O último filho sobrevivente da Família Real Russa junta-se a dois homens para se reunir com sua avó, a Imperatriz Dowager, enquanto o morto-vivo Rasputin procura sua morte.O último filho sobrevivente da Família Real Russa junta-se a dois homens para se reunir com sua avó, a Imperatriz Dowager, enquanto o morto-vivo Rasputin procura sua morte.O último filho sobrevivente da Família Real Russa junta-se a dois homens para se reunir com sua avó, a Imperatriz Dowager, enquanto o morto-vivo Rasputin procura sua morte.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 10 vitórias e 23 indicações no total
John Cusack
- Dimitri
- (narração)
Christopher Lloyd
- Rasputin
- (narração)
Kelsey Grammer
- Vladimir
- (narração)
Hank Azaria
- Bartok
- (narração)
Bernadette Peters
- Sophie
- (narração)
Kirsten Dunst
- Young Anastasia
- (narração)
Angela Lansbury
- The Dowager Empress Marie
- (narração)
Rick Jones
- Czar Nicholas
- (narração)
- …
Andrea Martin
- Phlegmenkoff
- (narração)
- …
Glenn Walker Harris Jr.
- Young Dimitri
- (narração)
Debra Mooney
- Actress
- (narração)
Arthur Malet
- Travelling Man
- (narração)
- …
Charity James
- Anastasia Impostor
- (narração)
Liz Callaway
- Anastasia
- (canto)
Lacey Chabert
- Young Anastasia
- (canto)
Jim Cummings
- Rasputin
- (canto)
Jonathan Dokuchitz
- Dimitri
- (canto)
Avaliações em destaque
The last time I saw this, I thought there were maybe too many songs in it that distracted the feel from the movie. But now that I've seen it again, it's clear that the songs are well written, along with the storyline.
This is not based on a true story, only loosely on a few rumors that the real Anastasia survived the killing of her family. The heroine Anya is like a Disney princess who is desperate to find out who she is and where she belongs, after suffering from amnesia following the separation of her family. The villain is the brilliant Rasputin, back from the dead, intent on extracting revenge on the Romanovs, thus starting the Russian Revolution. Dimitri and Vladimir at first are looking to find the ideal Anastasia look alike in order to get the riches from her real mother in Paris.
A lot of Bluth's films revolve around a journey and a couple involving some history on Russia. I really enjoyed the songs that played over the end credits, "At the Beginning" and "Journey To The Past" sung in her own way by Aaliyah, the beautiful angelic voiced R&B singer who left way too soon.
Brilliantly animated for its time and enjoyable for adults, Anastasia remains a classic family film.
This is not based on a true story, only loosely on a few rumors that the real Anastasia survived the killing of her family. The heroine Anya is like a Disney princess who is desperate to find out who she is and where she belongs, after suffering from amnesia following the separation of her family. The villain is the brilliant Rasputin, back from the dead, intent on extracting revenge on the Romanovs, thus starting the Russian Revolution. Dimitri and Vladimir at first are looking to find the ideal Anastasia look alike in order to get the riches from her real mother in Paris.
A lot of Bluth's films revolve around a journey and a couple involving some history on Russia. I really enjoyed the songs that played over the end credits, "At the Beginning" and "Journey To The Past" sung in her own way by Aaliyah, the beautiful angelic voiced R&B singer who left way too soon.
Brilliantly animated for its time and enjoyable for adults, Anastasia remains a classic family film.
The best way to watch a movie is with suspension of disbelief - Just trust what the producers present you with and don't question it. With that, "Anastasia" is one of the most delightful movies I've seen in some time. It's like an old musical, with people spontaneously erupting into choreographed dance, but with modern dialog (And funny, at that!), an enjoyable romance, and action sequences to keep things moving. The music, while nothing to remember to the point of distraction, was perfect for humming, and even worked to advance the plot - Unlike so many animated songs put in for the sake of having a song. So it wasn't historically perfect - if it were, there'd be no story. Go ahead and feel smug that you know what really happened, but don't turn to comment to your neighbor, lest you miss one minute of the wonderfully unfolding plot.
I'm somewhat biased: I watched this movie as a child dozens of times. The first because it had the same name as mine, and all of the times afterwards and still today because I love the movie by itself.
