Um Assassino à Solta

I saw this film for the first time on late night television after returning from the cinema where I saw the disappointing 'Along Came a Spider'. There are similarities, but Switchback is by far the better film. Jeb Stuart has done a terrific job keeping us at the edge of the couch and there are very few cliches around. Danny Glover and the entire cast are just right, and all the characters, even the minor roles, are three-dimensional. The story centres on a young handsome hitchhiker picked up and befriended by the serial killer. But this is no ordinary serial killer -- he is Mr. Popularity along the mountain roads where they travel in buddy movie-fashion. But not for long. The killer isn't out to make new friends. What he is doing is cleverly framing the loner-hitchhiker (finger prints on murder weapon etc) so that the law will be searching for the hitchhiker, and not the real killer. That is the killer's modus operandi. So here we have this handsome hitchhiker with a mysterious past (a doctor who ran away) and a killer with a bloody past who is on the run. Enter an FBI agent (Dennis Quaid) who is wanted by the FBI. The FBI want Quaid off the case. But Quaid is a determined man: the serial killer, who he has tracked for 18 months, has kidnapped his son....All of these outsiders come through a small town where the local sheriff loses the election by opting to help the truant FBI agent find the real killer... Three quarters of the way through the film, everyone is chasing someone and the tension keeps mounting along with the altitude.

The killer has left a note with a cryptic clue that Dennis Quaid must decipher. But the key to his son's whereabouts lies elsewhere.....

This is a fresh breath of writing into a genre that has been abused and neglected of late. There are nice echos of our favourite films noir (...the hitchhiker, the loner, the car accident.....the guessing came about who is who...). There's a touch of The Fugitive, but not too much. On top of all the good acting, casting, plotting and suspense, there's nice atmosphere and locations in the Rockies.

As a thriller, this had some holes. For starters, Stuart identifies the killer too early (at least, I figured it out), so some tension is robbed). The postcard thing never really made any sense to me. And though it's clear who the killer is, his identity raises questions about how Quaid's son is kept without the authorities knowing. But I can forgive a lot of that because we care about the characters. Quaid, Ermey, and Glover, are three of our finest character actors, and they make us interested in their characters. Also, Ted Levine offers fine support, and Jared Leto creates mystery in his role when there wasn't a whole lot written in.

Switchback was an enjoyable mystery/thriller with a few nice action sequences. Quaid's character seemed a bit cliche to me (like he was impersonating a dour Harrison Ford) but Glover's character was unique and interesting. This movie didn't have a lot of surprises or plot twists, but director Jeb Stuart managed to keep my interest high by using well drawn and likeable characters and by keeping a lot of balls in the air from the beginning of the movie. With the exception of the serial killer himself, the conflicting motivations of the characters played well with the story and provided plenty of tension. I especially enjoyed the portrayal of the serial killer himself. This is possibly the first movie I've seen where the killer had a human face and was not a psycho mastermind genius or a low-life loner with a chip the size of Manhattan on his shoulder.

I was surprised by this film quite a bit. I thought it would be another mediocre paint-by-the-number genre piece. To my amazement Switchback is a taut and suspenseful film. Its fun to see Danny Glover cast against type. By no means a masterpiece, but well worth watching by thriller fans

Switchback is one of my favourite 'serial killer vs. cop' thrillers of the 90's, and has seemingly slipped through the cracks these days. It has a special place in my heart, because as a kid my father would take me to his office at work, where I would catch a lot of cool movies on what was back then called 'TBS Superstation'. I once saw a few quick moments of this one, and wondered for years what film it was. A couple years back I tracked this one down because it stars a bunch of actors I really like, and was pleasantly surprised to have my childhood memory jogged, and finally find out what movie I had seen. It's got a solid, able bodied cast that's speckled with both prominent, square jawed leading dudes and some salty character actors as well, to spice things up. The film starts off as jovial Bob Goodall (Danny Glover) picks up mysterious hitchhiker Lane Dixon (Jared Leto) somewhere in the remote northwest. The two strike up a rapport, but we know that one or both will ultimately figure in the other half of the story, where things get decidedly sinister. Many miles away in another state, renegade FBI agent Frank Lacrosse (Dennis Quaid, turning off his smiling charm a quiet, smouldering turn as a guy at the end of his rope) searches for his infant son, who was kidnapped several years before by a dangerous serial killer. His search leads him to Amarillo, Texas, where he's both aided and stymied by local law enforcement. Kind, caring Sheriff Buck Olmstead (R. Lee Ermey, one my favourite character actors) and his deputy Nate Booker (Ted Levine, always reliable) do all they can for him, but in the midst of a reelection, their efforts are somewhat sabotaged by rival candidate Jack McGinnis (William Fichtner), causing delay in the investigation. Meanwhile, Glover and Leto draw closer and closer to a violent conclusion as the tension grows, inevitably tying in with Quaid's story. It's a crisp, no nonsense thriller that wastes no time bounding out of the gate, and yet never feels rushed. As Glover and Leto travel we are treated to some gorgeous, snowy Colorado scenery, captured nicely by DOP Oliver Wood. I revisit this one from time to time and am never let down at its tension, performances and skillful execution. A fair bit overlooked in thriller-ville as well, I might add.