Simplesmente Amigas

Yes, this film has been panned by many, but in my view Mike Leigh was near top form again with this absorbing and moving film. The late, great Katrin Cartlidge puts in an excellent performance. Dreadfully sorry to learn that such a talented young stage and screen actress has died. Lynda Steadman is also superb.

The film is partly in flashback to college days in the 1980s and partly set in the "present" of the 1990s. I see the exaggerated twitching and accents of the characters in the 1980s scenes as part of the flashback genre. Perhaps I went to University with exceptionally twitchy people, or perhaps the memory pitches college-days memories at 30 frames-per-second, but my own "flashbacks" to such times feel a bit like that. I thought it was intriguing cinematography, but the majority seems to be against me.

Where the film does grate a little is in the coincidences that lead them to run in to their past several times. Two of the coincidences are necessary for the plot and interest. One seems like "a coincidence too many" and it goes nowhere - maybe there was an intended plot thread that got dropped - well the coincidence should also have been dropped in that case.

It's a short film and it held our attention from start to finish. Not Mike Leigh's very best film, but well worth seeing.

This is one of Mike Leigh's more easy-going efforts, overall, a bit mannered, sort of an urban picaresque, "Naked"-lite if you will. When I saw it on initial release, I liked it fine, but thought it would be memorable mainly for particular bits--the very funny scene with the obnoxious yuppie flat owner, the very powerful scenes with Mark Benton as Ricky--rather than for any coherence. I saw it again this week and it is sticking in my mind with more impact than before; to me it now resonates as a meditation on the need to get on with one's life, and the costs (in friendship, soulfulness, caring) of doing so, and the tragedy of those who just can't make the jump. Not one of Leigh's greatest films, but like everything he's made, well worth the time.

I was pleasantly surprised with this movie. It came on HBO the other night, and it was late so I was about to go to bed. I decided to just watch the beginning, but started to become quite interested in it. It turned out to be a pretty darn good little movie and I am glad I stayed up to watch it. Although it is a little different and a little slow, I thought it was a genuinely good movie with some very powerful performances. The characters are strong and the story is simple, but sweet.

As a life-long Mike Leigh fan, I first saw CAREER GIRLS on its cinema release a couple of years ago. No, it didn't make quite the same impact as (for example) NAKED or SECRETS AND LIES, but nonetheless it does boast impressive and detailed performances from its lead actors. Katrin Cartlidge's work was always intense and magnetic (I was lucky enough to see her on stage in Theatre de Complicite's MNEMONIC in 1998) - and her recent, tragic death from septicaemia in September 2002, aged 41, was a desperately sad loss to top-notch acting and independent film making.

Mike Leigh's often improvised, raw films can be off-putting if you're unprepared. He has a real nack for finding performers who put their full souls into his films and the style of the acting in this film explodes with a vibrant, distinctive energy. A slice-of-life tale of two college friends who meet up years later and find coincidence and fate entwine in quite unpredictable ways, the film is all about the tensions beneath the surfaces and those things that so often go unsaid. Its a love story between friends much like "Muriels Wedding" and again without a sexual component. The two women undertake an exterior and interior journey and learn about the love that friendship quietly evolves. Cartlidge and Steadman are unique performers and the beautiful music score is by "Secrets and Lies" actress Marianne Jean-Baptiste.