjoy watching many times. And that makes it a rare gem.
Blank's activities have attracted a collection of hit men trying to find an excuse to kill him. These include Aykroyd, two federal agents and a freelance Basque hit-man. There is a shoot-out at the end and overall the film has a large body count, but Cusack makes Blank seem like a lovable version of Jason Bourne. The film is something of an ensemble piece with great comic performances from Alan Arkin, Joan Cusack, Jeremy Piven and Aykroyd. The film pokes fun at the loner tough guy hero featured in so many Hollywood movies. At the time of its release the story was a little unusual but Mr and Mrs Smith has since explored similar territory of rich cosmopolitan assassins trying to blend into ordinary American life.
Blank spends most of the movie in pursuit of Debi. Will she forgive him? Will he have time to complete his assignment? This is my idea of a great movie. It's funny and clever and the characters are flawed but likable.
Weird, yet quite unique combination of violence and romance. It's literally like a gangster shooting someone and a second later proposing to marry his high school sweetheart. Sounds silly? Wait till you see it and seeing it you must if you are into black gangster comedies.
The good: produced by John Cusack himself, meaning he had control and it shows. The jokes are spot on and the story is refreshingly original, however weird it might be. Nice eighties soundtrack as well.
Any bad? It's a bit silly. So what? It's meant to be out of control silly, THAT's the fun of it.
Você sabia?
- CuriosidadesIn one version of the scene where Martin walks into Debi's radio booth for the first time, Minnie Driver decided to let her character put all the cards on the table and just kiss John Cusack. George Armitage said, "It was just wonderful, completely out of the blue. You should have seen the smile on Johnny's face afterwards."
- Erros de gravaçãoWhen Martin is in the car with Mr. Newberry, palm trees are visible in the background. There are no palm trees in Detroit.
- Citações
Dr. Oatman: Don't kill anybody for a few days. See what it feels like.
Martin Q. Blank: All right, I'll give it a shot.
Dr. Oatman: No, don't give it a shot! Don't shoot anything!
- Trilhas sonorasI Can See Clearly Now
Written and Performed by Johnny Nash
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Tiro al blanco
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 28.084.357
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.870.397
- 13 de abr. de 1997
- Faturamento bruto mundial
- US$ 28.084.357
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1