Didier: Homem Pra Cachorro

Well, at least a good french comedy. The surnatural plot (a dog becomes a man) is, I think, quite unusual cause it 's played like a realistic event.Bacri takes it so seriously that you believe in it. Chabat is the best dog I ever seen in my life. It's quite funny all long and I've loved the soccer part. And there's no cultural problem at all dear USA or Canada: it worths ten times all the stupid movies on baseball(see Madonna, Costner, De Niro contributions) and Football(waterboy) . But the fact is the movie don't stay on the initial plot (surprise) but also deals with racism problems and tolerance.

Didier is an unusual film about a dog becoming a man, keeping his dog's mind.

It deals with a humorous tone with more serious things, and the fact that Alain Chabat wrote the script and is the main protagonist is a plus - but also shows the limits. A few nice, very funny moments, smart and hilarious lines "hey you treat him real bad. You talk to him like he's a dog".

Shot in Montpellier, Southern France, it's a pleasant film for an hour or so. It won't change your life but was never meant to. Kept a bit shorter, it would have been better even, the end is slow to come.

Alain Chabat is a very popular French actor. This movie constitutes his first transition behind the camera. Far from being a perfect success, "Didier" remains a fair and honest comedy.

Alain Chabat adopted a correct making that contains interesting clever visuals and ringing brainwaves. It succeeds in compensating a rather slight screenplay. It's based on a convenient situation: this is the story of a man (Jean-Pierre Bacri) who's very embarrassed because he's got to cope with several problems, especially professional. One of his friend asks him to take care of his dog, "Didier". One morning, "Didier" has become a man... Moreover, some parts of the screenplay make it conventional, Didier will find out (unwittingly) the solution to solve his master's worries and predictable (imagine the feelings of people who see a man on the street who behaves like a dog).

At last, the movie loses of its lure when it comes to deal with football (Jean-Pierre Bacri plays the role of an unlucky trainer). Despite everything, some dialogs and several sequences are funny enough to burst into laughter. The result isn't great but it's nice. It's also a movie with an ounce of fantastic. One last thing: Alain Chabat had the good idea by not revealing the truth about Didier's transformation into a man.

In this comedy, a man finds suddenly that his dog has turned to a man. He don't talk, don't learn any language: he's really a dog with a man body! Like many dogs, Didier loves to play with balls. So, this is a great occasion for his master to hire him on a soccer team! That's where the cultural problem starts with this movie: in Canada, or in the USA, soccer is not a religion as it is in France. So, we don't understand all that really matters with this sport. As a french guy, I also was upsetted with the english expressions used by these french actors. But to see the "man dog" is really funny. He is really really a dog!

Jean-Pierre Costa (Jean-Pierre Bacri) is a confused agent of soccer players. He is in charge of taking care of Didier, Annabelle's Labrador dog, for ten days. By mysterious reason, Didier is hit by a ray (or light) and becomes a man. The situations for this non-sense and crazy movie are so ridiculous that become funny in the end. Brazilian (like French) love soccer, and the situations in the soccer field are also funny. My vote is six.