After years, I watched it once more tonight. The fact that it's not factual in the least doesn't take anything away from the movie to me, though I must admit cross-referencing did distract me from the movie until I just put that to the side and decided that the movie is just fiction and to leave it at that. Avoid looking at the facts very much until after the movie.
The music, characters, and scenes took me back to my childhood. The first ballroom scene and remembrance of it is my absolute favorite. I remembered the wonder of being a child throughout watching the movie, but I also held wonder for some more little details in the scenes I hadn't noticed before.
Only two things made me cringe: the pronunciation of Anastasia and Rasputin's undead body's antics.
I've grown up listening to almost everyone pronounce the name not as the Greek origin or the Russian adaption (Ah-na-stah-see-uh / Ah-na- stah-shyah), but as the common English pronunciation - which this movie uses. I'm both Greek and Russian, so it does tend to rub me wrong even more in that aspect. I've grown up around both cultures and done further research on the name, and I'm certain it's pronounced wrong. It's funny how what bothers me the most is the pronunciation.
Overall, this is a magnificent movie which all children (and those childlike at heart) will enjoy and should watch at least once. It definitely encourages imagination in its own way.
After years, I watched it once more tonight. The fact that it's not factual in the least doesn't take anything away from the movie to me, though I must admit cross-referencing did distract me from the movie until I just put that to the side and decided that the movie is just fiction and to leave it at that. Avoid looking at the facts very much until after the movie.
The music, characters, and scenes took me back to my childhood. The first ballroom scene and remembrance of it is my absolute favorite. I remembered the wonder of being a child throughout watching the movie, but I also held wonder for some more little details in the scenes I hadn't noticed before.
Only two things made me cringe: the pronunciation of Anastasia and Rasputin's undead body's antics.
I've grown up listening to almost everyone pronounce the name not as the Greek origin or the Russian adaption (Ah-na-stah-see-uh / Ah-na- stah-shyah), but as the common English pronunciation - which this movie uses. I'm both Greek and Russian, so it does tend to rub me wrong even more in that aspect. I've grown up around both cultures and done further research on the name, and I'm certain it's pronounced wrong. It's funny how what bothers me the most is the pronunciation.
Overall, this is a magnificent movie which all children (and those childlike at heart) will enjoy and should watch at least once. It definitely encourages imagination in its own way.
In the late 1990s, we had two animated movies that were based on a certain event in a country's history. In 1995, Disney gave us an American "history lesson" (and I use that term loosely) with Pocahontas, but in 1997, 20th Century Fox did exactly what Disney did, except give us a look at a bit of Russian history (again, using the term "history" loosely) about the daughter of Czar Nicholas II, Anastasia Romanov, simply called...well...Anastasia. However, one thing to consider when going into this film is that this is a family picture ("kids movie" for short), so if you're looking for a true-to-life history lesson a la a PBS or History Channel documentary, you might as well throw that out the nearest airlock.
In this film, Anastasia, voiced by Meg Ryan, is a princess that went missing for several years after the attack on the Romanov family during a party, which was led by the Romanov's former confidant Rasputin, voiced by Christopher Lloyd of Back to the Future fame, who is an undead, evil sorcerer in this movie. Anastasia, now with a case of amnesia and dubbed Anya, eventually joins two con men, Dimitri (John Cusack) and Vladimir (Fraiser's Kelsey Grammar), who are convinced that she really is the missing Romanov princess, and travel to Paris, France, where her grandmother, the Dowager Empress, resides, to hopefully reunite them, all while Rasputin is seeking her unfortunate demise.
I won't judge this movie on historical accuracy, as all (or most) of us can tell that the general audience for this film is younger children, though adult audiences will also be entertained, since there was a lot of effort put into the creation of this film. That, and I wouldn't dismiss it as a "Disney knockoff" right away, because the directors of the film, Don Bluth and Gary Goldman, were former Disney animators, so it's easy to confuse this for a Disney picture like Beauty and the Beast. As a family film alone, it is pretty damn good. The artwork and animation is great, the songs are enjoyable, and the voice acting is pretty decent.
The film was such a success that it became co-director Don Bluth's comeback after a slew of mediocre to bad animated films he directed throughout most of the decade, and his highest grossing film to date. Not only that, but it warranted a direct-to-video follow up film starring the villain's sidekick, Bartok the Bat (voiced by The Simpsons' Hank Azaria in both films).
