Para frustrar uma conspiração terrorista, um agente do FBI passa por uma cirurgia de transplante de rostro e assume a identidade de um terrorista, mas o plano é diferente quando o lado opost... Ler tudoPara frustrar uma conspiração terrorista, um agente do FBI passa por uma cirurgia de transplante de rostro e assume a identidade de um terrorista, mas o plano é diferente quando o lado oposto planeja exatamente o mesmo.Para frustrar uma conspiração terrorista, um agente do FBI passa por uma cirurgia de transplante de rostro e assume a identidade de um terrorista, mas o plano é diferente quando o lado oposto planeja exatamente o mesmo.
- Indicado a 1 Oscar
- 11 vitórias e 23 indicações no total
James Denton
- Buzz
- (as Jamie Denton)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Face\off is the REAL masterpiece by John Woo (at least among his movies directed in the USA). It's spectacular, touching, tough and strongly directed.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
Here there are a bunch of references to all his precedent movies, in particular to "The Killer" and "Hard Boiled" , with all their poetic in those long shoot-out which look like classical ballets, in that hyperbolic violence which actually is self ironic, in that kung-fu fights derived by Hong Kong film industry.
Eventually John Travolta and overall Nicholas Cage perfectly play the "literary" theme of doubles. 9\10 without second thoughts.
Face/Off is amazing because it mixes an outrageously cornball plot with some of the best acting in an action movie. How John Woo pulled it off is beyond me. His visual imagery is flamboyant and decorative, yet never fails to deliver the goods. There is always a flurry of images to grasp our attention. Granted, his typical trademarks are here, but never does the script suffer from the same problems as in his other works.
Nicolas Cage and John Travolta are phenomenal in their dual roles each. The rest of the cast isn't very deep and is more filler than anything else. The editing job feels underdone, particularly when the action sequences get to the "overcooked" staged. Still, how many speedboat chases or airplane crashes are you going to see in a slow-motion?
Overall, a summer action movie that delivers in acting, directing, and most other departments. 4 out of 5 stars.
Nicolas Cage and John Travolta are phenomenal in their dual roles each. The rest of the cast isn't very deep and is more filler than anything else. The editing job feels underdone, particularly when the action sequences get to the "overcooked" staged. Still, how many speedboat chases or airplane crashes are you going to see in a slow-motion?
Overall, a summer action movie that delivers in acting, directing, and most other departments. 4 out of 5 stars.
From director John Woo comes this exhilarating action movie that takes a deadly cat-and-mouse game to the next level! A tortured federal agent, haunted by a painful tragedy and obsessed with catching the slick sociopathic terrorist who's eluded him for years and years, is forced to take the face of his mortal enemy in order to acquire vital information. The daring plan quickly goes awry when he loses his own identity in the process, and discovers his arch-enemy is cohabiting with his family. Film's enjoyment depends on the viewer: you'll either condemn the story as absurd and far-fetched, or you'll buy into it and go along for this supercharged, over-the-top action extravaganza. Travolta and Cage are both extraordinarily good, and with Woo at the helm you know that you'd better hang on for dear life! Occasionally silly, with a plot that tosses credibility out the window, but still a helluva lot of fun. ***
This would not have worked had it takes itself seriously.
This film has some of the cagiest Nic Cage moments ever. And I love crazy Cage.
This film has some of the cagiest Nic Cage moments ever. And I love crazy Cage.
Yes, make no mistake: this is a very entertaining, very stylish film, done by Hong Kong action guru John Wood and featuring two fine actors. However, its almost too much to watch in one viewing. It just wears you out! If this film was cut from 140 minutes to 120 it would have been much easier to watch.
Woo's action scenes includes tons of explosions and breaking glass. This director just can't get enough of those explosion scenes. Some of those segments are excellent but many of them go on too long, particularly at the end of the film where it went on what seemed like forever.
The best part of the film are the two lead actors and the interchangeable characters they play. John Travolta and Nicholas Cage are extremely entertaining in here. If they kept the story more about those guys and their switched identities and didn't have eight thousand explosions, this could have a super movie.
Woo's action scenes includes tons of explosions and breaking glass. This director just can't get enough of those explosion scenes. Some of those segments are excellent but many of them go on too long, particularly at the end of the film where it went on what seemed like forever.
The best part of the film are the two lead actors and the interchangeable characters they play. John Travolta and Nicholas Cage are extremely entertaining in here. If they kept the story more about those guys and their switched identities and didn't have eight thousand explosions, this could have a super movie.
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
Você sabia?
- CuriosidadesNicolas Cage and John Travolta spent two weeks together before filming to learn how to play each other. They decided on specific gestures and vocal cadences for each character that could be mimicked.
- Erros de gravaçãoDuring the hangar shootout one of Archer's federal agents is killed with a shotgun blast (we get a good look at his face), yet a few moments later you notice the same agent is standing, alive and well.
- Citações
Castor Troy: [to agent Winters as she poses as a flight attendant] Y'know, I could eat a peach for hours.
- Versões alternativasIn the Domestic release, the Paramount opening logo is played, and at the end of the film, The still closing version of the Paramount logo is shown; while on the International prints, the Buena Vista International logo is played for 20 seconds before the company credits is shown.
- Trilhas sonorasThe Hallelujah Chorus - Since By Man Came Death
From oratorio "Messiah"
By George Frideric Handel (as Georg Friedrich Händel)
Performed by Boston Baroque Orchestra & Chorus
Conducted by Martin Pearlman (uncredited)
Courtesy of Telarc International Corporation
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Contra/Cara
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 112.276.146
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.387.530
- 29 de jun. de 1997
- Faturamento bruto mundial
- US$ 245.676.146
- Tempo de duração
- 2 h 18 min(138 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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