Donnie Brasco

On one level, "Donnie Brasco" might just look like another mafia movie. But it's not. It tells the story of FBI agent Joe Pistone (Johnny Depp), who in the late 1970s was hired to infiltrate the mafia. So, he got acquainted with hit-man Benjamin "Lefty" Ruggiero (Al Pacino). But lo and behold, Joe got too much into the mafia lifestyle, to the point where it dominated his life and kept him from his family. And no one ended up with a very good reward at the end.

Both Depp and Pacino are about as intense as we expect them to be, with good support from Michael Madsen, Bruno Kirby, James Russo, Anne Heche and Zeljko Ivanek. With his hair all greased back, Depp looks like the ultimate mafioso. I should identify that there are two scenes that will probably make your skin crawl: the leg scene, and what they do to the Japanese waiter.

But don't get me wrong. This is a really good movie. It's certainly a less glamorized view of mafia life than most of Al Pacino's movies, and Johnny Depp was certainly showing the same flair for acting that he has brought to the screen for the past 16 years. Very well done.

For a movie that's only three years old Donnie Brasco isn't something people talk about all that much. Not exactly setting the box office alight, it's further proof that great pictures don't always translate into great financial concerns.

Maybe it's the nondescript title - "Donnie Brasco" is hardly awe-inspiring and gives little indication of what the film is about. It turns out Donnie is the undercover name for Joe Pistone (Depp), a FBI agent investigating the Mafia. He makes a connection with "Lefty" (Pacino), which, while his initial integration into the group seems to lack conviction, soon builds up a watchable father-son relationship. Criticisms of the film - such as the forced nature of Pistone's behaviour becoming absorbed into the Mafia mindset - are largely irrelevant as this is a "based on a true story" outing.

Engrossing and eminently watchable, with first-rate lead performances and able back-up from Michael Madsen, this is an overlooked and extremely worthwhile film. The only complaint? Depp's first scenes, wearing the most fake-looking moustache in the history of the movies. But it detracts little from what is a highly skilled picture. So Fergeddaboudid!

Yes, I am going to make the bold claim that this is his best work. "Are you talking about the same Al Pacino that did Scarface, Heat, AND the Godfather movies" you ask. Yes, yes, and let me explain myself. First of all, I want to add that I LOVE Pacino's work. He has such a commanding presence on screen and nobody in cinematic history can scream as well as him (though Gene Hackman is damn good). He can scare the hell out of you with just one crazed look in his eye and he never gives a flat performance (well, except in Revolution).

Having said that, I think Pacino is incredible in this flick because his character is so understated. While his work often consists of playing flamboyant, over-the-top, and almost cartoonish figures(especially in Scarface and The Devil's Advocate), this film is a change of pace for him. Sure, he's still playing a mobster, but he's not as psychotic as usual, and for once, you get to see the inner struggles of a crook who deep down has a heart of gold (despite all of the murders). Pacino is perfect as Lefty, an aging crimical who wants out of the mob lifestyle, but doesn't know how to do it. Though you see the fast and fun world of mobsters in flicks like Goodfellas, this film gives you a sense that the mob life isn't that glamorous.

Along with Pacino's acting, Johnny Depp is delectable as Joe Pistone (Donnie Brasco) because you can see his inner torment as well. He knows that he's been assigned to infiltrate the New York mob scene, but he develops such a close bond with Lefty that it's almost hard to bring him down. A very real, human relationship permeates between the two that is very moving. I like how the characters are always joking about being a "wise guy," as it provides some light chuckles, and it also shows that in order to live this lifestyle, you've gotta talk tough and act tough (as if I would know what that's like).

The supporting cast is particularly noteworthy. Bruno Kirby plays a great weasel, Anne Heche is wonderful as Pistone's neurotic wife (you can understand her suffering, what with being married to an FBI special agent) and Michael Madsen is reliable, once again, as a mobster (honestly, does this guy do anything besides gangster or sci-fi flicks?). Every time I watch this movie I am breathless afterwards. The acting is wonderful, the music is superb, and frankly, I can't believe this stuff actually happened. Then again, I haven't read the book, so I don't know how much of it is true.

Overall, this movie gets 10 out of 10. I'm shocked it doesn't get more recognition, especially with such prolific actors as Pacino and Depp leading the way. This is a different kind of mob movie, as it shows a more somber side to this way of life, and I recommend it unequivocally.

With only one real scene of violence and mayhem in the film, Donnie Brasco relies far more on character development in a story of two men and the planned betrayal of one by another in the line of duty.

Johnny Depp plays real life FBI undercover agent Joe Pistone who infiltrates the Bonano crime family through the good offices of Lefty Ruggiero, a small time Mafia button man played by Al Pacino. During the five years undercover, Pistone who used the alias of Donnie Brasco was responsible for about 200 federal indictments because of the work he did. It took a terrible strain on him and his family as the film so aptly demonstrates.

It must have been like old home week for Johnny Depp who made his acting bones playing a youthful undercover cop in the television series 21 Jump Street. But the difference between Officer Tom Hanson going undercover for a couple of weeks at some high school and agent Pistone living and working with the wise guys for five years afraid of being found out is the difference between Donald Duck and Donald Trump.

Depp's performance as Pistone/Brasco is conveyed as much by body language and closeups as with dialog. He'd like very much to return to his wife and three daughters and live a normal life, but the demands of the job make it impossible. According to Wikipedia's article on Pistone he was uniquely qualified for his undercover assignment having lived and grown up among wise guys in New Jersey. He was familiar with all the Mafia culture and could blend in easily. The strain shows on him in his scenes with wife Anne Heche, only someone with a real gift for acting could make those scenes so real.

Depp is matched by Al Pacino as the luckless Lefty Ruggiero. In the Mafia code he vouches for Depp and if Depp betrays trust in any way, Pacino's marked for death.

Lefty Ruggiero is a hired killer with as he boasts 27 contract kills to his credit. Yet he's also a family man with a lot of problems as is Depp. Even though the man is in fact evil, Pacino does make him a likable sort. It's why Depp is dreading the day he's out from undercover because it means certain death for a man who's grown to be his friend.

Except when the crew that Depp and Pacino are part of do ambush a rival group before in fact they do it to them, Donnie Brasco is a fairly non violent film for a gangster story. Donnie Brasco emphasizes character development and a good script as opposed to bloody mayhem.

I think you'll like the story about a man who turned a friend into the biggest mutt in the history of the Mafia.

In a world filled with overheated, and frequently overpraised, gangster movies, it seems to me that Mike Newell's 'Donnie Brasco', the story of a cop who goes undercover to infiltrate the mob, is arguably overlooked. Based on real life events, it contains great performances from Johnny Depp and Al Pacino, a complex but coherent plot, addresses universal themes (divided loyalties, the evolution of human relationships and behaviour) and the ending is genuinely moving. Perhaps it's not fast-paced enough for devotees of the genre; more likely it "fails" this audience for its very success in portraying the mafia as fundamentally pathetic, whereas most gangster pictures at least partly buy into the glamorous myth. But for me, this a superior film to Scorcese's 'Goodfellas', with a faint note of very black comedy that sounds behind the slaughter. Recommended.