Overall, the film serves as a great choice to have playing during a family movie night, unless you're extremely picky on historical accuracy, in which case, go do something else for 97 minutes.
In this film, Anastasia, voiced by Meg Ryan, is a princess that went missing for several years after the attack on the Romanov family during a party, which was led by the Romanov's former confidant Rasputin, voiced by Christopher Lloyd of Back to the Future fame, who is an undead, evil sorcerer in this movie. Anastasia, now with a case of amnesia and dubbed Anya, eventually joins two con men, Dimitri (John Cusack) and Vladimir (Fraiser's Kelsey Grammar), who are convinced that she really is the missing Romanov princess, and travel to Paris, France, where her grandmother, the Dowager Empress, resides, to hopefully reunite them, all while Rasputin is seeking her unfortunate demise.
I won't judge this movie on historical accuracy, as all (or most) of us can tell that the general audience for this film is younger children, though adult audiences will also be entertained, since there was a lot of effort put into the creation of this film. That, and I wouldn't dismiss it as a "Disney knockoff" right away, because the directors of the film, Don Bluth and Gary Goldman, were former Disney animators, so it's easy to confuse this for a Disney picture like Beauty and the Beast. As a family film alone, it is pretty damn good. The artwork and animation is great, the songs are enjoyable, and the voice acting is pretty decent.
The film was such a success that it became co-director Don Bluth's comeback after a slew of mediocre to bad animated films he directed throughout most of the decade, and his highest grossing film to date. Not only that, but it warranted a direct-to-video follow up film starring the villain's sidekick, Bartok the Bat (voiced by The Simpsons' Hank Azaria in both films).
Overall, the film serves as a great choice to have playing during a family movie night, unless you're extremely picky on historical accuracy, in which case, go do something else for 97 minutes.
Let others carp about the disservices to history: this Anastasia rises above its flaws to offer an engaging, emotionally resonant story of a girl's search for identity. Within its historical, quasi-factual context, the film presents a situation almost everyone can relate to--that of trying to find one's place in the world. Orphaned Anya's quest for her past (and, consequently, her future) strikes universal emotional chords: singing "Journey to the Past," she sets out with both trepidation and hope to find her identity and her place in the world. The haunting, poignant "Once Upon a December" sequence, one of the finest scenes in any recent film, is unforgettable, as we watch Anya's yearnings take the form of a ghostly dance with memories of a vanished life. And the final reunion where hostility melts gradually into acceptance, is one of the most moving and satisfying moments in film. Everything about the film bespeaks loving attention and quality: the magnificent animation and design re-create lavish Russian and Parisian locations (complete with recognizable artworks and cameos by celebrities of the '20s), and the screenplay balances action, humor, and genuine emotion. Villain Rasputin is clearly aimed at children, and some of the repartee between Anya and unlikely hero Dimitri may seem jarringly anachronistic, but viewers of any age should still enjoy this timeless coming-of-age story.
Você sabia?
- CuriosidadesIn real life, Olga really did say that Anastasia's drawing looked like a pig riding a donkey. This was stated by Anastasia in a letter to her father, and the image used in the movie is a reproduction of the original picture.
- Erros de gravaçãoThroughout the film, Anastasia is often referred to as a Princess, while her proper title was "Velikaya Knyaginya". However, while the literal translation of this title is "Grand Duchess", it is essentially equivalent to the British title of a Princess, so it is a reasonably accurate semantic translation to English, which is the language of the film after all. In any case, Anastasia is also called a Grand Duchess during the film, which means that the filmmakers were fully aware of the alternative translation.
- Cenas durante ou pós-créditosClips of the characters are shown along with the names of their respective actors during the beginning of the second part of the initial credits.
- Versões alternativasThe version shown on HBO and related channels contains extra credits for the Spanish-language version of the film. The song over those credits, a Spanish version of "Journey to the Past," was on the film's soundtrack album.
- ConexõesEdited into Bartok, o Magnífico (1999)
- Trilhas sonorasOnce Upon a December (Prologue)
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Performed by Angela Lansbury and Lacey Chabert
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Music Box
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 58.406.347
- Fim de semana de estreia nos EUA e Canadá
- US$ 120.541
- 16 de nov. de 1997
- Faturamento bruto mundial
- US$ 139.804.348
- Tempo de duração
- 1 h 34 min(94 min)
- Mixagem de som
- Proporção
- 2.39 : 1
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