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5,4/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree years ago when Danny Quinn left Southie, a tough Irish working-class neighborhood in South Boston, he left behind a world of crime and betrayal. Upon his return, Danny is forced to mak... Ler tudoThree years ago when Danny Quinn left Southie, a tough Irish working-class neighborhood in South Boston, he left behind a world of crime and betrayal. Upon his return, Danny is forced to make a risky decision.Three years ago when Danny Quinn left Southie, a tough Irish working-class neighborhood in South Boston, he left behind a world of crime and betrayal. Upon his return, Danny is forced to make a risky decision.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
James Michael Cummings
- Joey Ward
- (as James Cummings)
Steven Kozlowski
- Jimmy Quinn
- (as Steve Kozlowski)
David Fitzgerald
- Butchie Ward
- (as Dave Fitzgerald)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's too bad this independent production didn't have some of the advantages of a major studio. The camera work is mediocre and the sound level is just terrible in spots. I hope that the latter is the result of me having a bad VHS copy.
Southie is not the kind of film that the late Pat O'Brien would have appeared in. It's the story of the South Boston neighborhood, a rugged Irish enclave as seen through the eyes of Danny Quinn and his family. It certainly isn't all Irish charm and blarney.
Donnie Wahlberg, late of New Kids on the Block and older brother of Mark Wahlberg, is Danny Quinn. He's gotten in trouble with the son of one of the two local mob chieftains vying for control of the neighborhood. So he beat it to New York for a while and now he's back.
He tries to go straight, but because of the need for money due to his mom's heart condition, young Quinn gets involved again in illegal activities. His old enemy is still around and leads to a whole lot of tragedy.
This was obviously a labor of love for Wahlberg as that's where he and the other New Kids on the Block sprang from. Too bad his neighborhood wasn't better photographed.
Lawrence Tierney as the old mob boss from South Boston and Anne Meara as Wahlberg's mother give strong performances.
This was all under the direction of John Shea, better known as Lex Luthor, from Lois and Clark. Too bad he didn't have better production values in what could have been a great film.
Southie is not the kind of film that the late Pat O'Brien would have appeared in. It's the story of the South Boston neighborhood, a rugged Irish enclave as seen through the eyes of Danny Quinn and his family. It certainly isn't all Irish charm and blarney.
Donnie Wahlberg, late of New Kids on the Block and older brother of Mark Wahlberg, is Danny Quinn. He's gotten in trouble with the son of one of the two local mob chieftains vying for control of the neighborhood. So he beat it to New York for a while and now he's back.
He tries to go straight, but because of the need for money due to his mom's heart condition, young Quinn gets involved again in illegal activities. His old enemy is still around and leads to a whole lot of tragedy.
This was obviously a labor of love for Wahlberg as that's where he and the other New Kids on the Block sprang from. Too bad his neighborhood wasn't better photographed.
Lawrence Tierney as the old mob boss from South Boston and Anne Meara as Wahlberg's mother give strong performances.
This was all under the direction of John Shea, better known as Lex Luthor, from Lois and Clark. Too bad he didn't have better production values in what could have been a great film.
I saw SOUTHIE at the Montreal World Film Festival. I was impressed really, there is no other way to describe it. This film is poignant and true to life. The characters are believable and evoke strong feelings. Rose McGowan's portrayal of a young woman struggling with alcoholism was REAL, Donnie Wahlberg's character Danny Quinn battling to do the right thing, when it's the hardest thing to do was REAL! Wow, you leave the theater with your heart in your hand.
... the Southie that tried so hard from the Garrity era on down to portray themselves as Just Another Heart Of Gold (all-white) Community, or the one that really exists?
This isn't a great movie. The production values are spotty, such plot as exists is threadbare, sound fades in and out, and you won't put the tape back in the box having learned much of anything.
