AVALIAÇÃO DA IMDb
3,1/10
566
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA salvage pilot and a bartender go up against a crazed computer programmer and the head of a criminal gang who have equipped a spaceship with nuclear warheads and plan to crash it into Earth... Ler tudoA salvage pilot and a bartender go up against a crazed computer programmer and the head of a criminal gang who have equipped a spaceship with nuclear warheads and plan to crash it into Earth.A salvage pilot and a bartender go up against a crazed computer programmer and the head of a criminal gang who have equipped a spaceship with nuclear warheads and plan to crash it into Earth.
Darcas Macopson
- Willis
- (as Dwayne Macopson)
Sedena Cappannelli
- Programmer
- (as Sedena M. Conley)
Avaliações em destaque
If these movies - there seems to be about one per year - could possibly hew any closer to copying "Alien", they would. It is merely the aim of these films to make Alien all over again. The music. The characters and their conflicts. Even fragments of dialogue! "I don't trust so and so ...", "All I want is what's comin' to me..." These things either take place in space or underwater. Virus(1999), set on an ocean ship, was an interesting variation. The prime point of entertainment for me is the fatuousness of the imitation.
A crazed computer genius named Goad (Laura San Giacomo) sets a spaceship named the Agamemnon, loaded to the gills with an highly unstable substance, on a collision course with the Earth! The Agamemnon has been encoded by Goad to start on its preprogrammed destination once it is revived by a salvage team. J.T. Wayne (Sandra Bernhard) is the Captain of the Salbor, the salvage ship that undertakes said mission. Things go awry for the Captain however when a portion of her assembled crew lead by her former lover, a cutthroat type named Vendler, double-crosses her and looks to gain the valuable Solarium aboard the ship for himself. However he didn't count on Goad's reprogramming of the ship's systems. Yet even in the face of defeat, Vendler refuses to give up his hold on the ship or listen to reason or logic. Now as the clock ticks down to a collision with the Earth, Wayne and her new crewman, a former bartender named Lennon (Cameron Dye), must try and find a means of stopping the Agamemnon or millions on Earth will die!
Well I have to admit this is competently made. They keep the action moving nicely along and the visuals often prove distracting and interesting. The whole concept with Goad shows some level of originality and I enjoyed Laura San Giacomo's performance as a crazed computer programming genius who has a God complex and an obsession with quoting Shakespeare. Where this falters is when our story changes its focus to J.T. Wayne, played by an horrifically miscast Sandra Bernhard who constantly uses the catchphrase "And Don't You Forget It!" and basically goes all out to put off any male in the movie, including the man who is supposed to be her love interest. The failed attempts at humor in the film are far more likely to make viewers shake their heads in disbelief than cause them to laugh. In fact, this film frequently has this effect on any viewer who can manage to sit through the whole thing. To me, it is this element of "I just cannot believe what I am watching" that makes this so bad it's almost good.
Well I have to admit this is competently made. They keep the action moving nicely along and the visuals often prove distracting and interesting. The whole concept with Goad shows some level of originality and I enjoyed Laura San Giacomo's performance as a crazed computer programming genius who has a God complex and an obsession with quoting Shakespeare. Where this falters is when our story changes its focus to J.T. Wayne, played by an horrifically miscast Sandra Bernhard who constantly uses the catchphrase "And Don't You Forget It!" and basically goes all out to put off any male in the movie, including the man who is supposed to be her love interest. The failed attempts at humor in the film are far more likely to make viewers shake their heads in disbelief than cause them to laugh. In fact, this film frequently has this effect on any viewer who can manage to sit through the whole thing. To me, it is this element of "I just cannot believe what I am watching" that makes this so bad it's almost good.
If you manage to get through the entire film and give it more thought than it warrants, you may find seeds of what could have been a good film scattered throughout.
Sandra Bernhard did a fair job with her leading role, only to be let down by the rest of the cast, the writing, directing, and effects (I suppose the sets were passable). Laura San Giacomo gives possibly the worst performance, completely over the top spouting incoherent snatches of Shakespeare. It appears that her part was filmed later and edited in, as she never interacts with the other actors and the "hacker" uses male pronouns when referring to her and her image.
This seemed as if several amateurs each directed a couple randomly-selected scenes without regard to each other's work, as characters are played very differently in adjoining scenes with no sense of development. The film ends suddenly and poorly, as if someone with an eye to the budget yelled "Cut, print!" the instant that the money ran out.
Perhaps this film itself was a salvage operation, where the shoot terminated prematurely and the studio edited whatever had already been filmed into something they could release upon an unsuspecting public.
Sandra Bernhard did a fair job with her leading role, only to be let down by the rest of the cast, the writing, directing, and effects (I suppose the sets were passable). Laura San Giacomo gives possibly the worst performance, completely over the top spouting incoherent snatches of Shakespeare. It appears that her part was filmed later and edited in, as she never interacts with the other actors and the "hacker" uses male pronouns when referring to her and her image.
This seemed as if several amateurs each directed a couple randomly-selected scenes without regard to each other's work, as characters are played very differently in adjoining scenes with no sense of development. The film ends suddenly and poorly, as if someone with an eye to the budget yelled "Cut, print!" the instant that the money ran out.
Perhaps this film itself was a salvage operation, where the shoot terminated prematurely and the studio edited whatever had already been filmed into something they could release upon an unsuspecting public.
Even though I checked this movie out for free, it was a huge waste of my time. Pathetic acting, terrible special effects, and a plot that goes nowhere are the BEST things about this movie. Don't waste your time.
It wasn't even GOOD male bashing. There are no words for it. I'd much rather watch LOGAN'S RUN for the 50th time, or PIGS! Maybe kick back, drink some kerosene and have a little smoke. Sandra Bernhard is so harsh, she's long since left off being funny.
Você sabia?
- CuriosidadesMatt McCoy (Suarez) and Lee Arenberg (Noel) both appeared in two episodes apiece of "Seinfeld".
- Erros de gravaçãoIn one of the establishing shots of one of the ships, a fake asteroid clearly bumps into the model ship.
- Trilhas sonorasBlue
Written, Produced and Performed by Sandra Bernhard & Cameron Dye
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Detalhes
- Tempo de duração1 hora 36 minutos
- Cor
- Proporção
- 2.35 : 1
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