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IMDbPro

Um Lobisomem Americano em Paris

Título original: An American Werewolf in Paris
  • 1997
  • 12
  • 1 h 38 min
AVALIAÇÃO DA IMDb
5,1/10
28 mil
SUA AVALIAÇÃO
Julie Delpy and Tom Everett Scott in Um Lobisomem Americano em Paris (1997)
An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.
Reproduzir trailer1:42
1 vídeo
99+ fotos
Comédia de humor negroFantasia sombriaHorror corporalTerror de lobisomemComédiaFantasiaHorrorSuspense

A filha de um lobisomem mora em Paris, onde sua mãe e o padrasto tentam curá-la da licantropia, que herdou geneticamente. Mas nem tudo corre como o planejado e ela tenta se suicidar saltando... Ler tudoA filha de um lobisomem mora em Paris, onde sua mãe e o padrasto tentam curá-la da licantropia, que herdou geneticamente. Mas nem tudo corre como o planejado e ela tenta se suicidar saltando da Torre Eiffel, sendo salva por um americano.A filha de um lobisomem mora em Paris, onde sua mãe e o padrasto tentam curá-la da licantropia, que herdou geneticamente. Mas nem tudo corre como o planejado e ela tenta se suicidar saltando da Torre Eiffel, sendo salva por um americano.

  • Direção
    • Anthony Waller
  • Roteiristas
    • John Landis
    • Tim Burns
    • Tom Stern
  • Artistas
    • Tom Everett Scott
    • Julie Delpy
    • Vince Vieluf
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,1/10
    28 mil
    SUA AVALIAÇÃO
    • Direção
      • Anthony Waller
    • Roteiristas
      • John Landis
      • Tim Burns
      • Tom Stern
    • Artistas
      • Tom Everett Scott
      • Julie Delpy
      • Vince Vieluf
    • 211Avaliações de usuários
    • 46Avaliações da crítica
    • 31Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 2 indicações no total

    Vídeos1

    Official Trailer
    Trailer 1:42
    Official Trailer

    Fotos765

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    Elenco principal30

    Editar
    Tom Everett Scott
    Tom Everett Scott
    • Andy McDermott
    Julie Delpy
    Julie Delpy
    • Serafine Pigot
    Vince Vieluf
    Vince Vieluf
    • Brad
    Phil Buckman
    Phil Buckman
    • Chris
    Julie Bowen
    Julie Bowen
    • Amy Finch
    Pierre Cosso
    Pierre Cosso
    • Claude
    Thierry Lhermitte
    Thierry Lhermitte
    • Dr. Thierry Pigot
    Tom Novembre
    • Inspector LeDuc
    Maria Machado
    Maria Machado
    • Chief Bonnet
    Ben Salem Bouabdallah
    • Detective Ben Bou
    Serge Basso
    • Officer with Flashlight
    Charles Maquignon
    Charles Maquignon
    • Bouncer
    Jochen Schneider
    • Lycanthrope
    Alan McKenna
    Alan McKenna
    • Lycanthrope
    Hervé Sogne
    • Lycanthrope
    Edgar Kohn
    • Lycanthrope
    Jean-Claude Deret
    • Professor Martin
    Isabelle Constantini
    • Serafine's Mom (Alex Price-Pigot)
    • Direção
      • Anthony Waller
    • Roteiristas
      • John Landis
      • Tim Burns
      • Tom Stern
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários211

    5,128.4K
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    Avaliações em destaque

    Bram-5

    better than you expect

    Whaddya want from a B horror flick? This movie is funny and silly and camp -- perfect. It's not as good as the original (duh) but certainly has its charms. I liked the joke about clamato juice. See it, if you're in the mood for a non-threatening, generally interesting, often funny good time.
    Li-1

    An enjoyable enough timewaster.

    5.5 out of 10

    Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.

    Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.
    bob the moo

    Not a sequel – more a cash-in title

    When a trio of American teens travel to Paris for a daredevil challenge they decide to bungee jump off the Eiffel Tower. During the jump Andy manages to save the life of a girl attempting suicide. However when he later tries to find her again he finds that she has something to hide. When he and his friends attend a party held by friends for hers they find they are trapped by werewolves. Andy gets bitten and becomes part of a world he wants no part of.

    This is a belated sequel to the 1980's classic `American Werewolf in London' and indeed it tries very hard to be just like it - the corpse black humour, the dreams within dreams sequences etc. However the story is different as it introduces a wider werewolf conspiracy idea to the plot. It actually works quite well - it's not better than many other creature features but it works OK.