But paintings don't tell stories either; they're evocative mood-setting pieces, and so is this movie. Wahlberg doesn't put phony speeches in the characters' mouths, he doesn't have a happy ending, nothing much is resolved, and no one is any less of a mess than at the beginning. He presents you a moving image of a profane, drunken, violent environment that is a side of Southie the residents and the city of Boston would prefer you not see. It's there nonetheless.
6/10.
This isn't a great movie. The production values are spotty, such plot as exists is threadbare, sound fades in and out, and you won't put the tape back in the box having learned much of anything.
But paintings don't tell stories either; they're evocative mood-setting pieces, and so is this movie. Wahlberg doesn't put phony speeches in the characters' mouths, he doesn't have a happy ending, nothing much is resolved, and no one is any less of a mess than at the beginning. He presents you a moving image of a profane, drunken, violent environment that is a side of Southie the residents and the city of Boston would prefer you not see. It's there nonetheless.
6/10.
Let me begin by saying that I have lived in Dorchester and South Boston all of my life, so my opinion may be a bit loaded. Let me also say that I have seen this movie before, 15 different times, all of which with a different title, the first and best version of this story being "Mean Streets" by Martin Scorcese.
The idea of people battling against an urban environment for a better life is hardly anything new to American Cinema. it has been here since the early 70's. It has been done and done again. There are great films built around this theme. Some of which will be very hard to outdo.
What is amazing is that the vast majority of scripts written by young men who grew up in similar surroundings continue to deal with these issues in less resilient and origional ways.
In this film Donnie Wahlberg's 'Danny Quinn' is the ultimate candidate for the phrase, "you can take the boy out of the (insert town here), but you can't take the (insert town here) out of the boy". Arriving home after leaving town for a while Danny is dragged back into the vicious cycle that made him leave in the first place (gee, didn't see that one coming). Try as he might, he can't resist the gravity of his surrounding and is sucked into an blackhole of alcoholism, violence, and abuse. Like I said, nothing original. The film does explore some meaty drama with the Quinn mother played by Anne Meara, then she dies 3/4 of the way though the film, so that's that. The rest of the movie is color by numbers.
I should note that the South Boston presented in this film is nothing like the South Boston of today. Yes, it is a mostly blue collar community, yes, the people there are mostly irish americans, yes it can be a tough place, and yes the people are very parochial (enter "forced bussing" into any search engine). However it is not the type of place where gangsters go around having shotgun fights, it hasn't been remotely like this since the 70's when Whitey Bulger's gang was in its heyday. While all of the negative attributes of the community and its history are examined in "Southie" none of the positive attributes are even touched upon. This does not hold true for the film "Southie" rode into cinemas and film festivals on the laurels of: Good Will Hunting (If ever there was true to life picture of a blue collar boston, this is it).
Take a look at another recent film about a different Boston community, "Monument Ave". Though this movie suffers from the same cliche problems as "Southie", it explores a theme that many of Boston's blue collar residents can identify with. Set in charlestown, a neighborhood which is known for its "code of silence", the characters in this film squirm as they see their once closed off neighborhood become an area of blue chip real estate for young yuppies looking for an upscale urban home. In "Monument Ave." there is a clear juxtaposition between the violent, troubled townies and their new neigbors. This phenomenon holds true for the real South Boston as well, however the film "southie" does not even touch upon it.
In the end it probably does not matter where the setting of the film was. The writers were from boston so they chose southie. It could have been the third moon of Jupiter, but it still wouldn't have made this film any more original, 3/10 stars.
The idea of people battling against an urban environment for a better life is hardly anything new to American Cinema. it has been here since the early 70's. It has been done and done again. There are great films built around this theme. Some of which will be very hard to outdo.
What is amazing is that the vast majority of scripts written by young men who grew up in similar surroundings continue to deal with these issues in less resilient and origional ways.
