Após anos de busca, a Doctora Ellie Arroway encontra provas radiológicas conclusivas de inteligência extraterrestre, enviando planos para uma máquina misteriosa.Após anos de busca, a Doctora Ellie Arroway encontra provas radiológicas conclusivas de inteligência extraterrestre, enviando planos para uma máquina misteriosa.Após anos de busca, a Doctora Ellie Arroway encontra provas radiológicas conclusivas de inteligência extraterrestre, enviando planos para uma máquina misteriosa.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 14 vitórias e 32 indicações no total
Max Martini
- Willie
- (as Maximilian Martini)
Avaliações em destaque
The 90's movies have a certain charm you can not replicate. It makes you belive in better things, makes you want to be better. I liket this movie because it focused on mankind, and not just America. Do not take me wrong. I dont have any problem with America, but there are a lot of things you have to consider besides that nation. I liked the how it made me think about the everlasting parallel between belief and technology. It gives you the right to choose, what you want to belive in. That is a very nice thing nowadays.
My only regret about CONTACT is that I didn't see it in a theater.
This movie works on so many levels. It is a fabulously balanced concoction of thrills, suspense, action, politics, acting & characterization, awe, and...(ahem)...INTELLIGENCE! (And not just the alien kind!)
Some have compared this movie to 2001: A SPACE ODYSSEY...with, perhaps, some justification. There certainly are more than just passing similarities. However, whereas 2001 relied on hardware to (almost) the exclusion of all else and placed a greater emphasis on "spectacle", CONTACT strives for more substance on the human and sociological level. It touches one's emotions in a way that most movies never attempt to, much less succeed. In this, CONTACT could just as well be compared to Steven Spielberg's masterpiece, E.T. But whereas E.T. was meant to wake up the "child" in us, CONTACT succeeds in waking us to the next level! This most definitely is THE movie for BRAINIACS!
I rate CONTACT a STRONG 8 out of 10.
This movie works on so many levels. It is a fabulously balanced concoction of thrills, suspense, action, politics, acting & characterization, awe, and...(ahem)...INTELLIGENCE! (And not just the alien kind!)
Some have compared this movie to 2001: A SPACE ODYSSEY...with, perhaps, some justification. There certainly are more than just passing similarities. However, whereas 2001 relied on hardware to (almost) the exclusion of all else and placed a greater emphasis on "spectacle", CONTACT strives for more substance on the human and sociological level. It touches one's emotions in a way that most movies never attempt to, much less succeed. In this, CONTACT could just as well be compared to Steven Spielberg's masterpiece, E.T. But whereas E.T. was meant to wake up the "child" in us, CONTACT succeeds in waking us to the next level! This most definitely is THE movie for BRAINIACS!
I rate CONTACT a STRONG 8 out of 10.
I had the luck of watching contact at the cinema when it came out . Being young meant that watching a movie of this grandure in a grand movie theatre with massive screen (something that was dying out at the time) means that this movie has been engraved in my mind .
But it is not due to nostalgia or corrupt memory .
Contact is a thought provoking mind bending movie ahead of its time .
In fact it is the Interstellar of the 90s .
Stunning gorgeous visuals , and a storyline and plot asking some hard questions and providing answers that many might not want to accept as the movie battles between science fitction , science fact and religion in a way that in the end no one is left wanting .
This is not just a movie , this is an event !
Stunning gorgeous visuals , and a storyline and plot asking some hard questions and providing answers that many might not want to accept as the movie battles between science fitction , science fact and religion in a way that in the end no one is left wanting .
This is not just a movie , this is an event !
Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.
The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.
A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.
A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.
This, for me, is a masterpiece. I have enjoyed it more with each viewing.
Carl Sagan was a great man. He promoted science in the way it should be, portraying the profound mysteriousness of our universe with humility, and without dogma. In his book, the Demon-Haunted World, he quoted Einstein:
"All our science, measured against reality, is primitive and childlike -- and yet it is the most precious thing we have".
Contact conveys this simple message in a subtle yet immensely powerful way. The performances are some of the most compelling I have seen, particularly by Jodie Foster and David Morse.
Just magnificent.
Carl Sagan was a great man. He promoted science in the way it should be, portraying the profound mysteriousness of our universe with humility, and without dogma. In his book, the Demon-Haunted World, he quoted Einstein:
"All our science, measured against reality, is primitive and childlike -- and yet it is the most precious thing we have".
Contact conveys this simple message in a subtle yet immensely powerful way. The performances are some of the most compelling I have seen, particularly by Jodie Foster and David Morse.
Just magnificent.
Você sabia?
- CuriosidadesAuthor and producer Carl Sagan died during production. He was reportedly taking great care to ensure that science was accurately depicted in this movie.
- Erros de gravaçãoWalkie-talkies and cell phones are not allowed near a radio telescope array. They would overpower the array, making it useless.
- Cenas durante ou pós-créditos"For Carl"
- ConexõesEdited into Zaum - Andare a parare: Lo spazio dell'orbita (2011)
- Trilhas sonorasWho Needs Wings to Fly
Written by Dominic Frontiere and Sid Wayne
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Contacto
- Locações de filme
- Arecibo Observatory, Arecibo, Porto Rico(large radio telescope)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 100.920.329
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.584.908
- 13 de jul. de 1997
- Faturamento bruto mundial
- US$ 171.120.329
- Tempo de duração2 horas 30 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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