Ferocidade Máxima

I rather fail to see how anyone couldn't find this film funny. It still makes me laugh uproariously every time I see it, and I've seen it many, many times.

Special congratulations must go to Cleese and Kline, both of whom give exceptional performances, and there is a real sense of joy that comes through from the various situations in which these characters find themselves. Although Cleese's character is somewhat 'Fawlty-esque', and let's face it - this is what he does best, I found it thoroughly enjoyable.

Jamie lee Curtis and Michael Palin do equally well, though Palin's character is almost as frustrating / annoying as was his role in 'Wanda', but I don't think this detracts from the enjoyability factor of the film.

This is an uplifting, and heart-warming affair, packed full of laughs, but with a more than reasonable plot line, and I really liked the ending, which cleverly capitalizes on Klines excellent character acting.

If I had to level any sort of criticism at 'Fierce creatures', it would be in the soundtrack department - i just didn't think it was as good as it could have been - but this makes little difference to the overall flow of the film, and I have no hesitation in awarding it 9.5 out of 10, and recommending it to anyone that enjoys a well made and endearing, quality comedy.

Rollo is the director of a London zoo which is not making enough money for billionaire Rod McCain, who doesn't need the money but doesn't care. His idea is to get rid of all animals that are not "fierce creatures" because the less dangerous animals don't produce enough revenue. The zoo employees try in vain to persuade Rollo that some of the animals are in fact fierce, but it doesn't work. Rollo's solution turns out to be quite hilarious, and not as demented as it might seem.

But Rod is not happy with the job Rollo is doing, and he sends Vince and Willa to make improvements. With hilarious results. The zoo employees look like NASCAR drivers and every exhibit appears to have a sponsor.

Add to that a naughty sense of humor. For example, while Rollo is hiding some of the less desirable animals in his sleeping quarters, Willa (on the phone) thinks he has numerous women with him. Plenty of other evidence of Rollo's supposed womanizing gets him in even more trouble. And then there is the time the woman falls down steps and needs an ambulance. One has to forget the concern that might be felt for characters in pain in most movies or TV shows, and just enjoy the moment.

John Cleese and Jamie Lee Curtis both do fine jobs here. Cleese has an insane sense of humor, though his consideration for others lacks the outrageousness of Basil Fawlty. That's probably a good thing; Kevin Klines's two characters do enough of that sort of thing. Curtis does her best work when not even saying a word, making expert use of facial expressions. Plus she has a hot body and shows it off in tight and often revealing outfits.

I don't think I'd recommend this for children. But it might appeal to the Monty Python fans.

This movie failed at the box office because it was mistakenly assumed to be a sequel to "A Fish Called Wanda," just because it contained the same starring cast. That's a crying shame, because not only is it irrelevant to Wanda, it's a good 10 to 15 times better. Wanda was about two pairs of crooks(American and British) with annoying hang-ups who try to pull off a huge heist in London. In this movie, the cast tries to protect a zoo from a corporate takeover which will ruin it. The company in charge wants the zoo to get rid of all their cuddly animals and focus completely on,...well you can guess by the title. Michael Palin's character is nowhere near as pathetic as in "Wanda," and Kevin Kline's character(or at least one of them) is someone you can be far more sympathetic with. Plus the ending is much happier.

Pick this one over "A Fish Called Wanda" the next time you're browsing through the DVD sales rack. You'll be better off with it.

This movie is fun, engaging, bright, and positive. In spite of some grave misgivings when I started to watch, I was definitely engaged with this farcical comedy. I have finally figured out why I was so taken with it--the animal actors!

Part of the appreciation of a work almost always is due to the sympathy one feels for the characters. That sympathy is won primarily by assorted Lemurs, Ostriches, Roos, etc. in this film.

Yes, I know it wasn't as good as A Fish Called Wanda (which it was the unofficial "sequel" to - being not a continuation of the same characters, but featuring all the same lead actors, in roughly the same configuration and relation to one another as in the previous film). And yes, it's clear that John Cleese has lost a step or three on his precision and comic timing (though John Cleese at half speed is still funnier than most comic actors working today). But this film has such a sweetness and a general good spirit to it that I find it impossible to dislike.

The story itself is rather convoluted, and one could make a fair claim that it seems more a hodge-podge of stitched together ideas than a seamless throughline. That is so, and yet since it is a hodge podge of almost entirely *good* ideas, it's harder to find fault with. Cleese stars as an ex-cop who is hired by a huge Rupert Murdoch-like conglomerate to run an English zoo that they have picked up in a mergers acquisition. Needless to say, the zoo has absolutely no inherent interest to the company, but they are willing to keep it going if it can return a profit at a certain rate. Cleese plans to do this is by appealing to people's bloodlust, and only keeping the most dangerous and fearsome of the animals (the "fierce creatures" of the title). Things change somewhat when Jamie Lee Curtis and Kevin Kline show up to take over Cleese's job (but keep him on as an employee). A brainstorm by Kline (playing a character every bit as hilariously slimy and petty as his counterpart in Wanda) introduces the notion of corporate sponsorship into the zoo-going experience. Eventually, all the employees are decked out in animal costumes (like mascots at a "Zoo Land" amusement park), and Kline has even begun the process of introducing animatronic creatures behind the bars. All the while, a budding romance between Cleese and Curtis is playing out behind the scenes, and the two eventually join forces to try and save the zoo from the clutches of the crass and evil conglomerate.

Any one of the comic scenarios the film-makers bring up would be worth exploring to the end. The fact that they cannot seem to keep one satirical conceit going for any stretch, and feel the need to overhaul the plot in a new direction every twenty minutes or so, definitely lessens the impact the movie could have had. And yet, for example: just because the writers beg off early on the "fierce creatures" idea doesn't make it any less hilarious - both as a concept and in execution. The scenes of the kindly zookeepers trying to sell their individual cute little animals as dangerous is one of the funniest scenes in the movie. But then, later, when that concept has been forgotten, and we instead see Kevin Kline leading around a group of potential financial backers, giving them his notions of how corporate sponsorship could work at the zoo . . . well, that's one of the funniest scenes too. What I'm saying is, though a strong focus is something the film lacks, it makes up for it by filling its running time with enough entertaining and well devised comic moments to make you feel like you got your money's worth.

The performances help. As in Fish Called Wanda, Jamie Lee Curtis is not particularly noteworthy as an actress OR a comedienne, but she gets by on her general sultriness and willingness to play cheerfully along. Most importantly, she keeps out of the way of the big boys and lets them do their stuff. As I mentioned, Cleese is a little moldier here than usual, but there's still no one who does high-strung fussiness better, and he holds down the screen nicely. As with Wanda, though, it's Kevin Kline who really steals the show - this time in a dual role, as the Murdoch-like head of the conglomerate and his stupid slimeball son who has big plans for the zoo (as well as getting into Curtis's pants). The sheer *energy* he throws out is infectious, and his ability to "play off" himself - in the scenes between father and son - is nothing short of superb. Blessedly, the dual role bit is revealed as more than just an actor's stunt by the way the movie is resolved: had Kline not been playing both roles, the movie could never end the way it does. That, too, was a nice touch.

Genial, breezy, good spirted - this is Fierce Creatures. Nothing in the masterpiece league but, especially if you've seen A Fish Called Wanda, it's a nice evening spent with old friends - with some new and well devised jokes thrown into the mix.