In this film Donnie Wahlberg's 'Danny Quinn' is the ultimate candidate for the phrase, "you can take the boy out of the (insert town here), but you can't take the (insert town here) out of the boy". Arriving home after leaving town for a while Danny is dragged back into the vicious cycle that made him leave in the first place (gee, didn't see that one coming). Try as he might, he can't resist the gravity of his surrounding and is sucked into an blackhole of alcoholism, violence, and abuse. Like I said, nothing original. The film does explore some meaty drama with the Quinn mother played by Anne Meara, then she dies 3/4 of the way though the film, so that's that. The rest of the movie is color by numbers.
I should note that the South Boston presented in this film is nothing like the South Boston of today. Yes, it is a mostly blue collar community, yes, the people there are mostly irish americans, yes it can be a tough place, and yes the people are very parochial (enter "forced bussing" into any search engine). However it is not the type of place where gangsters go around having shotgun fights, it hasn't been remotely like this since the 70's when Whitey Bulger's gang was in its heyday. While all of the negative attributes of the community and its history are examined in "Southie" none of the positive attributes are even touched upon. This does not hold true for the film "Southie" rode into cinemas and film festivals on the laurels of: Good Will Hunting (If ever there was true to life picture of a blue collar boston, this is it).
Take a look at another recent film about a different Boston community, "Monument Ave". Though this movie suffers from the same cliche problems as "Southie", it explores a theme that many of Boston's blue collar residents can identify with. Set in charlestown, a neighborhood which is known for its "code of silence", the characters in this film squirm as they see their once closed off neighborhood become an area of blue chip real estate for young yuppies looking for an upscale urban home. In "Monument Ave." there is a clear juxtaposition between the violent, troubled townies and their new neigbors. This phenomenon holds true for the real South Boston as well, however the film "southie" does not even touch upon it.
In the end it probably does not matter where the setting of the film was. The writers were from boston so they chose southie. It could have been the third moon of Jupiter, but it still wouldn't have made this film any more original, 3/10 stars.
I happened upon Southie one day while browsing through my local video store. Having grown up around Boston I was amazed that I did not hear of it before. Even though the DVD had a very `B' looking cover, I gave it a shot
I was very surprised! Donnie Wahlberg was very convincing as Danny Quinn, a Southie kid who returns home after a self-imposed exile. He finds his family slowly falling apart, and hears the neighborhood beckon him to return to a life of crime. If this sounds familiar, that's because it is! The script suffers from a lack of originality, but the interesting thing is that the dialogue is very well written, even though the theme is well trodden. The acting is also well done: James Cummings plays the film's principle antagonist Joey Ward, and manages not to go over the top, (as many others tend to in gangland films such as this). Rose McGowan is also wonderful as Danny's younger sister Kathy, who battles with alcohol addiction. Finally Lawrence Tierney gives a fine Cameo as a local `good' gangster. The only thing that is noticeably absent in this film is any drug use whatsoever. South Boston like many other urban neighborhoods has had many problems with drugs. The difference is that in Southie most live by a code of silence, and do not like to air dirty laundry about their community, whether it's true or not. That may explain why James Cummings, a South Boston native, didn't include any reference to them. Overall this is a fine film, which I recommend to anyone who enjoys the genre. The DVD also includes one of the best Cast/Director commentaries that I've ever experienced
A real treat!!!
Você sabia?
- CuriosidadesSome members of the film crew were arrested for trespassing while filming the train sequence at the beginning of the film.
- Erros de gravaçãoWhen Danny (Donnie Wahlberg) is leaving Southie towards the end, he boards a #7 bus at Broadway station, however seconds later, he's seen traveling in a #11 Bus
- Citações
Kathy Quinn: I'm proud of you Danny, I really am. I am so proud of you, but I can't be you.
- ConexõesFeatures Joan Jett & the Blackhearts: Cherry Bomb (1984)
- Trilhas sonorasCherry Bomb
Performed by Joan Jett
Written by Joan Jett and Kim Fowley
Courtesy of Peermusic, Ltd. and Jett Pack Music
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- How long is Southie?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 52.819
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.860
- 31 de mai. de 1999
- Faturamento bruto mundial
- US$ 52.819
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