A filha de um lobisomem mora em Paris, onde sua mãe e o padrasto tentam curá-la da licantropia, que herdou geneticamente. Mas nem tudo corre como o planejado e ela tenta se suicidar saltando... Ler tudoA filha de um lobisomem mora em Paris, onde sua mãe e o padrasto tentam curá-la da licantropia, que herdou geneticamente. Mas nem tudo corre como o planejado e ela tenta se suicidar saltando da Torre Eiffel, sendo salva por um americano.A filha de um lobisomem mora em Paris, onde sua mãe e o padrasto tentam curá-la da licantropia, que herdou geneticamente. Mas nem tudo corre como o planejado e ela tenta se suicidar saltando da Torre Eiffel, sendo salva por um americano.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 2 indicações no total
Avaliações em destaque
6 out of 10 ... It's worth watching.
This movie is no exception. For starters, it's important to note that An American Werewolf in London (AAWiL) will always have a special place in my heart as one of the first horror movies I remembers seeing on HBO as a kid.
This movie lacked just about everything that AAWiL had: good acting, good special effects, a decent soundtrack, etc.
Tom Everett Scott is a terrible actor... the kind of actor I see and wonder how he ever gets casted for anything. Julie Delpy is OK and I dig her accent. Everyone else was pretty much fluff and/or fodder. The effects were God awful. It's hard enough to pull off CGI monsters and hairy ones are even harder to make believable. When you are making a sequel for a movie that had effects that are still impressive by today's standards, some serious effort has to be made if the intent is to make a movie that rivals the original. This one isn't even in the same league as AAWiL. The music for AAWiL was also very well done. AAWiP had... Bush? Yeah, that's the route you want to go to create a timeless classic.
Unlike other reviews I wouldn't even go so far as to say this movie would have good as a stand-alone (no connection to AAWiL), but I wouldn't even give it that much credit.
It just sucked.
Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.
Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.
So what do YOU plan to do the next time that there's a full moon?
Você sabia?
- CuriosidadesJulie Delpy now admits that the only reason she made the film was to pay her rent.
- Erros de gravaçãoWhen Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg.
- Citações
Andy McDermott: So... hey you guy's are werewolves too, huh? Super glad to know you.
Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy?
Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that.
Claude: Sure.
- Versões alternativasWhen first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending.
- ConexõesEdited into An American Werewolf in Paris: Alternate Ending (2017)
- Trilhas sonorasDaphnis and Chloe
Written by Maurice Ravel
Performed by Koninklijk Concertgebouworkest (as The Royal Gebouw Concert Orchestra)
Conducted by Riccardo Chailly (as Ricardo Chailly)
Courtesy of Decca Record Company Limited/London Records
By Arrangement with PolyGram Film & TV Licensing
Under License from Arima Corp. and Editions Durand SA
Principais escolhas
- How long is An American Werewolf in Paris?Fornecido pela Alexa
- What did Claude say to Jacuqe after he saw Serafine?
- Why did Claude want to kill everybody at both parties?
- What is "An American Werewolf in Paris" about?
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Un hombre lobo americano en París
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 26.570.463
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.600.878
- 28 de dez. de 1997
- Faturamento bruto mundial
- US$ 26.570.463
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1