Teoria da Conspiração

In 1997's Conspiracy Theory, Jerry Fletcher (Mel Gibson) is a conspiracy theorist. He has a conspiracy for everything and is constantly talking about them. He publishes a newsletter that has five subscribers.

Jerry is in love with Alice Sutton (Julia Robert's) whom he saved from a mugging. She works for the US attorney. Jerry visits her constantly without an appointment. She lets him even though she's not totally sure why.

It turns out that one of Jerry's conspiracy theories is correct because he's picked up and tortured by the CIA. He manages to escape.

When Alice visits him in the hospital, he tells her he's going to be killed and begs her to switch his chart with the man across from him. Alice denies doing it the next day when the man across from Jerry suddenly dies, and she's told it's the wrong man, not Jerry.

For what it was, the film was too long. It is, however, intriguing. Gibson does a good job as a man who acts crazy and spends a lot of time talking to himself. Robert's plays the confused Alice well.

Lots of New York City scenes. For me Richard Donner's direction is a little scattered. I saw this film at a screening. It came and went quickly.

This romantic thriller was made over a decade ago, years before I was old enough to watch R-rated movies, and by the time I rented it just yesterday, I still didn't know much about it. However, I did know that the co-stars were Mel Gibson and Julia Roberts, two Hollywood movie stars I had been familiar with for a long time. I also knew that it was directed by Richard Donner, who directed the "Lethal Weapon" quadrilogy, which Gibson also co-starred in. I had seen all four of those films, and thought that overall, it was a good franchise. So, I rented "Conspiracy Theory" because I knew it was another film directed by Donner and starring Gibson and it also looked like a promising thriller. Still, I wanted to like it more than I did.

Jerry Fletcher is a New York taxi driver and dedicated conspiracy theorist. He can think of conspiracy theories for anything, and constantly talks to his passengers about them. He even writes his theories in his own newsletter, which is sent to only five different people in the mail. The taxi driver has a crush on Alice Sutton, and woman who works for the Justice Department and whose father was murdered, but she doesn't know about Fletcher's feelings towards her. One day, after he is kicked out of Alice's office, he is soon captured by a group of CIA agents and finds himself in a mysterious place where he is tortured by a CIA doctor named Dr. Jonas! This sends Jerry into a fit of insanity, and after he bites the doctor's nose, severely injuring him, he manages to escape from the building. It turns out that at least one of the New York taxi driver's many conspiracy theories appears to be true, but he can't tell which one it is!

The beginning shows the main character ranting to various passengers in his cab about his conspiracy theories, and this is a fairly shaky beginning. Soon after that, there's a flashy sequence showing Jerry's frightening memories, and I found this part to be a little rushed and unfocused. A lot of the film can probably be described that way. That part is followed by a cheesy and overlong scene with the taxi driver watching his love interest through her window, singing on her treadmill. Despite all this, it still looks like it's going to be at least a fairly decent thriller around the beginning and it is at times, but it's not consistent enough. The early torture scene didn't do much for me, and it even features frightening memories of Jerry's flashing before his eyes again, with the same problems as the first time this happens. Another thing that doesn't help is that Jerry's constant conspiracy theories can get tiring. Fortunately, there are definitely some good thrills and action, and Mel Gibson puts on an impressive performance as Jerry Fletcher, though his character here is no match for the likable Martin Riggs in the "Lethal Weapon" series. Julia Roberts as Alice Sutton and Patrick Stewart (another actor I've been familiar with for a long time) as Dr. Jonas are also memorable cast highlights.

At 135 minutes, this 1997 thriller is a fairly long movie, and later in the film, it didn't seem as flawed to me as it did for a long time before then. It might improve after a while, and Gibson's character might eventually get easier to sympathize with. I may have been worn out during the second half or so, and get the feeling I could have gotten just a BIT more out of the film (at least closer to the end) if I'd had a bit more energy. For that reason, I feel I could almost give it a 7/10 instead of a 6. On the other hand, I don't think having a high energy level would have hidden this movie's severe flaws from me, flaws which make "Conspiracy Theory" somewhat disappointing. Even if it does improve along the way, I would say it definitely takes quite a while to do so. This movie is by no means horrible, and could be entertaining if you like a good romantic thriller and are old enough to see the violence here, but it still didn't meet my expectations.

Let me say immediately that I would recommend this film to almost anyone but the most literal-minded. This film will be different things to different people. It can be a macho thriller, a subtle romance, an ironic look at ourselves, or a combination of all these things. The great thing about this movie is not so much the plot, but the individual situations and scenes. What is meant to be portrayed as paranoid behaviour by Mel Gibson's character, Jerry Fletcher, becomes quite funny when the viewer recognizes his or her own self doing similar things, but in a context that is supposedly "normal." Jerry's having a padlock on his refrigerator and a combination lock on his coffee will bring a smile to the lips of anyone who has to deal with numerous computer "logons" and passwords to gain access to even the most mundane things in our computer-dominated workplaces. Likewise, the writers and director are spot on when they show poor paranoid Jerry going to separate mailboxes to post his various letters, while many of us here in the on-line world will routinely use pseudonyms, proxies, remailers, etc for the very same reason that Jerry takes his seemingly abnormal precautions, i.e., to avoid potentially prying eyes. So, who's paranoid? I thought this was very insightful. As for overt humour, perhaps my guard was down, but I laughed until tears came to my eyes when Jerry tossed off joke about a man who had only three minutes to live. Mel Gibson's delivery of the punch line was perfect. As for pathos and those human moments, scenes in which Jerry would gladly die for just a brushing kiss from his worshipped Julia Roberts might bring back memories of anyone's naive, tender years and momentarily make your heart ache. And a scene in which Jerry is unable to explain why he compulsively buys copies of the same book over and over again is very poignant, indeed. Mel Gibson put a lot of energy into what was obviously a demanding role and, as usual, Julia Roberts lights up the screen in every scene she's in. The film might be a fantasy, but it's the sort of fantasy many of us can appreciate.

The thing that stands out for me in this movie is the wonderful (and underrated) performance given by Mel Gibson. His part calls for an uneasy balance between a paranoid psychotic and romantic leading man and he treds that fine line beautifully. Despite all his craziness, he is totally likeable and his relationship with the Julia Roberts character is wonderfully complex and believable. Julia Roberts also gives an excellent performance and the chemistry between the two leads is perfect.

All in all, I loved this film and didn't understand why it was so underrated by the critics.

I found this film really hard to focus on, there was Mel Gibson playing a paranoid crazy guy, being dragged off by government/non-government 'spooks' and having some sort of weird obsession with Julia Roberts. But as the film unfolded, and the storyline, a complex one, began to unravel it all started to make some kind of sense. My favorite part has to be the self destruction of his apartment, that was quite imaginative. Before I saw this i was expecting something along the lines of Lethal Weapon, being the same star, and same director. But it was so completely different from what I thought it would be and it actually ended up being a better film as a consequence. Mel Gibson played a completely different character than what we usually see, which worked to his benefit and Julia Roberts proved with this film, that she still had star power. Definitely worth a look.