A Lente do Amor

Sam (Matthew Broderick) is a placid astronomer who travels to NYC to win back the affections of his girlfriend, Linda. She has just left him for another man, throwing him into a chaotic state of mind. Finding her apartment house, Sam camps out at the vacant, tumbledown building across the street. He finds he has an excellent inside view of her apartment, due to a large picture window. Soon after, Maggie (Meg Ryan) joins him in his abode. It seems her ex-fiance Anton is the man living with Linda and Maggie is determined to wreak havoc in his life. After setting up a sound system, the peeping duo can even hear the apartment's conversations! Will Sam succeed in getting his girlfriend back while Maggie is messing up the life of her former love?

This funny premise translates into a humorous, enjoyable film. Anton and Linda are sitting ducks as the jilted pair formulate ways to undermine their happiness as a couple. Broderick and Ryan give lively performances that are amusing and, at times, touching. The ending may be predictable but is nonetheless satfisfying. Fans of romantic comedies will consider this one a fine addition to their list while non fans may relish the dastardly deeds ot Maggie and Sam.

How did they manage to create such a beautiful film, a pretty love story, when the story is about two nutters spying on their former partners. When you think about what the story is about, and how far Sam (Matthew Broderick) and Maggie (Meg Ryan) are willing to go in order to get back to (and at) their former partners you would think that both should be either jailed or institutionalized. However, Addicted to Love, manages to create a fairly romantic love story out of it, without us ever doubting the sanity behind their actions. Both Matthew and Meg are here in roles they have portrait many times before in other films, while the star of the film is Tchéky Karyo. You end up hating him and loving him at the same time, feeling sorry for him one minute, wishing him all the worst the next. This is crucial to the story, bringing me to the conclusion that it is Tchéky that really makes the whole film work. One could criticize that even though the idea is original, the story isn't, with no unexpected turns or twists along the way. Simple, but pleasant film. 6/10

When you hear the words `romantic comedy', the first thing that springs to mind is some sugary, smiley, big-haired, feather-light Julia Roberts escapade. `Addicted to Love' presents us with the polar opposite to this, even if the premise is pretty the same as you'd find in the usual rom-com. The result is a deft, reckless, amusing and entertaining heavy-handed movie. There isn't much to bicker about here.

Meg Ryan and Matthew Broderick show tremendous colour and prove to be likeable characters as the vengeful stalkers. Tcheky Karyo is funny as the clumsy French fool. Kelly Preston is the least convicted of the four main characters, but is still relatively good.

The film has its own generally funny slapstick moments that compensate for the lack of verbal wit. The narrative that follows is good enough to keep you wanting more, and the jokes are all very well timed. The title Robert Palmer song adds to the reckless, but endearing epitome of the film. The directing styles aren't amazing, but they're hip and stylish for the most part.

Overall, it isn't film of the century and is far from outstanding, but `Addicted to Love' is original, entertaining and very funny for the most part. I give it 6.8 out of 10.

Revenge, that's the ultimate drive behind this story. Take revenge on your ex, who has cheated on you. Matthew Broderick and Meg Ryan, both have been dumped by their former lovers and now they both wanna take revenge. Will they be able to and will it mend their broken heart?

Bitter sweet romantic comedy. Not the best, but certainly quite funny and charming.

This is a romantic comedy with a rather hard edge, or, to put it differently, a European-style farce with a too cushy ending.

Apparently, this film was conceived as a Meg Ryan vehicle, i.e. as a product suitable for her established screen persona. This was a mistake. The cast choice (and the marketing) make the outcome of the film blatantly obvious and that takes away too much suspense from the viewing experience. Also, the film makers did not have the courage to bring the misfortunes heaped upon Anton Depeaux (played very well by Tcheky Karyo) to their logical conclusion. It's designed as a chick-flick and thus everyone's gotta be happy at the end. A more emotionally ambiguous ending could have turned this into something special.