O Quinto Elemento

I saw the fifth element at home for the first time on Netflix, many years after it had come out. I enjoyed it a lot. Didn't love it, but had a great time. Bought if for my wife since she loves the movie. We enjoyed it again.

Recently, the movie was playing at one of our favorite theaters for it's anniversary. I was blown away.

This movie is such a great adventure, a visual feast, and just alot of fun. I love all the characters and the action holds up. They don't really make movies like this anymore. It's a weird one and I love that about it. On the big screen I really felt like I finally experienced this movie the way it was meant to be seen.

This movie rocks, check it out!

One of the greatest sci-fi movies ever, wrapped up in one of the most subtle love stories ever. The characters are well cast and well acted. The creature costumes and effects are amazing for their time. The story is unique and dynamic. A true classic.

After making heavy movies like La Femme Nikita and Leon, it is somewhat of a departure for Luc Besson to do this comic, pulp, sci-fi film The Fifth Element. Looking at his work now, with such high-octane humor as the Transporter series, among others, (written by Besson, but not directed), it doesn't seem that out of place. He just must have decided to only direct his more serious fare and leave the fun stuff to others. However, The Fifth Element is by no means a slight film without a fan base. As far as sci-fi goes, this is a very capable installment. With its mythology, creatures, action, and special effects, the movie has everything going for it. The humor that's infused just makes it better, vaulting it through genres and making it accessible to almost everyone who gives it a try.

Like most of its ilk, the story revolves around an evil force about to devour Earth and the rest of life itself as it increases in size and power with each influx of destruction and hate thrown at it. Every opportunity to blow it up only makes it stronger. Through a series of fortunate/ unfortunate happenings, (depending on who you are aligning with), we have the paths crossing of a priest who holds the answers for survival, an ex-military, cab driver bent on having some fun and excitement, a strange woman from another place at the center of it all, an evil mercenary out for money, and the government of the galaxy trying to save face in front of inevitable extermination. It is good versus evil traveling through space in order to either shed light or death out to the universe as victory.

In what is a nice little introduction to the myth of the fifth element that will unite with the more common four to wipe out evil, we learn of those who keep the secret of its location. We don't quite know if these aliens are good or not until later, but we do find out the impetus for their coming to the temple on display. A cut forward in time introduces us to the president of the galaxies, (played in what would seem to be horrible casting, but ends up being pretty good with Tommy "Tiny" Lister, Jr.), and our head priest in the guarding of the truth, Ian Holm. Holm explains what the dark force coming after them is and goes on the quest to find the fifth element and her four stones needed to combat it. This supreme being, played wonderfully by Milla Jovovich with a childlike glee and discovery, falls into the unwitting hands of cabbie Korben Dallas—Bruce Willis at his sarcastic bad-ass best. Willis must join with Holm and Jovovich on a mission to recover the stones and find a way to save the world.

A lot of the success lies with the man behind it all, Luc Besson. His script is made up of a pretty solid plot line as far as the world destruction goes. Everything makes sense and is explained in a way to not bore us, but instead in tidbits culled from the numerous characters running about it this singularly unique landscape. The art direction is spectacular and for being a decade old, still has some nice special effects that stand up. I've always been a proponent for prosthetics, when able, at the expense of computer graphics. Reactions are always better from actors who have something real to play off of and the lighting and environments just become more realistic. Even so, when computers are used, the effects are more subtle than flashy and never take away from the story that is being told. No matter what spectacle is on display, the script is what is important.

All the personalities on display also lead to much of the greatness that The Fifth Element has to offer. Bruce Willis is the king of this kind of role. His quips and rapport with those around him are priceless. Other standouts are Chris Tucker, in an early role for him, and the great Gary Oldman. Tucker takes loud and obnoxious to a whole new level, but it works flawlessly. His radio DJ has no shame when it comes to working a crowd or chasing the ladies, but his utter fear of danger is hilarious. As for Oldman, I have to believe Besson just said create something fresh. This villain is a pastiche of so many crazy components. His futuristic hair, complete with plastic half shield, is plain weird; the southern accent and buck teeth look is just the right amount of hillbilly; and the disposition of greed and ambivalence is perfect for a bad guy. When he explains how destruction allows all the little machines that man created to finally have work cleaning up the mess, it's fantastic. The real beauty, though, is that no matter how many strong lead roles are here, the little guys steal scenes as well. Singer Tricky is great as Oldman's "Right Arm" and Mathieu Kassovitz partakes in one of the best scenes in the film when he attempts to mug Willis at his apartment.

Even with all its camp and fun, Besson keeps it all grounded in drama as any fantasy tale does. He has a real vision for aesthetics and has changed his scope often as he goes from film to film. From the mobster/corrupt cop world of New York, to the countryside of war with Joan of Arc, he never pigeonholes himself in a style. I am still holding out hope that his newest, Angel-A, with all its black and white, stylish noir feel, will hit the big screens here in Buffalo. It will be a real shame if the rumors are true and the completion of his children tale, Arthur and the Minimoys, will be the final work by him as a director.

The Fifth Element is another fine example of the filmmaking talents of Luc Besson. Luc Besson, a creative genius and the director of classic films such as The Big Blue, Nikita and Leon (The Professional) has returned to the genre that started his filmmaking career, sci-fi. In The Fifth Element Luc Besson realises his life long ambition to make a film based on a story he thought of while still at school, Zaltman Bleros. Writing and directing the film, he skillfully mixes humour with action and amazing visual effects that put The Fifth Element in a class of it's own. Stunning performances are put forward by Milla Jovovich, Bruce Willis, Ian Holm, Chris Tucker and Gary Oldman, who returns to work with Luc Besson after playing Norman Stansfield in Leon. The Fifth Element show us how well comedy, action and romance can be put together. Overlooked at the Academy Awards, Luc Besson won the Cesar for Best Director at Cannes in 1998 for The Fifth Element. Simply, an excellent film, 10/10.

There is so much entertainment in this movie it would be almost stupid to write about its flaws. Especially the story is not the best thing here, but who cares. I liked every scene, every moment in this movie. The movie opens in Egypt, 1914, and we meet some strange creatures. From here on we know this is not going to be a normal or very serious sci-fi action movie. The creatures tell a priest that the stones are no longer save on earth and they take some things. They tell the priest they will return in 300 years, when evil arrives.

300 years later. The strange creatures return but they are attacked by other strange creatures. The only thing that survives is reconstructed and turns out to be Lee Loo (Milla Jovovich). She is the fifth element, the ultimate weapon against evil. Evil here looks like a great ball of fire. Lee Loo escapes from the authorities, and in an astonishing shot we see how a city looks like now. She jumps of a building and ends up in the flying cab of Korben Dallas (Bruce Willis). He saves her from the police, she asks for priest Vito Cornelius (Ian Holm), he brings her there.

We learn a little more about Lee Loo here. She needs four stones, the four other elements, to save the world. The stones are on a vacation resort where we meet DJ Ruby Rhod (Chris Tucker). He has some funny scenes as well. We have also met Zorg, who is played by Gary Oldman in a great way. The attack on the strange creatures early in the movie was planned by him. He wants the stones as well, he is offered a lot of money for them. How the story develops from here I will not reveal.

The story doesn't even matter. In every scene we have something to like. Beautiful settings, great visual effects, Gary Oldman, the beautiful Jovovich or the funny moments from Bruce Willis, Chris Tucker and Ian Holm. May be this movie is not for everyone but if you don't think to much you will definitely like it.