    The main problem with it is that it is very much another teen horror movie - with a stupid rock soundtrack, valley girl style humour and dumb spectacle. It lacks the original's black humour and it isn't anywhere near as tense as `London'. The special effects are totally CGI and they don't work as well as `London's' - it all looks too computerised, and seeing everything takes the scare factor out of it.

    In fairness when you look at it as a stand-alone film it's not so bad even though it doesn't stand out from other teenage horror movies. But a sequel to `London'? - sorry but it's not a great addition to that piece of work. Tom Everett Scott looks like he's stepped out of American Pie into a horror movie! He's OK but he doesn't compare with Dunne all those years ago. Julie Delphy is actually quite good - she doesn't have much of a character but she carries herself well. The other characters are either rough French skinheads or American teens.

    Overall it's entertaining enough - but it pales terribly when compared to the original.
    Loogaroo

    Go with the Prequel

    If you want a great plot, terrific special effects, good humor and characters you can really care about, rent An American Werewolf in LONDON. Stay away from this tripe.

    For one thing, the supposedly high-tech special effects are terribly disappointing. Hard to believe that even though the original movie was made 14 years before this one, its SFX are actually more realistic, mostly because the transformation scenes in this movie often happen either off-camera or while the character is running behind something.

    Also, the humor in the movie falls short. Granted, the "chewing gum" skit was pretty funny, but as I walked out of the theatre I was pretty ashamed of myself for laughing at such an immature joke. The Eiffel Tower scene is funny only because of its felonious breaking of the laws of physics (Uh, since the Tower spreads outward, wouldn't these bungee jumpers wind up slamming into it at some point during their fall?)

    And finally, the plot is simply insulting. Even though the original movie had little more behind its story than "I'm a werewolf, oh no" that is even better than this stereotypical drivel about an anti-American punk who wants to "purify" the world from the country. If that's not bad enough, their method (luring Gen-X tourists into a club to meet their grisly deaths) is awful inefficient. And to top it off, there are numerous mentions and depictions of eating/drinking someone's heart (including a scene in which Julie Delpy sticks a human heart in a blender - yummy), none of which are suitable for anyone with a stomach.

    As stated in the beginning, if you really want to see a good werewolf movie, the original 1983 film will suit you just fine. But if you rent this one, be warned: the producers and writers spent more time getting Bush to sing the theme song than they did writing the plot.
    jrb1802

    I quite Enjoyed it

    I enjoyed this movie. Its not in the same league as the Original (An American Werewolf in London), but fun all the same. I think a lot of the reviewers on here have gave it a bad write-up, because they were probably comparing it to the original too much.

    6 out of 10 ... It's worth watching.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Julie Delpy now admits that the only reason she made the film was to pay her rent.
    • Erros de gravação
      When Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg.
    • Citações

      Andy McDermott: So... hey you guy's are werewolves too, huh? Super glad to know you.

      Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy?

      Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that.

      Claude: Sure.

    • Versões alternativas
      When first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending.
    • Conexões
      Edited into An American Werewolf in Paris: Alternate Ending (2017)
    • Trilhas sonoras
      Daphnis and Chloe
      Written by Maurice Ravel

      Performed by Koninklijk Concertgebouworkest (as The Royal Gebouw Concert Orchestra)

      Conducted by Riccardo Chailly (as Ricardo Chailly)

      Courtesy of Decca Record Company Limited/London Records

      By Arrangement with PolyGram Film & TV Licensing

      Under License from Arima Corp. and Editions Durand SA

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    Perguntas frequentes39

    • How long is An American Werewolf in Paris?Fornecido pela Alexa
    • What did Claude say to Jacuqe after he saw Serafine?
    • Why did Claude want to kill everybody at both parties?
    • What is "An American Werewolf in Paris" about?

    Detalhes

    Editar
    • Data de lançamento
      • 29 de maio de 1998 (Brasil)
    • Países de origem
      • Reino Unido
      • Países Baixos
      • Luxemburgo
      • Estados Unidos da América
      • França
      • Alemanha
    • Idiomas
      • Inglês
      • Francês
      • Alemão
    • Também conhecido como
      • Un hombre lobo americano en París
    • Locações de filme
      • Luxembourg, Luxemburgo
    • Empresas de produção
      • Hollywood Pictures
      • J&M Entertainment
      • Cometstone Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 26.570.463
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 7.600.878
      • 28 de dez. de 1997
    • Faturamento bruto mundial
      • US$ 26.570.463
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 38 min(98 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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