The Manson Family

A really demented but compelling take, on the life and times of Charles Manson. Incredible story for all the best (and worst reasons) and a difficult picture to get exactly right. At times this film takes you into a world were madness and mayhem, truly rules the roost. One long acid trip and no doubt a fairly accurate portrayal of events that actually happened (on the Spahn Ranch). To be honest you could never make up a fiction story anywhere near as bizarre as this and whatever your views on Charles Manson, he was a complete one-off!

Of all the highly publicized American murder cases of the 20th century, the massacres committed by cult leader Charles Manson's followers in 1969 are probably the most infamous. Despite never personally killing anyone, Manson is still often seen as some kind of embodiment of evil and thus an object of constant curiosity. Several films have been made about "The Family" over the decades, one of them being Jim Van Bebber's semi-mocumentary finally released in 2003 after having been in production for nearly 15 years.

The frame story of the warped cinematic trip takes place in 1996 when a TV reporter named Jack Wilson (Carl Day) is preparing to interview the incarcerated Family members for his program. Some kind of strange modern followers of Manson have sent him a videotape and are not going to leave their interference at that. The bulk of the film consists of faux-interviews with the Family members and psychedelic flashbacks of scenes from the time preceding the murders. The interviewees Leslie, Bobby, Sadie, Patty and Tex seem to regret their actions, while Manson himself is only seen in the flashbacks as portrayed by Marcelo Games.

Instead of a clear, tightly-written plot the jumpy movie favours a fragmented sensory mindf**k kind of approach to its subject. The film's exploitation roots become highly evident during the long home video-like flashbacks illustrating the interviewees' memories full of hazy drug use and gratuitous nudity and sex. The lighting is mostly very richly coloured in red or blue, creating a fittingly otherworldly feel to the scenes of cult bonding under the influence of the charismatic Manson who is seen entirely through the eyes of his followers: he doesn't speak much and remains a distant character throughout. The intentionally grainy, worn-out and damaged look of the film (not only the flashbacks) strengthens the alienating atmosphere as well.

At times the film effectively captures the distressing, insane state of mind that the Family members can be imagined to have been in. The Devil worshipping orgy is a highlight among the bizarre scenes, but the colourfully lit final massacres testing the audiences' tolerance to excessive gore are a must see for any fan of hard horror too. The prolonged knife violence and maniacally laughing killers are pretty much what people (or at least me) are looking for in sleazy trash movies like this one anyway, so in that sense Van Bebber and Co. have achieved their goal with flying colours. Perhaps some of the acting is not the most realistic ever, but I cannot consider that a major flaw in a film that is so heavily focused on the effects of brainwashing and not being in touch with one's regular self.

In a way The Manson Family is a relative of Oliver Stone's controversial media satire Natural Born Killers (1994), but ultimately comes across as sleazier and more nihilistic since the satirical aspect is less pronounced. I am not sure if the filmmakers have taken a lot of artistic license with the presentation of how the actual events took place; in the end it doesn't even matter since the movie never strives to be an accurate portrait of Manson as a person. As an examination of disturbing group psychosis it works enjoyably and is recommended to those into exploitative true crime stories.

I like the movie a lot, probably not for the crappy set design and poor acting, or even the low budget premise. I just liked the fact that an independent film maker with a vision got to see his dream after 15 years get rewarded. I have to admit, the movie is pretty gritty and I got the parallel between the new Manson zeolites and the original family and found it more intriguing than the usual docu-drama the media portrays. Well done...oh and people that hated this movie, it's too bad because I was entertained throughout and in a way it took out the mystique of the Manson family rather than glorifying it. Yes it was low-budget but if you watch the documentary on the film's creation it's quite brilliant and fascinating.

Jim Van Bebber's "The Manson Family" is an extremely violent and bloody horror film that reconstructs the early activities of the Family and their descent into the Tate-LaBianca killings.Van Bebber mixes this with a contemporary sub plot involving tabloid journalist Jack Wilson's quest to film a documentary on the subject.The film is loaded with plenty of sex and full-frontal nudity.The final third of "The Manson Family" is a grueling nightmare with some of the most sadistic and savage murders ever captured on screen.The acting is generally amateurish,although Marc Pitman is truly impressive as Tex.The photography perfectly captures the hazy sex-and-drug fuelled lifestyle that Charlie and his largely female disciples indulged in on their Californian ranch.The killings themselves are extremely graphic and gory as hell,so I was satisfied.The scene of blood drinking orgy is truly frightening as is the slow progression of Charlie from a peaceful Jesus Christ figure to Satan himself."The Manson Family" is easily one of the most controversial and disturbing horror films ever made.Give it a look.

Many years in the making this is, if ultimately rather sad and depressing with a confused ending, an involving documentary style depiction of what life may well have been like within the notorious 'family'. At the beginning there is a fair mix of youngsters held together largely by sex and quasi religion. Largely it's the girls that talk of Jesus whilst disrobing and the men of, f***ing. Fuelled by dope and acid they go their merry way for a while but then interestingly Charlie reckons a mix of blood and death will keep the group alive. And so it does but always of course spiralling hell bent towards the inevitable, 'helter skelter'. The best and worst of the hippie movement is depicted here in what was essentially it's death throws. Bebber makes considerable play on the racist slant to the 'family' belief structure and their fear of a black takeover, none of which have I been aware of before. Very interesting with lots of gore and bare flesh with much emphasis on the meaning/meaningless of words, gullibility and the mighty power of the promise of sex and violence.